Posts Tagged ‘CFPs’
* What that means is that in South Carolina, the Confederate flag abides by its own rules. While governors—as well as the president—can usually order that all state and national flags within their jurisdiction be flown at half-staff, this one is exempt. Instead, the Confederate flag’s location can be changed only by a two-thirds vote by both branches of the General Assembly. “In South Carolina, the governor does not have legal authority to alter the flag,” said a press secretary for Haley. “Only the General Assembly can do that.” Take down the flag.
* Tech isn’t really making a “sharing” economy. So what is it making? The Servitude Bubble.
* Performance-Based Funding Can Be Fickle, One University’s Close Call Shows. Florida State would have lost $16.7 million if its median graduate had earned just $400 less.
* The sheep look up: don’t drink the water edition.
* Did abortion cause the drought? I say teach the controversy.
* It’s a weird, weird world: Obama is going to be on WTF. I’ll never accept this is real.
11. Enthusiasts have hitherto only loved the world in various ways; the point is to hate it (too).
* Another pedagogy gimmick, but at least it’s cheap: roleplaying games.
* SethBling wrote a program made of neural networks and genetic algorithms called MarI/O that taught itself how to play Super Mario World. This six-minute video is a pretty easy-to-understand explanation of the concepts involved.
* Everything you want, in the worst possible way: please god don’t ever let Captain Worf happen.
* No pricey pension plans, some argued. No promotions based solely on seniority. No set hours for a given workweek. No prohibitions against layoffs. Unions! Catch the fever!
* The arc of history is long, but Mitch Horwitz is doing a Netflix comedy series with Maria Bamford.
* Didn’t we do this one already? All six Star Wars films at once.
* And if you want to know why there’s no future for our civilization, just read this.
Science Fiction Film and Television seeks submissions for a special issue on the Mad Max franchise.
Guest Editor: Dan Hassler-Forest
The original Mad Max (1979) was a hard-edged low-budget exploitation film with sf elements, frantically put together in twelve weeks by a small crew working in and around Melbourne on a $325,000 budget. Its worldwide success led to two incrementally more ambitious sequels that expanded the first film’s dystopian vision significantly: Mad Max 2 (aka The Road Warrior) in 1982, and Hollywood behemoth Mad Max Beyond Thunderdome in 1985.
The film trilogy became hugely influential in its depiction of a post-apocalyptic wasteland, the sequels in particular establishing a visual style that soon became a default for visual representations of punk dystopias in film, television, comic books, video games, and music videos. At the same time, a wide range of comics, novels and novelizations, and video games expanded the films’ storyworld significantly.
When the fourth film in the franchise was released to much acclaim three decades after the original trilogy ended, it proved to be neither prequel, sequel, nor reboot. Mad Max: Fury Road instead revived the franchise as a variation on established themes, full of references to earlier films, but without a clear chronological relationship to its precursors. The film’s gender politics, ideology, and aesthetics have been widely debated, and new films and transmedia expansions are once again being prepared.
SFFTV invites fresh approaches to Mad Max as a sf entertainment franchise and transnational cultural phenomenon, with possible emphases on:
* politics and ideology
* fossil fuel and peak oil in sf
* post-apocalyptic narratives
* franchising and transmedia world-building
* sequels, spin-offs, and novelizations
* ecological disaster sf
* transnational cinema
* exploitation cinema and cult film
* materiality and sf: film vs. digital cinema
* transnational celebrity: Mel Gibson, Tina Turner, Tom Hardy, Charlize Theron
* representations of race and ethnicity
* gender politics and queer theory
* sf literature influences
* music video aesthetics
* “the indie blockbuster”: independent cinema in post-classical Hollywood
* representations of children and childhood
* George Miller and auteur theory
* Mad Max and transnational exploitation cinema
* Mad Max 2 and queer theory
* Mad Max Beyond Thunderdome and 1980s corporate synergy
* Mad Max: Fury Road and digital cinema
Articles of 6,000-9,000 words should be formatted using MLA style and according to the submission guidelines available on our website. Submissions should be made via our online system at http://mc.manuscriptcentral.com:80/lup-sfftv. Articles not selected for the special issue will be considered for future issues of the journal.
Any questions should be directed to the editors, Dan Hassler-Forest (email@example.com), Mark Bould (firstname.lastname@example.org), Sherryl Vint (email@example.com), and Gerry Canavan (firstname.lastname@example.org).
The deadline for submissions is February 1, 2016, with anticipated publication in spring 2017.
* In 2015, we will open applications for Tiptree Fellowships. Fellowships will be $500 per recipient and will be awarded each year to two creators who are doing work that pushes forward the Tiptree mission. We hope to create a network of Fellows who will build connections, support one another, and find collaborators.
* A new economics paper has some old-fashioned advice for people navigating the stresses of life: Find a spouse who is also your best friend. Hey, it worked for me!
* Next week in DC! Resolved: Technology Will Take All Our Jobs. A Future Tense Debate.
* Will Your Job Be Done By A Machine? NPR has the official odds.
* Shields said these perceptions of race were the focus of his work and he aimed to deconstruct them through imagery that reflected a striking role-reversal. Not only do the individuals in this particular lynching image reflect a distinct moment or period in history, they are positioned as opposing players in a way that delivers a different message than those previously shared. This one of a cop is amazing:
* So, going by (17) and (18), we’re on the receiving end of a war fought for control of our societies by opposing forces that are increasingly more powerful than we are.
* The prison-industrial complex, by the numbers. Cleveland police accept DOJ rules you can’t believe they didn’t already have to follow. Charging Inmates Perpetuates Mass Incarceration. The Price of Jails: Measuring the Taxpayer Cost of Local Incarceration. How to lock up fewer people. The Myth of the Hero Cop.
* A new day for the culture war, or, the kids are all right.
* “I often wonder if my forefathers were as filled with disgust and anger when they thought of the people they were fighting to protect as I am.” Would you like to know more?
Now, the UC administration claims that the cost of instruction is greater than in-state tuition. But these claims are at best debatable and at worst simply not credible, because as Chris Newfield and Bob Samuels have shown they include research and other non-educational expenses in order to inflate the alleged instructional cost. (It’s gotten to the point that, as Samuelsobserves, the administration literally claims it costs $342,500 to educate one medical student for one year.) According to Newfield, a more reasonable estimate of the cost of instruction for undergraduates would be somewhere between 40-80 percent of the administration’s figures. Even using the higher rate, then, the administration still generates a net profit for every extra student they bring in.
* Academia and legitimation crisis. This situation (and distrust/abuses from both sides) is going to get worse yet.
* This supposed opposition serves the interests of both sides, however violent their conflict may appear. Helped by their control of the means of communication, they appropriate the general interest, forcing each person to make a false choice between “the West or else Barbarism”. In so doing, they block the advent of the only global conviction that could save humanity from disaster. This conviction—which I have sometimes called the communist idea—declares that even in the movement of the break with tradition, we must work to create an egalitarian symbolisation that can guide, regulate, and form the stable subjective underpinning of the collectivisation of resources, the effective disappearance of inequalities, the recognition of differences—of equal subjective right—and, ultimately, the withering away of separate forms of authority in the manner of the state.
* Breaking: The Web is not a post-racial utopia.
* Breaking: it’s all downhill from 29.
* Horrible: DC to Begin Placing Ads on Story Pages. Even more horrible: the end of Convergence is the dumbest universal reboot yet.
* The Best and Worst Places to Grow Up: How Your Area Compares. Interesting, but really flattens a lot. It’s not geography that constrains kids’ futures, it’s class.
* They say Charter Cable is even worse than Time Warner. I don’t believe such a thing is possible.
* Judith Butler: I do know that some people believe that I see gender as a “choice” rather than as an essential and firmly fixed sense of self. My view is actually not that. No matter whether one feels one’s gendered and sexed reality to be firmly fixed or less so, every person should have the right to determine the legal and linguistic terms of their embodied lives. So whether one wants to be free to live out a “hard-wired” sense of sex or a more fluid sense of gender, is less important than the right to be free to live it out, without discrimination, harassment, injury, pathologization or criminalization – and with full institutional and community support. That is most important in my view.
* The PhD: wake up sheeple! Still more links after the image, believe it or not.
* Broken clock watch: Instapundit says fire administrators to fix higher ed.
* Became self-aware, etc: campus climate surveys said to be triggering.
* Penn State administrators announced Wednesday that a fraternity that maintained a well-curated secret Facebook page full of pictures of unconscious, naked women will lose its official recognition until 2018, pretty much ruining senior year.
* The arc of history is long, but that Florida community college will no longer force its students to practice transvaginal ultrasounds on each other.
* A fetish is born: Porn actors must wear protective goggles during shoots.
* This roundtable from Amy Schumer, Lena Dunham, and others on sexism and comedy is pretty dynamite.
* The age of miracles: New Alzheimer’s treatment fully restores memory function.
* Parental leave policies don’t solve capitalism. You need to solve capitalism.
* And at last it can be told! The real story behind the Bill Murray movie you’ve never seen.
* In case you missed it: the syllabus for my summer science fiction course.
* In this small suburb outside Milwaukee, no one in the Menomonee Falls School District escapes the rigorous demands of data.
* Bérubé and Ruth (and Bousquet) on their plan to convert adjunct positions to teaching tenure.
* Free market watch: Having everyone’s account at a single, central institution allows the authorities to either encourage or discourage people to spend. To boost spending, the bank imposes a negative interest rate on the money in everyone’s account – in effect, a tax on saving.
* In the last academic year, Rutgers athletics generated $40.3 million in revenue, but spent $76.7 million, leaving a deficit of more than $36 million. In other words, revenue barely covered half the department’s expenses.
* The crazy idea was this: The United States Army would design a “deception unit”: a unit that would appear to the enemy as a large armored division with tanks, trucks, artillery, and thousands of soldiers. But this unit would actually be equipped only with fake tanks, fake trucks, fake artillery and manned by just a handful of soldiers.
* I honestly found this a pretty devastating brief, though not everyone on Facebook found it as useful or persuasive as I did: The Progressive Case Against Public Schools, or, What Bleeding Heart Libertarians Should Say.
* Disney Spent $15 Billion To Limit Their Audience. But the news gets worse, friends: Disney under fire for fairytale film based on true story of American dad who claimed African land to make daughter a princess.
* The arc of history is long, but Harry Shearer is quitting The Simpsons.
* Not since Jewel’s A Night without Armor have we seen a poet like James Franco.
* And it’s not all bad news: Telltale Promise Something ‘Major’ From The Walking Dead Franchise This Year.
Science Fiction Film and Television invites submissions for our summer reading period! Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film and television will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to email@example.com.
We are also continuing to accept submissions related to our upcoming special issue on “Star Trek at 50.” The deadline for submissions for the special issue is September 1.