Posts Tagged ‘Kazuo Ishiguro’
March Links!
- SFRA Review 51.1 is out! SFFTV 14.1 is out!
- Congratulations to the winners of the 2021 Peter Lang Young Scholars Competition in Science Fiction Studies! I’m so excited to work with Michelle Clarke on From Wilderness to Anthropocene: The Frontier in African Speculative Fiction.
- My presentation for ICFA42 is up at YouTube.
- I have an episode on the new Novel Dialogues podcast dropping April 8. I speak with Aarthi and the great Kameron Hurley.
- My work on Butler has had a nice second life since the release of the first Library of America volume, with reviews in the New York Times Review of Books, Harper’s, and LRB.
- Marquette English is doing March Movie Madness.
- And if Seuss news is what you choose, my Lorax article is free to read right now at Science Fiction Film and Television.

- CFP: Tolkien and Diversity. CFP: SFF and Class. CFP: 50+ Shades of Gothic: The Gothic Across Genre and Media in US Popular Culture.
- A substack we can believe in: 50 Years of Text Games. 1977’s entry is a personal favorite, Zork.
- How to Build a World.
- How to Land on Mars.
- Who Is R. A. Lafferty? And Is He the Best Sci-Fi Writer Ever?
- “Octavia Butler: Visionary Fiction” at NPR Throughline. And a little OEB love from JPL.
- The unpublished Lord of the Rings epilogue is lovely in comics form. And some more Tolkien content: Lord of the Rings tabletop RPG The One Ring is getting a second edition. Everything You Need to Know About Lord of the Rings‘ Second Age. Tolkien’s Orcs: Bolg, Shagrat, and the Maggot-folk of Mordor. Making or Creating Orcs: How Thorinsmut’s Free Orcs AU Writes Back to Tolkien. As a Black Lord of the Rings fan, I felt left out of fantasy worlds. So I created my own.
- Is Wanda’s ‘paradox’ of control not central to the forms of decentralized control that the suburb seeks?
- I went on my own Wandaverse journey on Twitter and I think this is where I landed.
- An abusive reckoning for “Buffy,” a badass, occasionally feminist show created by a monstrous man. The Quiet Misogyny of “Buffy the Vampire Slayer.” Joss Whedon’s ‘feminist’ shows all concealed toxic ideas about women. What It’s Like to Be a ‘Buffy’ Fan In the Wake of These Joss Whedon Revelations.
- From the archives: The Assassination of Cordelia Chase. And once more with feeling: Whedon Studies after Whedon.
- The Lies Hollywood Tells About Little Girls.
- The Resurrection of Kelly Marie Tran: On Surviving ‘Star Wars’ Bullying, the Pressures of Representation, and ‘Raya and the Last Dragon.’
- President Superman, coming from Ta-Nehisi Coates and J.J. Abrams?
- The Dr. Doom Podcast, only on the Voice of Latveria.
- Stan Lee and the Dotcom Disaster.
- Five game mechanics legally protected by the companies that made them.
- New Retro-Style ‘Star Trek: Kobayashi Maru’ Web Game Promises To Be “Nearly Impossible” To Beat.
- Just when you thought it was safe to go back to Johannesburg: here comes District 10.
- The demise of secure work and the rise of ‘precarity’ is a theme of the modern world – and now, it’s finding its way onto the big screen.
- ‘This Crap Means More to Him Than My Life’: When QAnon Invades American Homes. ‘I Miss My Mom’: Children Of QAnon Believers Are Desperately Trying To Deradicalize Their Own Parents. QAnon and the Cultification of the American Right. The Democratic Party Has a Fatal Misunderstanding of the QAnon Phenomenon. Where the Far Right Goes After January 6.
- When will the US reach herd immunity? Can I gather with friends and family after getting the COVID-19 vaccine? Can I travel? Here is what health experts say. A Quite Possibly Wonderful Summer. Massive 1-Year Rise In Homicide Rates Collided With The Pandemic In 2020. ‘What’s the Point?’ Young People’s Despair Deepens as Covid-19 Crisis Drags On. David Graeber: After the Pandemic, We Can’t Go Back to Sleep.
- The Great Art Behind Hunter S. Thompson’s Run for Sheriff.
- English departments rethink what to call themselves.
- A New Beginning in Shared Governance at Marquette University. But the struggle goes on.
- Are Endowments Damaging Colleges and Universities? Citing budget issues, John Carroll University fundamentally alters tenure — to the point that professors say it and academic freedom no longer exist. Former professors file lawsuit against Canisius, citing “breach of contract.” Disaster Capitalism for Higher Education: A Farewell to Ithaca College. A Governance Investigation Update from the AAUP. Michigan’s small liberal arts colleges are in fight for survival. The “Amazonification” of Higher Education Has Arrived. It’s Not Pretty. Can Higher Ed Save Itself? The Great Contraction.
- Fired for Tweeting? A Professor Says She Was Cut Loose in Retaliation. US universities hit by protests over cuts, tuition, right to unionize. Two-thirds of New York City’s Arts and Cultures Jobs Are Gone.
- What We’ve Lost in a Year of Virtual Teaching: Our professional identity has suffered, and so have our students. But we’ve learned, too. Faculty Members Are Suffering Burnout. These Strategies Could Help.
- Electricity needed to mine bitcoin is more than used by ‘entire countries.’ Fight Carbon. With Coin. Sci-fi carbon coins could actually save our planet.
- More Ministry content: Catastrophe and Utopia: Kim Stanley Robinson’s ‘Ministry for the Future.’
- The enormous risk of atmospheric hacking. In the Atlantic Ocean, Subtle Shifts Hint at Dramatic Dangers. Mars Is a Hellhole. Shifting baseline syndrome: causes, consequences, and implications. Love in the time of climate change: Grizzlies and polar bears are now mating.
- ‘I don’t have money for food’: millions of unemployed in US left without benefits. Millions of jobs probably aren’t coming back, even after the pandemic ends. The Democrats are blocking a $15 minimum wage.
- Kazuo Ishiguro: ‘AI, gene-editing, big data … I worry we are not in control of these things any more.’
- Voyager’s Native American consultant was a fraud. Well, you’d never be able to tell from the series’s careful, authentic treatment of Native identity…
- Why we (still) can’t have nice things. The situation is not good.
- The Cost of Miscarriage is High — Not Just Emotionally, But Financially. Cedarburg woman fighting cancer and insurance after they cover removal of one breast but not other.
- Parents of daughters are more likely to divorce than those with sons.
- The Tyranny of Parents.
- Are You Smarter Than a Cephalopod?
- A brief history of the bizarre and sadistic Presidential Fitness Test.
- Kentucky bill would make it a crime to insult police officers. Alabama Senate committee votes to criminalize treatment for transgender minors.
- Deepfake porn is ruining women’s lives. Now the law may finally ban it.
- The realest tweet.
- Chess is bad now. This is good.
- Statement of Teaching Philosophy. Deconstruction.
- The Problem With the Postcolonial Syllabus: Against a peculiarly Western allergy to the pleasure of the text.
- Finally, someone is making sense.
- Scientists Have Proposed a New Particle That Is a Portal to a 5th Dimension.
- Bring back the nervous breakdown!
- Is This the End of Tipping?
- The Sadism of Eating Real Meat Over Lab Meat.
- I really need you to read Vladmir Nabokov’s Superman poem and understand that it was accompanied by a hilariously serious exegesis by the Times Literary Supplement.
- All 17 base Twilight Imperium factions, ranked by number of war crimes (Updated).
- And there’s just one rule that I know of, babies.
New Fall Syllabus #1: Alternate History!
I’m teaching three classes this semester, ENGLISH 4615/5615 (“Infinite Jest”), ENGLISH 2010 (“Alternate History”), and HOPR 1953 (“Video Game Culture”) (one-credit, pass/fail, now with Pokémon Go!). I’m very excited about all three. The Infinite Jest course is one I’ve wanted to do for a very long time — I came up with the whole idea of adding the new 4615/5615 course number to the Marquette English just so I could do this course — and the alternate-history course has been puttering around in my brain as a pedagogical opportunity for just about as long.
I got a lot of help from folks on Twitter and Facebook with the alternate history novel course, both at the level of generating texts but also at the level of conceptualizing the course a little different so it could be more inclusive, and I’m really grateful for that. I was finally sold by Alexis Lothian on the idea that I was being silly by being resistant to stories like The Lathe of Heaven and “The Book of Martha,” for instance, and that the practical effect of that resistance was to make the class much whiter and much maler than it really needed to be. Now, the course is still pretty white and very male, but the genre itself is, and somehow or another that’s something I want to start to talk about as the semester progresses. The excellent suggestion of Karen Joy Fowler’s story “Game Night at the Fox and Goose” will really help me make that pivot, I think, as will In the United States of Africa (a great novel I couldn’t believe I forgot to include until it was pointed out to me I’d forgotten to include it, I think by Aaron Bady).
A few other things I was very sad to lose:
- I was originally going to do “an alternate history of an alternate history” thing to end the semester, Superman: Red Son, but it just didn’t make sense the way the course took shape. I held on to the idea way too long, and only cut the book two days ago. Sorry, bookstore!
- The whole original point of all this was to use the course as an excuse to teach The Years of Rice and Salt, a book I love which seems just too long too teach in any other context. And it still seems too long to teach (at least at the sophomore level). I had to give it up, and wasn’t able to include even any excerpts because I crammed in too much other stuff. Someday!
- Another thing that fell out of the course was a group presentation structure in which individual groups researched the actual history of the hinge point of each divergence and reported on it. I realized that with the newer, more expansive idea of the course this wasn’t going to work very well for at least half the books, and probably would have been reductive and overdetermined our conversations in practice, so it had to be abandoned as well.
- I really, really wanted to include a Ted Chiang what-if-religion-were-empirically-verifiable story like “Hell Is The Absence of God,” but, again, it seemed just a bit far too off the mark this time.
- I am, indeed, doing literally just one page from The Plot Against America, fulfilling my perverse desire to do so.
- There were many other great suggestions for books that I wasn’t able to use. A few that I really struggled over:
- Life After Life: a Replay-style reincarnation novel about World War I;
- Replay itself, which is just too time-travel-ish for this (though I’ve always really liked it);
- I likewise ruled out some other really good alternate-timeline stories because they were really time travel stories, from my puritanical perspective;
- Something longer from Butler, perhaps Wild Seed (again, just too far afield generically for what I’m hoping to do);
- Something truly (“merely”) generic, like Turtledove or Bring the Jubilee;
- Lion’s Blood, Atomik Aztex, The Indians Won, The Bird Is Gone, The Heirs of Columbus, etc. I was so hung up on the idea of doing The Years of Rice and Salt that it crowded out this space for me (and then I added In the United States of Africa instead, to take on this question from a different direction). Next time.
- Swastika Night, 1984, Handmaid’s Tale, Battle Royale: all good suggestions but didn’t hit the sense of “pastness” required by my conception of alternate history as a genre, as they were all future histories in their original moment of production;
- District 9: only (re-)occurred to me at the last second because I was talking about it to somebody in another context, and didn’t have time to do it because the syllabus was (again) too crammed with too much other stuff. Someone had suggested Born in Flames to me as well, which also would have been great.
- I also really wanted to play some board games like Twilight Struggle, Risk, Axis and Allies, and Chrononauts, but it seemed like it would be unwieldy and pointless with 35 students in the room. I think Civilization could scratch the same itch, though…
All right, with all those caveats, apologies, and thanks, here’s the week by week schedule (and full syllabus with all course procedures)! Three papers, the first two “traditionally scholarly,” the third one with a creative option, as well as a few creative micro-assignments here and there. If there’s anything more I should explain or you have any questions about the decisions I made, feel free to ask in the comments!
M | Aug. 29 | FIRST DAY OF CLASS
in-class writing exercise: “What If…” |
W | Aug. 31 | class discussion: “What If…” |
UNIT ONE: ALTERNATE WORLD WAR IIs | ||
F | Sep. 2 | Kim Stanley Robinson, “The Lucky Strike” |
M | Sep. 5 | LABOR DAY—NO CLASS |
W | Sep. 7 | Kim Stanley Robinson, “A Sensitive Dependence on Initial Conditions” |
F | Sep. 9 | FIRST PAPER GUIDELINES DISTRIBUTED
Star Trek: “The City on the Edge of Forever” (discussion only; watch it on your own!) criticism: H. Bruce Franklin, “Star Trek in the Vietnam Era” [D2L] |
M | Sep. 12 | Philip K. Dick, The Man in the High Castle, chapters 1-3 |
W | Sep. 14 | Philip K. Dick, The Man in the High Castle, chapters 4-6 |
F | Sep. 16 | Philip K. Dick, The Man in the High Castle, chapters 7-9 |
M | Sep. 19 | Philip K. Dick, The Man in the High Castle, chapters 10-13 |
W | Sep. 21 | Philip K. Dick, The Man in the High Castle (whole book) |
F | Sep. 23 | The Man in the High Castle (2015 Amazon pilot) (discussion only; watch it on your own!) |
M | Sep. 26 | Quentin Tarantino, Inglourious Basterds (discussion only; optional screening date and time TBA) |
W | Sep. 28 | Quentin Tarantino, Inglourious Basterds (discussion continues)
· review: Ben Waters, “Debating Inglourious Basterds” [Web] · review: Michael Atkinson, “The Anti-Blockbuster” [Web] · review: Lee Siegel, “Tarantino’s Hollow Violence” [Web] · review: Jeffrey Goldberg, “Hollywood’s Jewish Avenger” [Web] |
F | Sep. 30 | Lauren Davis, “Quentin Tarantino’s Spin Through Alternate History” [io9.com]
creative writing: Draft a short flash fiction [500-1000 words] or create an artifact, document, or image set in the 2016 of the world of Inglourious Basterds
Philip Roth, The Plot Against America (excerpt) [D2L] |
UNIT TWO: OTHER HISTORIES | ||
M | Oct. 3 | FIRST PAPER WORKSHOP
Bring in at least your introductory paragraphs, main claim, and an outline of your paper. |
W | Oct. 5 | Sid Meier’s Civilization
videos: Civilization V timelapse gameplay videos [YouTube] post: Trevor Owens, “Sid Meier’s Colonization: Is It Offensive Enough?” [Web] thread: Lycerius, “I’ve Been Playing the Same Game of Civilization for Almost Ten Years. This Is the Result” [Reddit] |
F | Oct. 7 | Sid Meier’s Civilization
criticism: Kacper Pobłocki, “Becoming-State: The Bio-Cultural Imperialism of Sid Meier’s Civilization” |
M | Oct. 10 | FIRST PAPER DUE
SECOND PAPER GUIDELINES DISTRIBUTED Ursula K. Le Guin, “The Ones Who Walk Away from Omelas” [D2L] |
W | Oct. 12 | Karen Joy Fowler, “Game Night at the Fox and Goose” [D2L] |
F | Oct. 14 | criticism: L. Timmel Duchamp, “Playing with the Big Boys: (Alternate) History in Karen Joy Fowler’s ‘Game Night at the Fox and Goose’” [Web] |
M | Oct. 17 | Lin-Manuel Miranda, Hamilton |
W | Oct. 19 | Lin-Manuel Miranda, Hamilton
thinkpiece: Jennifer Schuessler, “Hamilton and History: Are They in Sync?” [Web] interview: Rebecca Onion and Lyra D. Monteiro, “A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems” [Web] |
F | Oct. 21 | FALL BREAK—NO CLASS |
M | Oct. 24 | Terry Bisson, Fire on the Mountain, pgs. 1-66 |
W | Oct. 26 | Terry Bisson, Fire on the Mountain, pgs. 67-119 |
F | Oct. 28 | Terry Bisson, Fire on the Mountain (whole book) |
M | Oct. 31 | Abdourahman A. Waberi, In the United States of Africa (part one) |
W | Nov. 2 | Abdourahman A. Waberi, In the United States of Africa (whole book)
criticism: Justin Izzo, “Historical Reversibility as Ethnographic Afrofuturism: Abdourahman Waberi’s Alternative Africa” |
F | Nov. 4 | CONFERENCES—CLASS CANCELLED |
UNIT THREE: DREAMING OF DIFFERENCE | ||
M | Nov. 7 | Kazuo Ishiguro, Never Let Me Go (chapters 1-4) |
W | Nov. 9 | Kazuo Ishiguro, Never Let Me Go (chapters 5-6) |
F | Nov. 11 | Kazuo Ishiguro, Never Let Me Go (chapters 7-9) |
M | Nov. 14 | SECOND PAPER DUE
FINAL PROJECT GUIDELINES DISTRIBUTED Kazuo Ishiguro, Never Let Me Go (chapters 10-13) |
W | Nov. 16 | Kazuo Ishiguro, Never Let Me Go (chapters 14-16) |
F | Nov. 18 | Kazuo Ishiguro, Never Let Me Go (chapters 17-19) |
M | Nov. 21 | Kazuo Ishiguro, Never Let Me Go (whole book)
Martin Puchner, “When We Were Clones” [D2L] |
W | Nov. 23 | THANKSGIVING BREAK—NO CLASS |
F | Nov. 25 | THANKSGIVING BREAK—NO CLASS |
M | Nov. 28 | Ursula K. Le Guin, The Lathe of Heaven (chapters 1-4) |
W | Nov. 30 | Ursula K. Le Guin, The Lathe of Heaven (chapters 5-8) |
F | Dec. 2 | Ursula K. Le Guin, The Lathe of Heaven (whole book) |
M | Dec. 5 | Octavia E. Butler, “The Book of Martha”
creative writing: Imagine God comes to you with the same offer he/she/it brings to Martha. What one change would you make to the world, and why? |
W | Dec. 7 | Octavia E. Butler, “The Book of Martha” (discussion continues)
creative writing: Draft a flash fiction [500-1000 words] or create an artifact, document, or image set in the world that exists sometime after the end of “The Book of Martha.”
Octavia E. Butler, “Afterword to ‘The Book of Martha’” Gerry Canavan, Octavia E. Butler (excerpt) [D2L] |
F | Dec. 9 | FINAL PROJECT WORKSHOP
LAST DAY OF CLASS |
F | Dec. 16 | FINAL ASSIGNMENT DUE BY 12:30 PM |
New Course Descriptions for Fall 2016: “Alternate History” and “INFINITE JEST”
So, this is what I’ll be teaching in the fall.
I’m a little swamped this morning so I can’t do the longer post on the Alternate History course I’ve been meaning too, but I wanted to thank the people on Twitter and Facebook who gave me such good ideas for additional texts in the course and really helped me expand my vision of what was possible. I’ll have a post about that sometime in the next couple of weeks, I hope…
ENGLISH 2000: LITERATURE AND GENRE
Course Title: Alternate History
Course Description: What if Hitler had never taken power? What if the United States had never dropped the atomic bomb on Japan? What if the 9/11 terror attacks had been foiled? What if Gore had beat Bush? What if slaves in the American South had successfully revolted, or China had discovered the New World, or the Black Plague had killed 99% of Europeans instead of only 25%? What if cloning had been invented and perfected in the 1970s? What if Superman’s rocket ship had landed in the Ukraine instead of Kansas? Is history made by Great Men, or by social movements, or by technological progress, or by random chance? Does history follow some set of laws or rules, or is it all just a bunch of stuff that happens? This course will explore all these topics and more through dedicated exploration of the literary genre typically called “alternate history”: stories of worlds that are exactly like ours, until some historical event, big or small, goes another way…
Readings: This course will explore the alternate history genre through a wide variety of media forms including prose fiction, film and television, comics, and games, but major readings for the course will include Mark Millar’s Superman: Red Son, Kazuo Ishiguro’s Never Let Me Go, Abdourahman Waberi’s In the United States of Africa, Terry Bisson’s Fire on the Mountain, Ursula K. Le Guin’s The Lathe of Heaven, and Philip K. Dick’s The Man in the High Castle, among others.
Assignments: two 4-6-page papers; one 6-8-page final paper; online discussion forum; active class discussion; presentations
ENGLISH 4615/5615: TEXT IN CONTEXT
Course Title: Infinite Jest
Course Description: I had a teacher I liked who used to say good fiction’s job was to comfort the disturbed and disturb the comfortable. I guess a big part of serious fiction’s purpose is to give the reader, who like all of us is sort of marooned in her own skull, to give her imaginative access to other selves.… We all suffer alone in the real world; true empathy’s impossible. But if a piece of fiction can allow us imaginatively to identify with a character’s pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside. —David Foster Wallace
This course explores the literary, cultural, and intellectual legacy of David Foster Wallace (1962-2008), widely considered by admirers and detractors alike to be among the most influential and important writers of his generation. In particular we will study his magnum opus, Infinite Jest (1996), twenty years old this year, a book which not only continues to speak with shocking relevance and delightful irreverence to our present, but which seems, in many ways, to have accurately predicted it. Slowly and carefully reading Wallace’s epoch-defining novel together will open up a window on the last twenty years of American life, letters, entertainment, and art, while the unavoidable shadow cast by his 2008 suicide will raise important questions for us about literary celebrity, biographical criticism, and the often troubled relationship between public personae and the real, lived lives of writers and artists.
Readings: David Foster Wallace, Infinite Jest; coursepack
Assignments: seminar paper (12-15 pages); two “thinkpiece”-length “mini-papers”; online reading journal; active class participation; presentations
A Few Links for Monday Morning
Yes, it’s only been one day, but I’m trying to get back in the habit of doing these more regularly…
* Following up on yesterday’s bonus Hugo’s post: This Is What The 2015 Hugo Ballot Should Have Been. Notes from the WSFS business meeting (read alongside this description of what all the voting propositions were).
* Mindfulness on the academic job search. I was fully prepared to mock this based on the headline, but I was actually won over, and I won’t beat myself up for that.
* Now the Ransom Center has gotten Ishiguro’s archive, too.
* I’m not lawyer, but wouldn’t this be a pretty clear violation of employment law if Duke and UNC were traditional corporations?
* This is the most common job held by immigrants in each state.
* Jon Stewart’s post-Daily Show career is weird.
* Vulture interviews Tarantino.
So all the potential movies you’ve mentioned through the years — Killer Crow, The Vega Brothers, the Django/Zorrocrossover movie — those will probably never happen, right?
No. I don’t think I’m going to do Killer Crow anymore, but that’s the only one that could possibly be done.
Is Kill Bill 3 also off the table?
No, it’s not off the table, but we’ll see.
I’m bummed about Killer Crow, but I’ll always keep my Kill Bill 3 hope alive.
* And new from #BlackLivesMatter: Campaign zero.
Thursday Links!
* In case you missed it yesterday: “Universities, Mismanagement, and Permanent Crisis.”
* Chomsky: How America’s Great University System Is Being Destroyed.
* “Faculty and Students Are Walking Out Today for Catholic Identity.”
* CFP: Porn Studies Special Issue: Porn and Labour.
* Igbinedion’s production company Igodo Films recently shared Oya: Rise of The Orishas in full online. They also revealed that the Oya project has been adapted for the silver screen with principal photography on the feature-length film version scheduled to begin later this year in Brazil. The London-based filmmaker shared in a recentinterview that he made the short film in order to prove that there is a market for sci-fi films revolving around African characters and storylines. In this regard, Oya joins Ethiopian post-apocalyptic flick Crumbs in forging a path for future film projects from the continent within the realm of speculative fiction. In addition to the full-length project, Oya‘s creators have also confirmed plans for a comic book adaptation of the film, which is currently available for pre-order.
* Neil Gaiman reviews Kazuo Ishiguro’s The Buried Giant. Sounds bizarre and great.
* Study: Killers are less likely to be executed if their victims are black. What could explain it?
* First full body transplant is two years away, surgeon claims.
* London, the city that privatised itself to death.
* Once-homeless Baylor player ineligible, allegedly for accepting a place to live.
* How Facebook is changing the ways we feel.
* The creators of that (great!) Mighty Morphin Power Rangers fan film might be in trouble.
* Meanwhile everything old is new again: Duck Tales, Inspector Gadget, even Danger Mouse.
* The day we all feared is upon us.
* It’s important that the Campaign to Stop Killer Robots succeed, either at achieving an outright ban or at sparking debate resulting in some other sensible and effective regulation. This is vital not just to prevent fully autonomous weapons from causing harm; an effective movement will also show us how to proactively ban other future military technology.
* Meet Your Republican 2016 Front-Runner.
* Thousands of oil refinery workers are striking for safer working conditions. Their fight is central to the struggle against climate change.
* Choose Your Own Adventure: So You’ve Accidentally Gotten Pregnant in South Dakota.
Monday Links!
* Somebody thinks 2015 could be a doozy: Treasury Department Seeking Survival Kits For Bank Employees.
* Trends We Can Work With: Higher Ed in 2015.
* Remembering the reason for the season: During Holiday Season, City Erects Cages To Keep Homeless People Off Benches.
* Christmas Eve Document Dump Reveals US Spy Agencies Broke The Law And Violated Privacy.
* But, are they more likely to precipitate police violence? No. The opposite is true. Police are more likely to kill black people regardless of what they are doing. In fact, “the less clear it is that force was necessary, the more likely the victim is to be black.”
* Ending excessive police force starts with new rules of engagement.
* What Does It Mean to Be Anti-Police?
* How to Survive a Cop Coup: What Bill de Blasio Can Learn From Ecuador.
* And whether or not people accept it, that new normal—public life and mass surveillance as a default—will become a component of the ever-widening socioeconomic divide. Privacy as we know it today will become a luxury commodity. Opting out will be for the rich.
* “Enhanced interrogation” is torture, American style. Exceptional torture. Torture that insists it is not torture. Post-torture? This uniquely American kind of torture has six defining characteristics.
* “The Greatest Trick the Devil Ever Pulled”: In praise of The Usual Suspects.
* Decades of Bill Cosby’s shadow ops.
* Justice Denied to Steven Salaita: A Critique of the University of Illinois Committee on Academic Freedom and Tenure Report. This was my reaction as well.
* Anti-intellectualism is taking over the US.
* Are ideas to cool the planet realistic? Meanwhile: Pope Francis Could Be Climate’s Secret Weapon Next Year.
* The architecture of dissent.
* The red state economic miracle that wasn’t.
* Airlines want you to suffer.
* Games are ancient, and they are not going anywhere anytime soon. But their stock is not rising at the rate that their fans’ Twitter streams and Web forums might suggest. Instead of a ludic age, perhaps we have entered an era of shredded media. Some forms persist more than others, but more than any one medium, we are surrounded by the rough-edged bits and pieces of too many media to enumerate. Writing, images, aphorisms, formal abstraction, collage, travesty. Photography, cinema, books, music, dance, games, tacos, cats, car services. If anything, there has never been a weirder, more disorienting, and more lively time to be a creator and a fanatic of media in all their varieties. Why ruin the moment by being the one trying to get everyone to play a game while we’re letting the flowers blossom? A ludic century need not be a century of games. Instead, it can just be a century. With games in it.
* Death toll among Qatar’s 2022 World Cup workers revealed. Migrant World Cup workers in Qatar are reportedly dying at alarming rates.
* Enterprise, TOS, and “the scent of death” on the Federation.
* How Kazuo Ishiguro wrote The Remains of the Day in four weeks.
* I am no fan of the North Korean regime. However I believe that calling out a foreign nation over a cybercrime of this magnitude should never have been undertaken on such weak evidence.
* Longreads best crime reporting 2014.
* A Drone Flew Over A Pig Farm.
* The black and African writer is expected to write about certain things, and if they don’t they are seen as irrelevant. This gives their literature weight, but dooms it with monotony. Who wants to constantly read a literature of suffering, of heaviness? Those living through it certainly don’t; the success of much lighter fare among the reading public in Africa proves this point. Maybe it is those in the west, whose lives are untouched by such suffering, who find occasional spice and flirtation with such a literature. But this tyranny of subject may well lead to distortion and limitation.
* I’m a pretty big fan of “Jean & Scott”: 1, 2, 3, 4, 5, 6, 7, 8, 9.
* A profile of David Letterman from 1981.
* How Colonel Sanders Became Father Christmas in Japan.
The filmmakers’ cartoonishly evil vision of Saruman is unfortunate, as it deprives a fascinating narrative of its complexity, while also being untrue to Tolkien’s own vision. Jackson and his team seem incapable of imagining that a person can be wrong without also being evil. For example, the Master of Lake-town in The Hobbit was greedy, but he was an elected official, generally well regarded by the community (at least until he absconds with the municipal funds, a fact revealed only on the last page of the book); in the film The Desolation of Smaug, he is a murderous tyrant who opposes even the idea of elections. An even worse example is the case of Denethor, Steward of Gondor, who in the books has been driven mad by grief and despair, partly owing to the cruel machinations of Sauron himself; in the film (The Return of the King), he is made so irredeemably evil that Gandalf actually attacks him, while we the viewers are expected to cheer. If this is what Jackson does to weak and pitiable characters, what must he do to Saruman, who is a legitimate “bad guy” in The Lord of the Rings?
* Quiz: Find out how your salary stacks up against other American workers. You know, fun.
* L.A. studio to restore venerable ‘King’s Quest’ to its gaming throne.
* Is the anti-vax movement finally dying?
* You can’t beat the media at its own game.
* America’s own 7 Up: Johns Hopkins’s Beginning School Study.
* Sober People against New Year’s Eve SuperPAC.
* And of course you had me at Grant Morrson’s All-New Miracleman Annual #1.
Sunday Links
* CFP: Far Eastern Worlds: Racial Representations of Asia in Science Fiction.
* Great research opportunity for people working in SF studies: 2014-15 Le Guin Feminist Science Fiction Fellowship.
* Teachers refuse to administer standardized tests.
* The despair of solitary confinement.
* The Afterlife of the Humanities.
* Transgender Children in Antebellum America.
* The Impossible Dream of Jodorowsky’s Dune.
* The Impossible Dream of a Second Season of The Comeback.
* Erotica Written By An Alien Pretending Not To Be Horrified By The Human Body.
* Great moments in Big Data: Math proves Hollywood shouldn’t be sexist.
* ESPN profiles the cheerleader at the heart of the Raiders wage theft case.
* Scenes from the heroin crisis in Vermont.
* The end of journalism in New Jersey.
* Anadarko Agrees To Record $5 Billion Fine For ’85 Years Of Poisoning The Earth.’ Anadarko’s revenues are 14 billion annually, with assets of 52 billion, so it seems clear the fine doesn’t go nearly far enough.
* How Soviet Artists Imagined Communist Life in Space.
* We’ve Found A Hidden Ocean On Enceladus That May Harbor Life.
* Radically unnecessary TV adaptation of perfect film goes to series.
* If the first wave provided a machine for fighting misery, and the second wave a machine for fighting boredom, what we now need is a machine for fighting anxiety – and this is something we do not yet have.
* Never say die: Goonies Director Teases Sequel Featuring Original Cast.
* Kazuo Ishiguro Readies First Novel in 10 Years.
* The world is now largely a population of scared confused people ruled by atavistic sociopaths with no sense of history, ethics, science, beauty, or truth. But then you already knew that.
* If you want a vision of the future, imagine being vaguely disappointed by one Marvel Cinematic Universe film a year, forever.
* And Marquette will send a team to the only sporting event that really matters, the Robot World Cup.