Posts Tagged ‘horror’
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to firstname.lastname@example.org no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
Upcoming issue of Paradoxa: “Global Weirding”
The editors of this special issue of Paradoxa on “Global Weirding” invite contributions that explore the aesthetic, political, ethical, and existential potentials that arise when weird ecological patterns or events converge with weird speculative literature. Jeff Vandermeer’s acclaimed 2014 Southern Reach Trilogy (Annihilation, Authority, Acceptance) cracked open the space for thinking the weird and the ecological together—for experimenting with radical new ways of representing massive and mind-bending things like global warming, geological time, the Anthropocene, the life and afterlife of infrastructures, and so on. This issue invites further analyses of this eco-literary link we’re calling “Global Weirding”—mirroring the term proposed by some climate scientists to register that global warming does not simply mean higher temperatures but a global planetary ecology transformed in radical and sometimes highly unexpected ways.
Essays might range through the strange catalog of weird fiction to illuminate those elements that offer alternative perspectives on and/or representations of ecological ethics, thought, aesthetics. China Mieville’s Bas-Lag, for example, offers a trove of beautiful-awful engagements with environmental catastrophes and interspecies struggles to exist and coexist. Or, amidst this H.P. Lovecraft resurgence, through new criticism and literary grapplings with his racism, it is time to return to the mountains of madness to see what Cthulhu and Lovecraft’s geology and geologists in those stories can offer to the still-forming concept of the Anthropocene. The editors are eager to consider submissions that deal with concepts originating from across the fantasy, horror, New Weird, and speculative and science fiction genres, in prose, art, film and television, comic, video game, or other media forms.
An additional note on contributions: we welcome contributions that focus on indigenous and non-Western speculative fictions. We recognize that these texts may deploy myths, narratives, and cognitive frames that are not in themselves “weird,” but might be characterized as such by Eurocentric ways of thinking—and we encourage authors to consider using this issue as a forum for working through the dynamics of genres moving amongst cultures, as well as for excavating the fundamental “weirdness” of Western and post-Enlightenment habits of thought.
Proposals and/or inquiries should be directed to Andy Hageman (email@example.com) and Gerry Canavan (firstname.lastname@example.org). We are happy to consider not only traditional academic essays of approximately 7000-10000 words but also shorter essays (3000-7000), interviews, and other nontraditional projects.
Proposals are due April 15, 2016. Invited contributors will be notified by May 15, and the full submission is due in July 2016. This issue is slated for a December 2016 publication date, following peer review, so prompt completion of the submission and subsequent response to editorial feedback is imperative.
* I have a pair of appearances in the new Eaton Journal of Archival Research in Science Fiction: one the transcript of the archival research panel at the last ICFA, and the other a writeup of the Octavia E. Butler papers at the Huntington. Boing Boing liked it, so should you!
* Deadline extended: “In More’s Footsteps: Utopia and Science Fiction.”
* The reason for the season: China Miéville: Marxism and Halloween – Socialism 2013.
* The layoffs and program reductions will save Rider close to $2 million annually once the changes take effect next school year, the university said. The university has a $216 million operating budget and faces a current deficit of $7.6 million, a school spokesman said.
* School and prison, school as prison, yes. But the most troubling possibility, I think, is school or prison. By using this locution, I don’t intend to invoke the uplift narrative that posits education as a means of avoiding criminality or, really, criminalization—a narrative that the “school-to-prison pipeline” concept has already undone. The or of my “school or prison” marks not a choice between alternatives but an identity produced through the indifferent interchangeability of functions.
* Penny booksellers are exactly the sort of weedy company that springs up in the cracks of the waste that the Internet has laid to creative industries. They aren’t a cause; they’re a small, understandable result. Penny booksellers expose the deep downside to efficiency capitalism, which is that everything, even literal garbage and rare high art, is now as easy to find and roughly as personal as a spare iPhone charging cable.
* Teach the controversy: “The destruction of Alderaan was completely justified.”
* Chimera watch: A Man is His Son’s Uncle, Thanks to a Vanished Twin.
* I’ll allow it, but listen, you’re on very thin ice: Wes Anderson would like to make a horror movie.
* The past is another country: the town where Emmett Till was lynched is disappearing.
* Refugees are the price we pay for a globalised economy in which commodities – but not people – are permitted to circulate freely. The idea of porous borders, of being inundated by foreigners, is immanent to global capitalism. The migrations in Europe are not unique. In South Africa, more than a million refugees from neighbouring states came under attack in April from the local poor for stealing their jobs. There will be more of these stories, caused not only by armed conflict but also by economic crises, natural disasters, climate change and so on. There was a moment, in the wake of the Fukushima nuclear disaster, when the Japanese authorities were preparing to evacuate the entire Tokyo area – more than twenty million people. If that had happened, where would they have gone? Should they have been given a piece of land to develop in Japan, or been dispersed around the world? What if climate change makes northern Siberia more habitable and appropriate for agriculture, while large parts of sub-Saharan Africa become too dry to support a large population? How will the redistribution of people be organised? When events of this kind happened in the past, the social transformations were wild and spontaneous, accompanied by violence and destruction. Slavoj Žižek on the refugee crisis.
* “On Queer Privilege.” Postcolonial theory has faced versions of this dilemma from time to time.
* Netflix to continue the best SF show of the decade? Yes please.
* And for your consideration: the greatest gif in world history.
* A thoughtful, if ultimately mostly negative, review of The Cambridge Companion to American Science Fiction. I’m either too narcissistic or not narcissistic enough to argue with the reviewer point-by-point — and in any event it’s probably unprofessional to get too deep into how the sausage is made — but I will note that we definitely thought about all these issues as we were putting the volume together, and tried to address them in our introduction and general organization. I’ll also add that “for better or worse” we didn’t really see our book as operating independently from the James and Mendlesohn volume; we were trying to do something that extended that book rather than merely replicating it with identical chapters focused on the US. No book can be all things to all people, but hopefully other people find the balance we struck more pleasing than Cheney did…
* On Monday, however, a county attorney in Virginia gave defenders of the college new hope that they could stop the ticking clock and save the institution. The county attorney filed suit in Virginia court charging that the president and board of the college have violated several state laws and failed in their duties to keep the college running. And the suit seeks an injunction to stop activity to close the college and to replace the president and the board.
* A great Existential Comic on the transporter problem. You’d never get me in one of those things.
* Senate Bill 593 ties professors’ pay to teaching assignments, requiring a minimum of eight courses for the profs to earn their full salary. If academic research requires a lighter course load, universities could supplement professors’ salaries with money from their nonprofit foundations. Why only eight courses? We’re leaving money on the table!
* Hell, just let Maisie Williams play the Doctor next. Or Kiernan Shipka. But one of them definitely.
* “I retweet not in anger. But it’s an impressive rise for a dude who three years ago was replying to Uberfacts tweets with dick jokes.”
* Everything old is new again: Anglo Saxon remedy kills hospital superbug MRSA.