Posts Tagged ‘horror’
* The Department of English invites candidates holding the rank of Associate or Full Professor to apply for the inaugural Stephen E. King Chair in Literature honoring the department’s most celebrated graduate.
* Next week at Marquette: Cuban science fiction authors Yoss and Orlando Luis Pardo Lazo!
* I am writing to apply for the job–or rather “fellowship”–advertised on your website. As a restless member of the creative class, I agree that secure employment, renewable year-to-year, can be a suffocating hindrance. And besides, you specify “tons of snacks and beverages” as part of your benefit package. As a job-seeker motivated by a combination of desperation and snacks, I am an ideal candidate for this position.
* The report finds that the cost of forgoing tuition revenue from two- and four-year public institutions could run into the billions for some states: $4.96 billion in California, $3.89 billion in Texas and $2.53 billion in Michigan.
* Pence and gaslighting. Kaine’s tactical defeat. A Con Man of Epic Proportions. Donald Trump Tax Records Show He Could Have Avoided Taxes for A Mere Two Decades. The mind-blowing scale of Trump’s billion-dollar loss, in one tweet. Trump Foundation ordered to stop fundraising by N.Y. attorney general’s office. I want to believe! This seems legitimate. If Donald Trump Published an Academic Article. If you want a vision of the future.
* All told, however, Xiberras feels Louise could have done better. “We hoped for more followers to take notice of Louise’s behavior,” he says. “There were a few people who sensed the trap—a journalist among others, of course—but in the end, the majority just saw a pretty young girl of her time and not at all a kind of lonely girl, who is actually not at all that happy and with a serious alcohol problem.”
* Here’s a piece we can all get mad about, regardless of our pedagogical inclinations: Are We Teaching Composition All Wrong?
* Teaching the controversy: The Identity of a Famous Person Is News. The outing of Elena Ferrante and the power of naming. Ars longa, vita brevis.
* Harvard loses a mere $2 billion from its endowment. My favorite part of these stories is always the comparison to passive management by an index fund.
* More running it like a sandwich: More than ever, college football programs are finding it difficult to draw and retain the young fans who grow up to be lifelong season-ticket holders. In many athletic departments, the reasons can practically be cited as catechism: high-definition televisions, DVRs, diffuse fan bases and higher ticket and parking costs.
* No one knew then that Springsteen, like Smith, would provide a through-line for his fans as things got worse, shifted in unimaginable ways, shifted again. Springsteen has himself changed with the times, becoming more sensitive to the issues his most-adored music still raises. Born To Rundemonstrates that. The decency at the heart of his memoir is a balm. He’s not only survived a life in rock and roll; he shows how a true believer doesn’t have to get stuck within its illusions, no matter how much they also attract him. After all, to Springsteen, a worthwhile dream isn’t an illusion; it’s a form of work.
* Unusually Murderous Mammals, Typically Murderous Primates: You know, humans.
* One of the most important lessons of Ghosh’s book is that the politics of climate change must not tiptoe around the questions posed by colonial encounters. Issues of climate justice cannot be solved without first addressing questions of equitable distribution of power, historically rooted in imperialism. And therein lies Ghosh’s disagreement with those who find the source of the problem in capitalism itself (Naomi Klein, for example). For him, even if “capitalism were to be magically transformed tomorrow, the imperatives of political and military dominance would remain a significant obstacle to progress on mitigatory action.”
* Wealth of people in their 30s has ‘halved in a decade.’ Probably definitely totally unrelated: Federal student loans facilitate a pernicious profit motive in higher education.
* TNG and the limits of liberalism (and, not incidentally, why I always recommend The Culture novels to Star Trek fans). And one more Trek link I missed yesterday: An oral history of “The Inner Light.”
* We are, after all, rigged for gratification, conditioned to want to “feel good.” We seek pleasure, not pain; happiness, not misery; validation, not defeat. Our primary motivators are what I have previously called the “Neuro P5”: pleasure, pride, permanency, power, and profit — however these may be translated across socio-cultural contexts. Whenever technologies that enhance these motivators become available, we are likely to pursue them.
* The layered geologic past of Mars is revealed in stunning detail in new color images returned by NASA’s Curiosity Mars rover, which is currently exploring the “Murray Buttes” region of lower Mount Sharp. The new images arguably rival photos taken in U.S. National Parks.
* “Why a forgotten 1930s critique of capitalism is back in fashion.” The Frankfurt School, forgotten?
* CFP: “Activism and the Academy.”
* Your MLA JIL Minute: Assistant Professor of Science Fiction/Fantasy Studies at Florida Atlantic University.
* States vs. localities at Slate. Wisconsin vs. Milwaukee is the example in the lede.
* And just in case you’re wondering: What happens if a presidential candidate dies at the last second?
* Once again: A News21 analysis four years ago of 2,068 alleged election-fraud cases in 50 states found that while some fraud had occurred since 2000, the rate was infinitesimal compared with the 146 million registered voters in that 12-year span. The analysis found 10 cases of voter impersonation — the only kind of fraud that could be prevented by voter ID at the polls.
* 21st Century Headlines: “Airlines and airports are beginning to crack down on explosive Samsung Galaxy Note 7 phones.”
* Rebranding watch: Lab-Grown Meat Doesn’t Want to Be Called Lab-Grown Meat.
* Passing My Disability On to My Children. Facing the possibility of passing on a very different genetic condition — which, as it turned out, I wasn’t a carrier of– I was very much on the other side of this before we had our children.
* Jason Brennan (and, in the comments, Phil Magness) talk at Bleeding Heart Libertarians about their followup paper on adjunctification, “Are Adjuncts Exploited?: Some Grounds for Skepticism.”
* This Friday at C21: Brian Price on Remakes and Regret.
* From the archives: Some Rules for Teachers.
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to firstname.lastname@example.org no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
Upcoming issue of Paradoxa: “Global Weirding”
The editors of this special issue of Paradoxa on “Global Weirding” invite contributions that explore the aesthetic, political, ethical, and existential potentials that arise when weird ecological patterns or events converge with weird speculative literature. Jeff Vandermeer’s acclaimed 2014 Southern Reach Trilogy (Annihilation, Authority, Acceptance) cracked open the space for thinking the weird and the ecological together—for experimenting with radical new ways of representing massive and mind-bending things like global warming, geological time, the Anthropocene, the life and afterlife of infrastructures, and so on. This issue invites further analyses of this eco-literary link we’re calling “Global Weirding”—mirroring the term proposed by some climate scientists to register that global warming does not simply mean higher temperatures but a global planetary ecology transformed in radical and sometimes highly unexpected ways.
Essays might range through the strange catalog of weird fiction to illuminate those elements that offer alternative perspectives on and/or representations of ecological ethics, thought, aesthetics. China Mieville’s Bas-Lag, for example, offers a trove of beautiful-awful engagements with environmental catastrophes and interspecies struggles to exist and coexist. Or, amidst this H.P. Lovecraft resurgence, through new criticism and literary grapplings with his racism, it is time to return to the mountains of madness to see what Cthulhu and Lovecraft’s geology and geologists in those stories can offer to the still-forming concept of the Anthropocene. The editors are eager to consider submissions that deal with concepts originating from across the fantasy, horror, New Weird, and speculative and science fiction genres, in prose, art, film and television, comic, video game, or other media forms.
An additional note on contributions: we welcome contributions that focus on indigenous and non-Western speculative fictions. We recognize that these texts may deploy myths, narratives, and cognitive frames that are not in themselves “weird,” but might be characterized as such by Eurocentric ways of thinking—and we encourage authors to consider using this issue as a forum for working through the dynamics of genres moving amongst cultures, as well as for excavating the fundamental “weirdness” of Western and post-Enlightenment habits of thought.
Proposals and/or inquiries should be directed to Andy Hageman (email@example.com) and Gerry Canavan (firstname.lastname@example.org). We are happy to consider not only traditional academic essays of approximately 7000-10000 words but also shorter essays (3000-7000), interviews, and other nontraditional projects.
Proposals are due April 15, 2016. Invited contributors will be notified by May 15, and the full submission is due in July 2016. This issue is slated for a December 2016 publication date, following peer review, so prompt completion of the submission and subsequent response to editorial feedback is imperative.
* I have a pair of appearances in the new Eaton Journal of Archival Research in Science Fiction: one the transcript of the archival research panel at the last ICFA, and the other a writeup of the Octavia E. Butler papers at the Huntington. Boing Boing liked it, so should you!
* Deadline extended: “In More’s Footsteps: Utopia and Science Fiction.”
* The reason for the season: China Miéville: Marxism and Halloween – Socialism 2013.
* The layoffs and program reductions will save Rider close to $2 million annually once the changes take effect next school year, the university said. The university has a $216 million operating budget and faces a current deficit of $7.6 million, a school spokesman said.
* School and prison, school as prison, yes. But the most troubling possibility, I think, is school or prison. By using this locution, I don’t intend to invoke the uplift narrative that posits education as a means of avoiding criminality or, really, criminalization—a narrative that the “school-to-prison pipeline” concept has already undone. The or of my “school or prison” marks not a choice between alternatives but an identity produced through the indifferent interchangeability of functions.
* Penny booksellers are exactly the sort of weedy company that springs up in the cracks of the waste that the Internet has laid to creative industries. They aren’t a cause; they’re a small, understandable result. Penny booksellers expose the deep downside to efficiency capitalism, which is that everything, even literal garbage and rare high art, is now as easy to find and roughly as personal as a spare iPhone charging cable.
* Teach the controversy: “The destruction of Alderaan was completely justified.”
* Chimera watch: A Man is His Son’s Uncle, Thanks to a Vanished Twin.
* I’ll allow it, but listen, you’re on very thin ice: Wes Anderson would like to make a horror movie.