Posts Tagged ‘cartoons’
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to firstname.lastname@example.org no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
* The local beat! The day Milwaukee almost killed the NFL.
* A Bonus Keyword for the Age of Austerity this week: Meritocracy.
* I don’t want to tell anyone how to do their jobs, but this seems sacrilegious to me.
What a time to be alive.
* Teach the controversy: thebeatlesneverexisted.com
* The latest from KSR: What Will It Take for Humans to Colonize the Milky Way?
* The game’s afoot! Something Is Killing Off America’s Orange Supply.
* Throw a save against narcissistic self-regard: “Role-playing Gamers Have More Empathy Than Non-Gamers.”
* 2016 pessimism watch: Democrats are in more trouble than they think. And changing demographics won’t save them.
* If I were going to encourage you to take any one class simply because it’s good for the freshman soul, I would say this: Take some introductory literature class that forces you to memorize poems, heaps and gobs and mounds of poems, old poems.
* This afternoon at two o’clock the New York State Attorney General will announce the settlement of a lawsuit filed by the Committee to Save Cooper Union, a group of activist students, faculty, and alumni against the Cooper Union trustees. The settlement will impose various reforms to Cooper Union governance, establish an independent financial monitor for the college, and begin the slow, difficult process of re-establishing Cooper Union as a free, healthy institution. Incredible turn of events. The tragedy of Cooper Union.
* A former State Department staffer who worked on Hillary Rodham Clinton’s private e-mail server tried this week to fend off a subpoena to testify before Congress, saying he would assert his constitutional right not to answer questions to avoid incriminating himself. I continue to think Democrats are completely in denial about how bad this story could get.
* Massive hurricanes striking Miami or Houston. Earthquakes leveling Los Angeles or Seattle. Deadly epidemics. Meet the “maximums of maximums” that keep emergency planners up at night.
* The proportion of people with intellectual disability who have been treated with psychotropic drugs far exceeds the proportion with recorded mental illness. Antipsychotics are often prescribed to people without recorded severe mental illness but who have a record of challenging behaviour. The findings suggest that changes are needed in the prescribing of psychotropics for people with intellectual disability.
* Wow, finally: Octavia Butler’s Dawn is allegedly being developed for TV.
* Piggy, Kermit, and domestic violence. Next up: why Elmer Fudd hunting animals out of season is actually no laughing matter…
* In case you missed it yesterday: “Universities, Mismanagement, and Permanent Crisis.”
* Igbinedion’s production company Igodo Films recently shared Oya: Rise of The Orishas in full online. They also revealed that the Oya project has been adapted for the silver screen with principal photography on the feature-length film version scheduled to begin later this year in Brazil. The London-based filmmaker shared in a recentinterview that he made the short film in order to prove that there is a market for sci-fi films revolving around African characters and storylines. In this regard, Oya joins Ethiopian post-apocalyptic flick Crumbs in forging a path for future film projects from the continent within the realm of speculative fiction. In addition to the full-length project, Oya‘s creators have also confirmed plans for a comic book adaptation of the film, which is currently available for pre-order.
* Neil Gaiman reviews Kazuo Ishiguro’s The Buried Giant. Sounds bizarre and great.
* Study: Killers are less likely to be executed if their victims are black. What could explain it?
* It’s important that the Campaign to Stop Killer Robots succeed, either at achieving an outright ban or at sparking debate resulting in some other sensible and effective regulation. This is vital not just to prevent fully autonomous weapons from causing harm; an effective movement will also show us how to proactively ban other future military technology.
* Thousands of oil refinery workers are striking for safer working conditions. Their fight is central to the struggle against climate change.
* Choose Your Own Adventure: So You’ve Accidentally Gotten Pregnant in South Dakota.
* Smartly realizing that nothing is going to change on the climate change beat, NPR guts its environmental reporting.
* Epigrams for my research agenda: That’s to say nothing of the fact that the people involved in GamerGate that Grieco defends are, in fact, not poor bullied kids. They are, overwhelmingly, employed, educated, privileged adult men, many of whom work for some of the most powerful and profitable industries in our economy. Their beloved sci fi and comic books and fantasy genres and media– those aren’t reviled and disrespected properties that people are ashamed to like. They’re economically dominant and critically lauded, and given the way the internet makes culture spread more broadly and intensely than ever before, are probably the most powerful force in the history of the arts.
* Spock was right: Concern for equality linked to logic, not emotion.
* National insanity watch: Students at a Nebraska High School Can Now Pose With Guns in Their Senior Portraits.
* I want to talk about how badly we’re failing the boys who can’t see their way out of a totally lethal, totally toxic distortion of masculinity — the kind that says that if boys aren’t manly, or gentlemanly, they can be gunmanly.
* Forty percent of mass shootings start with the gunman targeting his wife, girlfriend, or ex. And access to firearms makes it seven times more likely that a domestic abuser will kill his partner.
* LARoB interviews David Mitchell.
* Why Google wants to replace Gmail. They should have nationalized Google fifteen years ago.
* Now we see the violence, &c: Wisconsin cops deploy armored vehicle to collect fines from 75-year-old man for messy land.
The Wire extends and elaborates melodrama in remarkable ways. But, as Williams says, melodrama remains a broadly liberal medium — and as Williams doesn’t say, liberalism and neoliberalism are not especially distant cousins. Liberalism can critique neoliberalism for its inequities, its cruelties, and its callousness. But to neoliberalism’s call for data and surveillance, liberalism can only respond with a call for better data and more nuanced surveillance; to neoliberalism’s doctrine of individuality as sameness, liberalism can only offer a deeper individuality subsumed within a deeper sameness. The Wire is undoubtedly one of the greatest melodramas extant, and an object lesson in how powerful the form can be. Its limitations aren’t a failure on the part of its creators so much as an indication that melodrama, having gotten us to this particular liberal democratic impasse, is unlikely, on its own, to get us out.
* And I learned today that Star Trek secondary canon features a running subplot where an unfrozen Wall Street guy slowly takes over the Federation. This is going in the Khan essay for sure…