Posts Tagged ‘cartoons’
* And marrying the last two links: One in Six Eligible Voters Has a Disability.
* Let history be our judge: Pepe the Frog, an explainer.
* Researchers at the Karadag Nature Reserve, in Feodosia, Russia, recorded two Black Sea bottlenose dolphins, called Yasha and Yana, talking to each other in a pool. They found that each dolphin would listen to a sentence of pulses without interruption, before replying.
* CFP: this xkcd.
* Going viral this week: extinction illusions.
* Nice work if you can get it: Wells Fargo won’t claw back $125m retirement bonus from exec who oversaw 2m frauds.
* Stories that should be more exciting than they are: We Were Wrong About Where the Moon Came From!
* I read Jason Shiga’s Demon as a crowdfunder — it’s great. Check out the first volume when it comes to print next month.
* Special providence: Catfish Falls From The Sky, Hits Woman In The Face.
* The organizing economic metaphor of all of Against Everything is artificial scarcity. The concept usually refers to the way that monopolistic sellers exploit their excessive market power to restrict supply so they can raise prices. Greif’s view is more capacious and idiosyncratic: He describes a culture where the affluent, at sea in a world of abundance, engage in the elaborate restriction of their own demand (to kitsch diners, ethnic food, inappropriately youthful sexual partners). This turns what could be unfussy gratification into resource-intensive performance. On one level, this is about making a technically meaningless life more diverting, but it also gives our atomized selves the comfort of belonging. It serves to differentiate “people like me” from those other, worse people—those without access to the most current information, say, or simply the economic means to act on it. What gives n+1’s economistic turn its authority and novelty is the way Greif and his colleagues show that the market is not, as someone like Gary Becker had it, a bazaar untainted by sinister, irrational notions (discrimination, exploitation, class prejudice), but a site where those things are given free play under cover of neutral utility-maximizing exchange. They have taught us to speak the softer insights of theory (with its sensitivity to symbolic difference and its hermeneutics of suspicion) in the hardheaded but incantatory vernacular of the powerful.
* The New Yorker remembers the Wilmington coup of 1898.
* And I’m catching up late, but man oh man, Bojack Horseman is a good show.
* NOAA just released its summer outlook, predicting which areas are going to see unusually hotter temperatures this year. Unsurprisingly for those who have been watching the string of heat records that have been falling like dominoes, almost every area of the United States is included. Things Have Gotten Much Worse Since An Inconvenient Truth.
* Scenes from the class struggle at Oberlin. A reasonably good ethnographic study of a subject which seems to have become utterly impossible to talk about dispassionately.
* And speaking of “impossible to talk about dispassionately”: The canon of English literature is sexist. It is racist. It is colonialist, ableist, transphobic, and totally gross. You must read it anyway.
* The Baylor board of regents fired school president Ken Starr on Tuesday amid the sexual assault scandal involving the Bears football team, according to HornsDigest.com. Baylor not commenting on reports of President Kenneth Starr’s firing.
* The terms “World Science Fiction” or “Global Science Fiction” are becoming legitimate fields of interest at a time where human life is indistinguishable from technological interference and scientific thought. We are technology. We are post-human. And we understand both the “global” and “world” adjectives only through the eyes and screens technology has afforded us. If we loosely understand science fiction as the imaginative exercise with which we deal with science and technology, then it becomes a major tool in understanding a reality that increasingly grows less believable and more fragile, in which crisis has become our quotidian condition. We are desperately looking for others because, in a globalized culture and economy, they might not exist anymore. We might have exterminated them, and we fear our genocidal complicity.
But if the extremely wealthy, under a veil of secrecy, can destroy publications they want to silence, that’s a far bigger threat to freedom of the press than most of the things we commonly worry about on that front. If this is the new weapon in the arsenal of the super rich, few publications will have the resources or the death wish to scrutinize them closely.
* Here’s the thing: from where I live, the world has drifted away. We aren’t precarious, we’re unnecessary. The money has gone to the top. The wages have gone to the top. The recovery hasgone to the top. And what’s worst of all, everybody who matters seems basically pretty okay with that. The new bright sparks, cheerfully referred to as “Young Gods” believe themselves to be the honest winners in a new invent-or-die economy, and are busily planning to escape into space oracquire superpowers, and instead of worrying about this, the talking heads on TV tell you its all a good thing- don’t worry, the recession’s over and everything’s better now, and technology is TOTES AMAZEBALLS!
* The Do Not Call list was supposed to defeat telemarketers. Now scammy robocalls are out of control. What happened?
* Which Rock Star Will Historians of the Future Remember?, or, “Johnny B. Goode in the Anthropocene.”
But it did guarantee that one rock song will exist even if the earth is spontaneously swallowed by the sun: “Johnny B. Goode,” by Chuck Berry. The song was championed by Ann Druyan (who later become Sagan’s wife) and Timothy Ferris, a science writer and friend of Sagan’s who contributed to Rolling Stone magazine. According to Ferris, who was the album’s de facto producer, the folklorist Alan Lomax was against the selection of Berry, based on the argument that rock music was too childish to represent the highest achievements of the planet. (I’m assuming Lomax wasn’t too heavily engaged with the debate over the Sex Pistols and “Saturday Night Fever” either.) “Johnny B. Goode” is the only rock song on the Voyager disc, although a few other tunes were considered. “Here Comes the Sun” was a candidate, and all four Beatles wanted it to be included, but none of them owned the song’s copyright, so it was killed for legal reasons.
* And presenting Reverse CAPTCHA.
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to firstname.lastname@example.org no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
* The local beat! The day Milwaukee almost killed the NFL.
* A Bonus Keyword for the Age of Austerity this week: Meritocracy.
* I don’t want to tell anyone how to do their jobs, but this seems sacrilegious to me.
What a time to be alive.
* Teach the controversy: thebeatlesneverexisted.com
* The latest from KSR: What Will It Take for Humans to Colonize the Milky Way?
* The game’s afoot! Something Is Killing Off America’s Orange Supply.
* Throw a save against narcissistic self-regard: “Role-playing Gamers Have More Empathy Than Non-Gamers.”
* 2016 pessimism watch: Democrats are in more trouble than they think. And changing demographics won’t save them.