Gerry Canavan

the smartest kid on earth

SFFTV: WINTER 2023 OPEN CALL FOR SUBMISSIONS AND CALL FOR REVIEWERS (PLUS “WHAT WAS THE MCU?”)

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Science Fiction Film and Television invites article submissions on any topics related to sf and visual media; we especially invite articles related to the production economy of the culture industry and to non-US sf, as well as articles that related to possible upcoming special issues on (1) indigenous sf filmmaking and (2) the career of Taika Waititi. We also have a current call for mini-essays for a special section: “What Was the MCU?” (deadline 1/15/24). We also invite proposals from potential guest editors for special issues; please write gerry.canavan@marquette.edu for more information on this process.

SFFTV is edited by Gerry Canavan (Marquette University), Dan Hassler-Forest (Utrecht University), and Ida Yoshinaga (George Institute of Technology). Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film, television, gaming, other visual media will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to gerry.canavan@marquette.edu.

The journal is also seeking reviewers of recent works of sf and sf-adjacent critical theory as well as recent SF visual media. We are welcome to pitches, but we also have the following books available for review:

* Kazue Harada, SEXUALITY, MATERNITY, AND (RE)PRODUCTIVE FUTURES: WOMEN’S SPECULATIVE FICTION IN CONTEMPORARY JAPAN (Brill)

* Mark Kingwell, SINGULAR CREATURES: ROBOTS, RIGHTS, AND THE POLITICS OF POSTHUMANISM (McGill-Queen’s University Press)

* J. Jesse Ramirez, UN-AMERICAN DREAMS: APOCALYPTIC SCIENCE FICTION, DISIMAGINED COMMUNITY, AND BAD HOPE IN THE AMERICAN CENTURY (Liverpool UP)

* Jesse Russell, THE POLITICAL CHRISTOPHER NOLAN: LIBERALISM AND THE ANGLO-AMERICAN VISION (Lexington Books)

* Benjamín Schultz-Figueroa, THE CELLULOID SPECIMEN: MOVING IMAGE RESEARCH INTO ANIMAL LIFE (University of California Press)

* Nicole Starosiekski, MEDIA HOT & COLD (Duke UP)

* Joe Street, SILICON VALLEY CINEMA (Edinburgh UP)

* Erik Trump and Jake Parcell, THE ARCHITECTURE OF SURVIVAL: SETTING AND POLITICS IN APOCALYPSE FILMS (Lexington)

* Tom Tyler, GAME: ANIMALS, VIDEO GAMES, AND HUMANITY (University of Minnesota Press)

Reviews typically run 1000-2000 words, or 2000-4000 words in our “review essay” format. Samples of both types of review are available upon request.

For our media in review section, we are now primarily interested in:

* reviewers who are calling attention to things that have gone overlooked in the larger entertainment-media-complex landscape, especially international film;

* reviewers with a specific aesthetic, political, or philosophical “take” on a text, as opposed to a more traditional review that recapitulates the plot at length and advises the potential viewer whether or not they ought to watch it.

This notion of a specific “take” is especially important for blockbuster franchise fare, like the MCU or Star Wars movies; in most cases we would only be interested in a review essay for such a film, discussing it within some larger critical context.

Due to a recent review backlog we have not been actively soliciting reviewers; as a result, much recent SF media is still available for reviewing. If there is a film you are interested in reviewing, please contact gerry.canavan@marquette.edu and let him know the name of the film and what you think you’d like to say about it. Deadlines are quite flexible. We look forward to hearing from you!

Written by gerrycanavan

December 11, 2023 at 11:34 am

SFFTV: Call for Co-Editors

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Science Fiction Film and Television is looking for co-editors! See the ad here.

Written by gerrycanavan

November 28, 2023 at 11:26 am

SFFTV call for contributions: “What Was the MCU?”

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special section, call for contributions: “What Was the MCU?”
Science Fiction Film and Television (deadline extended to February 1, 2024)

Science Fiction Film and Television invites contributions (no more than 2000 words) to a special section tentatively titled “What Was the MCU?” Since Avengers: Endgame (2019), the once nigh-invulnerable Marvel Cinematic Universe has faced an increasing drumbeat of fan, critical/scholarly, and labor backlash, culminating in the domestic-box-office disappointment of The Marvels (2023), which made only US$47 million in its opening weekend. That The Marvels—starring a diverse, woman-led cast and helmed by the first Black woman director in the franchise—has already become widely recognized in the discourse as the symbol of this decline is unfortunate, as all of the post-Endgame MCU features have been heavily criticized for their increasingly shoddy scripting and effects work, while also having steep box-office drops from earlier franchise features. What accounts for this fall from grace, and what can those of us working in media studies, franchise studies, and science fiction studies learn from this massive shift in the cultural tide? How has the current state of the MCU been inflected by outside pressures like the shift to Disney+; the COVID-19 pandemic; hyperexploitation of writing, directing, editing and VFX staff; the right-wing targeting of “woke” media and of the Disney Corporation in particular; the fracturing of the existing Marvel fanbase; and a rising “Generation Z” that seems to be almost completely uninterested in this sort of franchise production? Is the moment of “the franchise” as the dominant mode of cultural production in the United States nearing its end—or, for that matter, are accounts of the death of the MCU premature? 

Contributions on any aspect of this topic are welcome; please query Gerry Canavan at gerry.canavan@marquette.edu with any questions.

Written by gerrycanavan

November 15, 2023 at 11:04 am

I Know the Site Is in Arrears – The Blog Has Not Been Fed in Years – It’s Even Worse Than It Appears, but It’s All Right

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After (literally) almost twenty straight years, I think my silly little habit of blogging links may be well and truly dead; with everything else going on in my life at the moment I have to accept that I just don’t have the time. Still, a few things I wanted to put up as the site fades to black, at least for a bit:

We’ll meet again (don’t know where, don’t know when)…

SFFTV: Fall 2023 open call for submissions and call for reviewers

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Science Fiction Film and Television invites article submissions on any topics related to sf and visual media; we especially invite articles related to the production economy of the culture industry and to non-US sf, as well as articles that related to possible upcoming special issues on (1) indigenous sf filmmaking and (2) the career of Taika Waititi. We also invite proposals from potential guest editors for special issues; please write gerry.canavan@marquette.edu for more information on this process.

SFFTV is edited by Gerry Canavan (Marquette University), Dan Hassler-Forest (Utrecht University), and Ida Yoshinaga (George Institute of Technology). Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film, television, gaming, other visual media will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to gerry.canavan@marquette.edu.

The journal is also seeking reviewers of recent works of sf and sf-adjacent critical theory as well as recent SF visual media. We are welcome to pitches, but we also have the following books available for review:

* Rebecca Janicker, ed, THE SCIENTIST IN POPULAR CULTURE (Lexington Books)

* Brian J. Robb, MOON (Constellations in Science Fiction Film and TV series)

* Tyler Sage, MR. FREEDOM (Constellations in Science Fiction Film and TV series)

* David Sweeney, THE OA (Constellations in Science Fiction Film and TV series)

* Taryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, and Bodhisattva Chattopadyay, THE ROUTLEDGE HANDBOOK OF COFUTURISMS (Routledge)

* Jay Telotte, THE OXFORD HANDBOOK OF NEW SCIENCE FICTION CINEMAS (Oxford UP)

* Benjamín Schultz-Figueroa, THE CELLULOID SPECIMEN: MOVING IMAGE RESEARCH INTO ANIMAL LIFE (University of California Press)

* Joe Street, SILICON VALLEY CINEMA (Edinburgh UP)

* Harry Warwick, DYSTOPIA AND DISPOSSESSION IN THE HOLLYWOOD SCIENCE-FICTION FILM 1979-2017: THE AESTHETICS OF ENCLOSURE (Liverpool UP)

Reviews typically run 1000-2000 words, or 2000-4000 words in our “review essay” format. Samples of both types of review are available upon request.

For our media in review section, we are now primarily interested in:

* reviewers who are calling attention to things that have gone overlooked in the larger entertainment-media-complex landscape, especially international film;

* reviewers with a specific aesthetic, political, or philosophical “take” on a text, as opposed to a more traditional review that recapitulates the plot at length and advises the potential viewer whether or not they ought to watch it.

This notion of a specific “take” is especially important for blockbuster franchise fare, like the MCU or Star Wars movies; in most cases we would only be interested in a review essay for such a film, discussing it within some larger critical context.

Due to a recent review backlog we have not been actively soliciting reviewers; as a result, much recent SF media is still available for reviewing. If there is a film you are interested in reviewing, please contact gerry.canavan@marquette.edu and let him know the name of the film and what you think you’d like to say about it. Deadlines are quite flexible. We look forward to hearing from you!

Written by gerrycanavan

October 13, 2023 at 11:40 am

Fall 2023 Syllabus: “Environmental Protection”

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Just one course for me this fall, due to my somehow still being chair: an update of my “Environmental Protection” Material Cultures class. I moved some of the more hands-on eco humanities stuff into an extended discussion of The Ministry for the Future, so we’ll have to see how that goes.

Here’s the week-by-week schedule…

M8/28FIRST DAY OF CLASS
W8/30N.K. Jemisin, “Emergency Skin” [D2L]
F9/1Charles Stross, “Designing Society for Posterity” (Web)
   
M9/4LABOR DAY—NO CLASS
W9/6Johan Rockstrom et. al, “Planetary Boundaries” [D2L] John Bellamy Foster, “Ecology against Capitalism” [D2L] Naomi Klein, “Climate Rage” [Web]
F9/8Nathaniel Rich, “Losing Earth: The Decade We Almost Stopped Climate Change” [Web] Responses to Rich from Robinson Meyer, Naomi Klein, Alyssa Battistoni, and Matto Mildenberger and Leah C. Stokes [Web]
M9/11Ernest Callenbach, Ecotopia (first third)
W9/13Ernest Callenbach, Ecotopia (second third)
F9/15Ernest Callenbach, Ecotopia (whole book)
   
M9/18S.B. Banerjee, “Necrocapitalism” [D2L] Vandana Shiva, “Earth Democracy” [Web]
W9/20Kim Stanley Robinson, The Ministry for the Future, chapters 1-16
F9/22The Ministry for the Future, chapters 17-30
   
M9/25The Ministry for the Future, chapters 31-45
W9/27The Ministry for the Future, chapters 46-60
F9/29The Ministry for the Future, chapters 61-74
   
M10/2The Ministry for the Future, chapters 75-90
W10/4The Ministry for the Future, whole book
F10/6The Ministry for the Future and responses
   
M10/9FIRST PAPER WORKSHOP
W10/11John Berger, “Why Look at Animals?” [D2L] Randy Malamud, “Zoo Spectatorship” [D2L] Octavia E. Butler, “Eye Witness” [Web]
F10/13Kathy Rudy, “Where the Wild Things Ought to Be: Sanctuaries, Zoos, and Exotic Pets” [D2L] Blackfish (discussion)
   
M10/16Blackfish (discussion continues) Jeffrey Moussaieff Masson and Susan McCarthy, “Grief, Sadness, and the Bones of Elephants” [D2L] Sascha Pare, “Orcas have sunk 3 boats in Europe and appear to be teaching others to do the same. But why?” [Web]
W10/18Clare Kendall, “A New Law of Nature” [Web] Mihnea Tanasescu, “When a River Is a Person” [Web] Chris McKay, “Does Mars Have Rights?” [D2L] FIRST PAPER DUE
F10/20FALL BREAK—NO CLASS
   
M10/23Dipesh Chakrabarty, “The Climate of History” [D2L] McKenzie Wark, “Critical Theory after the Anthropocene” [Web]
W10/25Daniel Hartley, “Against the Anthropocene” [Web] Kyle Whyte, “Indigenous Science (Fiction) for the Anthropocene: Ancestral Dystopias and Fantasies of Climate Change Crises” [D2L] Kathryn Yusoff, excerpt from A Billion Black Anthropocenes or None [D2L]
F10/27Margaret Atwood, “Time Capsule Found on the Dead Planet” [Web] Ted Chiang, “The Great Silence” [Web] film: Ramin Bahrani, “Plastic Bag” (in class)
M10/30Richard McGuire, Here
W11/1Richard McGuire, Here
F11/3SECOND PAPER WORKSHOP
   
M11/699% Invisible, “Ten Thousand Years” [Web] Sarah Zhang, “The Cat Went Over Radioactive Mountain” [Web] Alan Bellows, “This Place Is Not a Place of Honor” [Web] WIPP Exhibit, “Message to 12,000 A.D.” [Web]
W11/8Kim Stanley Robinson, introduction to Future Primitive [D2L] Ernest Callenbach, “Chocco” [D2L]
F11/10Ursula K. Le Guin, Always Coming Home: “A First Note,” “The Quail Song,” “Towards an Archaeology of the Future,” and “Stone Telling: Part One”
   
M11/13Ursula K. Le Guin, Always Coming Home: “The Serpentine Codex” through“Pandora Worrying About What She Is Doing: She Addresses the Reader with Agitation”
W11/15Ursula K. Le Guin, Always Coming Home: “Time and the City” through “Eight Life Stories”
F11/17Ursula K. Le Guin, Always Coming Home: “Some Brief Valley Texts” through “Poems (Fourth Section)”
   
M11/20Ursula K. Le Guin, Always Coming Home: “The Back of the Book” SECOND PAPER DUE
W11/22THANKSGIVING BREAK—NO CLASS
F11/24THANKSGIVING BREAK—NO CLASS
   
M11/27FINAL PAPERS/PROJECTS MINI-WORKSHOP
W11/29Jeff Vandermeer, Annihilation, 01
F12/1Jeff Vandermeer, Annihilation, 02
   
M12/4Jeff Vandermeer, Annihilation, 03
W12/6Jeff Vandermeer, Annihilation, 04
F12/8Jeff Vandermeer, Annihilation, 05 Annihilation (film)
   
T12/12FINAL PROJECT DUE IN D2L DROPBOX BY 10:00 AM

Written by gerrycanavan

August 7, 2023 at 5:52 pm

SFFTV open call for submissions and books for review (summer 2023)

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Science Fiction Film and Television invites article submissions on any topics related to sf and visual media; we especially invite articles related to the production economy of the culture industry and to non-US sf, as well as articles that related to our current CFPs for special issues and planned special issues on (1) indigenous sf filmmaking and (2) the career of Taika Waititi. 

We also invite proposals from potential guest editors for special issues; please write gerry.canavan@marquette.edu for more information on this process.

SFFTV is edited by Gerry Canavan (Marquette University), Dan Hassler-Forest (Utrecht University), and Ida Yoshinaga (George Institute of Technology). Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film, television, gaming, other visual media will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to gerry.canavan@marquette.edu.

The journal is also seeking reviewers of recent works of sf and sf-adjacent critical theory as well as recent SF visual media. We are always welcome to pitches, but we also have the following books available for review:

* Rebecca Janicker, ed, THE SCIENTIST IN POPULAR CULTURE (Lexington Books) 

* Jesse Russell, THE POLITICAL CHRISTOPHER NOLAN: LIBERALISM AND THE ANGLO-AMERICAN VISION (Lexington Books)

* Tyler Sage, MR. FREEDOM (Constellations in Science Fiction Film and TV series)

* David Sweeney, THE OA (Constellations in Science Fiction Film and TV series)

* Joe Street, SILICON VALLEY CINEMA (Edinburgh University Press)

* J.P. Telotte (ed.), THE OXFORD HANDBOOK OF NEW SCIENCE FICTION CINEMAS (Oxford UP)

* Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer, FREDRIC JAMESON AND FILM THEORY: MARXISM, ALLEGORY, AND GEOPOLITICS IN WORLD CINEMA (Rutgers University Press)

Reviews typically run 1000-2000 words, or 2000-4000 words in our “review essay” format. Samples of both types of review are available upon request.

For our media in review section, we are now primarily interested in:

* reviewers who are calling attention to things that have gone overlooked in the larger entertainment-media-complex landscape, especially international film;

* reviewers with a specific aesthetic, political, or philosophical “take” on a text, as opposed to a more traditional review that recapitulates the plot at length and advises the potential viewer whether or not they ought to watch it.

This notion of a specific “take” is especially important for blockbuster franchise fare, like the MCU or Star Wars movies; in most cases we would only be interested in a review essay for such a film, discussing it within some larger critical context.

Due to a recent review backlog we have not been actively soliciting reviewers; as a result, much recent SF media is still available for reviewing. If there is a film you are interested in reviewing, please contact gerry.canavan@marquette.edu and let him know the name of the film and what you think you’d like to say about it. Deadlines are quite flexible. We look forward to hearing from you!

Written by gerrycanavan

July 12, 2023 at 4:33 pm

2023 Peter Lang Emerging Scholars Competition in Indigenous Studies

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Peter Lang Publishing is delighted to announce the 2023 Peter Lang Emerging Scholars Competition in Indigenous Studies.

Proposals are invited from emerging scholars in Indigenous Studies for single-author books to be evaluated by a distinguished editorial board. We are particularly welcoming work on Indigenous SF and Indigenous Futurism for consideration in the World Science Fiction Studies series.

Proposals should be submitted to editorial@peterlang.com or via our webform by 31 August 2023 and consist of an abstract (including chapter synopses), a sample chapter (5,000 to 10,000 words in length), a CV, and statement describing how you are an emerging scholar, in separate Microsoft Word documents. Proposals under review elsewhere should not be submitted.

The winner(s) will be offered a Gold Open Access contract for their book. Winning book(s) will be made available for free digital download as part of our efforts to increase accessibility. Planned manuscripts should be from 40,000 to 80,000 words in length and written in English. Authors will be expected to prepare the manuscript in accordance with the style guidelines provided.

Decisions will be made by 1 December 2023 and the winners will be notified shortly thereafter.

For more information, please contact Senior Acquisitions Editor Laurel Plapp (l.plapp@peterlang.com).

SFFTV open call for submissions and special issue proposals, as well as books for review

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Science Fiction Film and Television invites article submissions on any topics related to sf and visual media; we especially invite articles related to the production economy of the culture industry and to non-US sf, as well as articles that related to possible upcoming special issues on (1) indigenous sf filmmaking and (2) the career of Taika Waititi. We also invite proposals from potential guest editors for special issues; please write gerry.canavan@marquette.edu for more information on this process.

SFFTV is edited by Gerry Canavan (Marquette University), Dan Hassler-Forest (Utrecht University), and Ida Yoshinaga (George Institute of Technology). Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film, television, gaming, other visual media will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to gerry.canavan@marquette.edu.

The journal is also seeking reviewers of recent works of sf and sf-adjacent critical theory as well as recent SF visual media. We are welcome to pitches, but we also have the following books available for review:

* Istvan Csicsery-Ronay Jr, MUTOPIA: SCIENCE FICTION AND FANTASTIC KNOWLEDGE (Liverpool UP)

* Rebecca Janicker, ed, THE SCIENTIST IN POPULAR CULTURE (Lexington Books)

* Tyler Sage, MR. FREEDOM (Constellations in Science Fiction Film and TV series)

* George Slusser, SCIENCE FICTION: TOWARD A WORLD LITERATURE (Lexington Books)

* David Sweeney, THE OA (Constellations in Science Fiction Film and TV series)

* Sherryl Vint and Jonathan Alexander, PROGRAMMING THE FUTURE:POLITICS, RESISTANCE, AND UTOPIA IN CONTEMPORARY SPECULATIVE TV (Columbia UP)

Reviews typically run 1000-2000 words, or 2000-4000 words in our “review essay” format. Samples of both types of review are available upon request.

For our media in review section, we are now primarily interested in:

* reviewers who are calling attention to things that have gone overlooked in the larger entertainment-media-complex landscape, especially international film;

* reviewers with a specific aesthetic, political, or philosophical “take” on a text, as opposed to a more traditional review that recapitulates the plot at length and advises the potential viewer whether or not they ought to watch it.

This notion of a specific “take” is especially important for blockbuster franchise fare, like the MCU or Star Wars movies; in most cases we would only be interested in a review essay for such a film, discussing it within some larger critical context.

Due to a recent review backlog we have not been actively soliciting reviewers; as a result, much recent SF media is still available for reviewing. If there is a film you are interested in reviewing, please contact gerry.canavan@marquette.edu and let him know the name of the film and what you think you’d like to say about it. Deadlines are quite flexible. We look forward to hearing from you!

Written by gerrycanavan

February 8, 2023 at 12:48 pm

Revised Game Studies Syllabus for Spring 2023 (“Oops, All Disco Elysium”)!

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With my new role as chair, I’ve only got one class this term, but it’s a good one: a upper-division version of my Game Studies class, with this term’s special Disco Elysium focus. Here’s the week by week:

DAYDATE ASSIGNMENT
WJan 18STARTFIRST DAY OF CLASS
FJan 20NARRATIVEGame: The Stanley Parable

Corey Mohler, Existential Comics: “Candyland and the Nature of the Absurd”
Interview with Davey Wreden, Creator of The Stanley Parable
    
MJan 23ARTGame: Doom

Roger Ebert, “Doom,” “Critics vs. Games on Doom,” “Why Did The Chicken Cross the Genders,” “Video Games Can Never Be Art”
Ian Bogost, “Art”
WJan 25MEANINGGame: Journey
Mäyrä, “What Is Game Studies?” and “Meaning in Games”
FJan 27CHOICEGame/Film: Black Mirror:Bandersnatch (in-class viewing)
    
MJan 30DESIGNGame/Film: Black Mirror: Bandersnatch (in-class viewing and discussion)

Nele Van de Mosselaer and Stefano Gualeni, “The Implied Designer and the Experience of Gameworlds”
WFeb 1FILMGalloway, “Gamic Action, Four Moments”
FFeb 3DISCO!DE: CHARACTER CREATION SCREEN AND GETTING OUT OF YOUR HOTEL ROOM
    
MFeb 6ROLEPLAYGame: Dungeons and Dragons 

Vox.com, “Dungeons and Dragons, Explained”
Aaron Trammell, “From Where Do Dungeons Come?”
Aaron Trammell, “Misogyny and the Female Body in Dungeons and Dragons”
WFeb 8CRITIQUEGame: The Legend of Zelda: The Breath of the Wild 

Gerry Canavan, “The Legend of Zelda in the Anthropocene”
FFeb 10DISCO!DE: Day 1
   
MFeb 13HABITGame: Tetris

Bogost, “Habituation”
Chris Higgins, “Playing to Lose”
Sam Anderson, “Just One More Game…”
Film excerpts: The Ecstasy of Order
WFeb 15ADDICTIONGame: Candy Crush, League of Legends, Hearthstone, Marvel Snap!, etc. 

Ramin Shokrizade, “The Top F2P Monetization Tricks”
June Thomas, “Sugar Coma”
Julia Lepetit and Andrew Bridgman, “The Most Realistic Game Ever”
Ian Bogost, “Rage Against the Machines” and Cow Clicker
FFeb 17DISCO!DE: Day 1 (replay)
    
MFeb 20VIOLENCEGame: Doom revisited, Call of Duty, etc.

Galloway, “Origins of the First Person Shooter”and “Social Realism”
Ludus Novus, “Why So Few Violent Games?”
WFeb 22EMPIREBogost, “Titilation”
Stephen Kline, Nick Dyer-Witheford, and Greig de Peuter, “Designing Militarized Masculinity: Violence, Gender, and the Bias of Game Experience”
Mathieu Triclot, Raphaël Verchère, “Video Game Violence: A Philosophical Conversation with Mathieu Triclot”
FFeb 24DISCO!DE: Day 2
    
MFeb 27SIMULATIONGame: Sid Meier’s Civilization, etc. 

Galloway, “Allegories of Control”
Kacper Pobłocki, “Becoming-State: The Bio-Cultural Imperialism of Sid Meier’s Civilization”
WMar 1IDEOLOGYGame: SimCity, etc. 

Ava Kofman, “Les Simerables”
Mike Sterry, “The Totalitarian Buddhist Who Beat Sim City”
FMar 3DISCO!DE: Day 3
    
MMar 6DECEPTIONGame: Werewolf, etc. 

Nathan Cutietta, “A Mental Model Approach to Deception in Single Player Games”
WMar 8WORKMäyrä, “Preparing for a Game Studies Project”
FMar 10DISCO!DE: Day 4
    
M-FMar 13-17PAUSESPRING BREAK—NO CLASS
    
MMar 20ENDGAME 1Disco Elysium endgame discussion 
WMar 22ENDGAME 2Disco Elysium endgame discussion
FMar 24ENDGAME 3Disco Elysium endgame discussion
    
MMar 27CRITICISMDisco Elysium criticism
WMar 29CRITICISMDisco Elysium criticism
FMar 31CRITICISMDisco Elysium criticism 
    
MApr 3SEQUELDisco Elysium 2 discussion
WApr 5WORKSHOPpaper/project workshop (in class)
FApr 7DEATHEASTER BREAK—NO CLASS
    
MApr 10RESPAWNEASTER BREAK—NO CLASS
    
M-FApr 12-21DLCWe will choose the special topics for this part of the class together.
    
MApr 24FLOWStephen Johnson, Everything Bad Is Good for You(excerpt) 
Jane McGonigal, Reality Is Broken (excerpt)
Braxton Soderman, Against Flow (excerpt)
WApr 26RESISTCountergames: molleindustria.org

Galloway, “Countergaming”
FApr 28TUTORIALGRAD STUDENT PRESENTATIONS
    
M-FMay 1-May 5LEVEL UPUNDERGRAD PRESENTATIONS
    
FMay 9GAME OVERFINAL PAPER/PROJECT DUE ON D2L BY 10 AM

Written by gerrycanavan

January 13, 2023 at 5:59 pm

Ring in the New Year the Gerry Canavan Way with New Year’s Eve Eve Eve Links!

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Written by gerrycanavan

December 29, 2022 at 9:25 am

Posted in Look at what I found on the Internet

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Thanksgiving Links!

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* It’s been a time: Health experts monitor ‘tri-demic’ as respiratory viruses spread around US. Colorado River conditions are worsening quicker than expected. Competition between respiratory viruses may hold off a ‘tripledemic’ this winter. Children’s hospitals call on Biden to declare emergency in response to ‘unprecedented’ RSV surge. How long COVID ruined my life, from crushing fatigue to brain fog. About 37% of small businesses, which between them employ almost half of all Americans working in the private sector, were unable to pay their rent in full in October. Parents are buying fewer baby clothes, a sign of deep financial distress. The world’s baby shortfall is so bad that the labor shortage will last for years, major employment firms predict. Chris Hemsworth ‘Taking Time Off,’ Discovered Genetic Predisposition for Alzheimer’s Disease: ‘I’m Going to Just Simplify.’ Et tu, Coca-Cola? Massive flock of sheep has been walking in a circle for 12 days straight in China. The Problem With Letting Therapy-Speak Invade Everything. Inside the violent, misogynistic world of TikTok’s new star, Andrew Tate. A Quarter of Americans at Risk of Winter Power Blackouts, Grid Emergencies. Stock up on bottled water and canned food, official tells Germans. What if We Cancel the Apocalypse? this comic is almost 14 years old and could have been made yesterday

* I’m giving the last “Tolkien Tuesdays” talk at the Haggerty on next Tuesday, November 28, on Tolkien and pop culture.

* A truly obscene trend in higher ed: How Colleges and Sports-Betting Companies ‘Caesarized’ Campus Life.

* ‘A Culture of Disposability’: New School Part-Time Faculty Go On Strike. Never Cross a Picket Line: A Primer for Solidarity in the Academic Workplace. The Academic Wheel of Privilege. The Cruelty of Faculty Churn. The Deadline Dilemma. The gutting of the liberal arts continues.

* Vulture had a nice Octavia Butler cluster this week: The Spectacular Life of Octavia Butler. Misreading Octavia Butler. How to Write Like Octavia E. Butler. The Butler Journal Entry I Always Return To. This one at the Times was beautiful, too, in more ways than one: The Visions of Octavia Butler. And just a few weeks away: ‘Kindred’ Trailer: Octavia Butler’s Time Travel Novel Comes to Terrifying Life.

* The new Science Fiction Film and Television is out, with articles on steampunk, cryonics, domestic violence in Tau and Upstream Color, and Marvel’s Agent Carter. I can’t tell for sure, but from where I am access to all issues of SFFTV is free right now. And so is the fall issue of SFRA Review! And Uneven Futures is almost here!

* Marxist Literary Criticism: An Introductory Reading Guide.

* One of last year’s student papers is already out in Games and Culture: “Go. Just take him.”: PTSD and the Player-Character Relationship in The Last of Us Part II.

* Marvel got trolled into losing one of its best assets to DC permanently. You hate to see it.

* I Don’t Worry About My Oeuvre: A Conversation with John Carpenter.

* I want Picardo back as the Doctor and I don’t really care how they do it. Just don’t let the Picard showrunners anywhere near it and we’re good to go.

* Online Speed Chess as Self-Soothing, Tetris, or Collaborative Troll Art.

* Middle schoolers tackle climate change in a new alternate reality game.

* The Dirt on Pig-Pen.

* The Incredibly Stupid Catastrophe Caused by Sam Bankman-Fried and FTX. Tumblr Blog Linked to Ex-Alameda CEO Explored Race Science, ‘Imperial Chinese Harem’ Polyamory. Queen Caroline. Every Shady Thing Sam Bankman-Fried Has Confessed or Pseudo-Confessed to Since FTX Collapsed. Effective altruism gave rise to Sam Bankman-Fried. Now it’s facing a moral reckoning. Crypto Bro Sam Bankman-Fried Was the Perfect Liberal Hero. Sam Bankman-Fried tries to explain himself.

* Larry David, Tom Brady, Stephen Curry, Other Celebs Sued Over FTX Crypto Exchange Collapse. Larry David was telling you not to buy, you just didn’t listen…

* Billionaires like Elon Musk want to save civilization by having tons of genetically superior kids. Inside the movement to take ‘control of human evolution.’ Jeff Bezos pledges to donate majority of his $124 billion fortune to fight climate change and unify humanity.

* In the end, Yuji Naka, creator of Sonic the Hedgehog, just couldn’t run fast enough.

* Are Trees Talking Underground? For Scientists, It’s in Dispute.

* If you’re keeping score, a guy made a homemade shotgun out of plumbing parts and iced a former PM with it in broad daylight and the Japanese govt is giving him everything he demanded because they realize he had a point. Utterly wild story.

* Federal judge strikes down Biden student debt relief program. What Went Wrong With Biden’s Student Loan Cancellation Plan— And How He Can Make It Right. Joe Biden Is Finally Moving Toward Allowing Bankruptcy to Eliminate Student Debt. Biden Administration Caves To Pressure On Student Debt Bankruptcy.

* ‘A World Cup Built on Modern Slavery’: Stadium Workers Blow the Whistle on Qatar’s ‘Coverup’ of Migrant Deaths and Suffering.

* Thousands were released from prison during covid. The results are shocking.

* The Bike Thieves of Burlington, Vermont.

* Abortion, Every Day.

* New Rules for a New Game.

* Welcome to the Infinite Conversation: an AI generated, never-ending discussion between Werner Herzog and Slavoj Žižek.

* ‘I was ecstatic to be given the opportunity to be there’: Milwaukee student’s poetry takes her to the White House.

* Elsewhere on the Milwaukee beat: The Landlord & the Tenant.

* The Race to Save Fanfiction History Before It’s Lost Forever.

* what is the crime for which the turkey was sentenced to death & the sentence nullified by the US President? & what guarantee do we have that the turkey won’t be executed anyway, as soon as the cameras are gone.

* It’s that time of year. How to avoid gender bias when writing recommendation letters.

* How ‘Andor’ Drew from… Joseph Stalin? I Can’t Fucking Believe How Good ‘Andor’ Is.

* Multiculturalism in Middle-earth: On Amazon’s “The Lord of the Rings: The Rings of Power.”

* Yes, but: the comic.

* ‘Doing Nothing’ course helps students build skills to unplug, think deeply.

* Indy’s going to the Moon folks.

* ‘How Did This Man Think He Had the Right to Adopt This Baby?’

* Words Added to the Scrabble Dictionary.

* Might not make my traditional Thanksgiving post this year, so here it is a few days early.

* From the archives: “Utopia, LOL?”

* And in honor of the end of Twitter: one last Twitter roundup.

Written by gerrycanavan

November 22, 2022 at 11:35 am

Posted in Look at what I found on the Internet

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Fall Break Links? In This Economy?

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I’ve been very busy! It might not get better anytime soon! But at least I’ve closed all my tabs...

Baldwin: The defunding of public education has accelerated all the public universities’ forays into the realm of what they call “becoming entrepreneurial,” which I described above—land grabs, leveraging tax-free real estate, public-private partnerships, capturing intellectual property, and more. This story has to begin with the Higher Education Act of 1965. That legislation failed to directly fund higher education and instead offered indirect funding in the form of “student assistance” for tuition—a few grants but mostly loans, most of them private. Only through tuition, paid by most students through loans and debt, could institutions receive federal funds. This prompted a drive toward skyrocketing tuitions, the competition for higher-paying out-of-state and international students, and the debt financing of amenities to draw those students, which has created the massive national student-debt crisis. But even more, this strategy of raising tuition, funded through debt, wasn’t enough to offset decreases in public spending. So, at the same time, colleges and universities ramped up their participation in revenue-generating, community-destroying practices.

Written by gerrycanavan

October 24, 2022 at 9:00 am

Posted in Look at what I found on the Internet

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Fall 2022 Syllabi! “J.R.R. Tolkien” and “Histories of Anti-Capitalism”!

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My syllabi are up for Fall 2022: a slightly revised version of my J.R.R. Tolkien class that utilizes this semester’s Haggery Museum of Art exhibit, and a brand new grad course titled “Histories of Anti-Capitalism.” Here’s the general plan for the anti-capitalism course, which is going to get finalized in consultation with the students who will be leading discussion each week:

WEEK THEMES AND ASSIGNMENTS
WEEK 1 What Is Capitalism? What Is Anti-Capitalism?
Karl Marx and Friedrich Engels, “The Communist Manifesto” [marxists.org]
Mark Fisher, Capitalist Realism (excerpt) [D2L]
Existential Comics, “Explaining Capitalism to Aliens”
Sep. 5 LABOR DAY
WEEK 2 Four Futures
Peter Frase, Four Futures
WEEK 3 The Luddites and after
Gavin Mueller, Breaking Things at Work
WEEK 4 Critique
Barbara Foley, Marxist Literary Criticism Today
WEEK 5 Utopia
Fredric Jameson, “Reification and Utopia in Mass Culture,” “Utopia as Replication,” and An American Utopia [D2L and YouTube]
WEEK 6 Postcolonalism
Frantz Fanon, The Wretched of the Earth
WEEK 7 Black Marxism
C.L.R. James, Cedric Robinson, bell hooks, and Angela Davis [D2L]
WEEK 8 Gender
Silvia Federici (wages for housework), Kathi Weeks (abolition of the family) [D2L]
WEEK 9 20th century text we will choose together
WEEK 10 Queer Marxism
José Esteban Muñoz, Cruising Utopia
WEEK 11 Disability
disability rights movements, the ADA, Marta Russell and Ravi Malhorta, Sami Schalk, “Neoliberalism and the Commodification of Mental Health” [D2L]
WEEK 12 Ecology
John Bellamy Foster (ecology against capitalism), André Gorz (“The Social Ideology of the Motorcar”), Kathryn Yusoff (the Anthropocene), Greta Thunberg [D2L and Web]
WEEK 13 The University
How the University Works; student movements; precarious labor and unionization; student debt abolition; state funding [D2L and Web]
  THANKSGIVING BREAK: NO CLASS
WEEK 14 21st century text we will choose together
WEEK 15 PRESENTATIONS
   
Dec. 16 FINAL PAPERS DUE

Written by gerrycanavan

August 28, 2022 at 9:37 am

SFFTV Open Call for Submissions and Special Issue Proposals, as Well as Books for Review

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Science Fiction Film and Television invites article submissions on any topics related to sf and visual media; we especially invite articles related to the production economy of the culture industry and to non-US sf, as well as articles that related to possible upcoming special issues on (1) indigenous sf filmmaking and (2) the career of Taika Waititi. We also invite proposals from potential guest editors for special issues; please write gerry.canavan@marquette.edu for more information on this process.

SFFTV is currently edited by Anindita Banerjee (Cornell University), Gerry Canavan (Marquette University), Dan Hassler-Forest (Utrecht University), and its newest editor, Ida Yoshinaga (George Institute of Technology). Preferred length for articles is approximately 7000-9000 words; all topics related to science fiction film, television, gaming, other visual media will be considered. Typical response time is within three months. Check the journal website at Liverpool University Press for full guidelines for contributors; please direct any individualized queries to gerry.canavan@marquette.edu.

The journal is also seeking reviewers of recent works of sf and sf-adjacent critical theory as well as recent SF visual media. While we accept pitches, we also have the following books available for reviewers:

THE CAMBRIDGE COMPANION TO AMERICAN HORROR (edited by Stephen Shapiro and Mark Storey)

https://www.cambridge.org/core/books/cambridge-companion-to-american-horror/6112D13AE5342761D59714310C5E54CD

CITIZEN SCIENCE FICTION (Jerome Winter)

https://rowman.com/ISBN/9781793621481/Citizen-Science-Fiction

CONSTELLATIONS: THE OA (David Sweeney)

https://liverpooluniversitypress.co.uk/series/series-15365/?sort=vol_desc

THE OUTER LIMITS (Joanne Morreale)

https://www.wsupress.wayne.edu/books/detail/outer-limits

THE ROUTLEDGE COMPANION TO STAR TREK (edited By Leimar Garcia-Siino, Sabrina Mittermeier, Stefan Rabitsch)

https://www.routledge.com/The-Routledge-Handbook-of-Star-Trek/Garcia-Siino-Mittermeier-Rabitsch/p/book/9780367366674

STAR WARRIORS OF THE MODERN RAJ: MATERIALITY, MYTHOLOGY, AND TECHNOLOGY OF INDIAN SCIENCE FICTION

Sami Ahmad Khan

https://press.uchicago.edu/ucp/books/book/distributed/S/bo125520594.html

THE WORLD IS BORN FROM ZERO (Cameron Kunzelman)

https://www.degruyter.com/document/doi/10.1515/9783110719451/html?lang=en

Reviews typically run 1000-2000 words, or 2000-4000 words in our “review essay” format. Samples of both types of review are available upon request.

We are currently in the process of shifting the format of our media review section. We are now primarily interested in:

* reviewers who are calling attention to things that have gone overlooked in the larger entertainment-media-complex landscape, especially international film;

* reviewers with a specific aesthetic, political, or philosophical “take” on a text, as opposed to a more traditional review that recapitulates the plot at length and advises the potential viewer whether or not they ought to watch it.

This notion of a specific “take” is especially important for blockbuster franchise fare, like the MCU or Star Wars movies; in most cases we would only be interested in a review essay for such a film, discussing it within some larger critical context.

Due to a recent review backlog we have not been actively soliciting reviewers; as a result, much recent SF media is still available for reviewing. If there is a film you are interested in reviewing, please contact gerry.canavan@marquette.edu and let him know the name of the film and what you think you’d like to say about it. Deadlines are quite flexible. We look forward to hearing from you!

Written by gerrycanavan

July 29, 2022 at 1:24 pm