Science Fiction Film and Television seeks submissions for a special issue on “Star Trek at 50.”
Since its premiere on September 8, 1966, Gene Roddenberry’s Star Trek has become shorthand for liberal optimism about the future, even as the franchise’s later entries have moved towards increasingly dark depictions of aging (ST II-VII), war (DS9), lifeboat ethics (VOY), and post-9/11 securitization (ENT). This internal tension has now culminated in the rebooted “Abramsverse” depiction that — while nominally directed towards reinvigorating the franchise by returning it to its youthful origins— has seen the Spock’s home planet of Vulcan destroyed by terrorists (ST) and the Federation itself corrupted by a coup from its black-ops intelligence wing (STID).
SFFTV invites fresh approaches to Star Trek media in the context of its amazing longevity and continued popularity, with possible emphases on:
* revivals, retcons, and reboots
* canon and canonicity
* Star Trek and/as “franchise”
* fan cultures, fan productions, and fan sequels
* Star Trek ephemera and paratexts
* lost episodes and unproduced scripts
* parody and pastiche (Galaxy Quest, Star Trek XXX, “The Wrath of Farrakhan,” etc.)
* spinoff media like video games and comics
* Star Trek and politics
* Star Trek and science/technology/invention
* Star Trek and race
* Star Trek, sex, gender, and orientation
* Star Trek and disability
* Star Trek and aesthetics
* Star Trek and aging
* Star Trek’s influence on other works or on the culture at large
* Star Trek and other Roddenberry productions (The Questor Tapes, Earth: Final Conflict, Andromeda)
Articles of 6,000-9,000 words should be formatted using MLA style and according to the submission guidelines available on our website. Submissions should be made via our online system at http://mc.manuscriptcentral.com:80/lup-sfftv. Articles not selected for the special issue will be considered for future issues of SFFTV.
The deadline for submissions is September 1, 2015, with anticipated publication in Star Trek’s 50th anniversary year.
Science Fiction Film and Television is a biannual, peer-reviewed journal published by Liverpool University Press. Edited by Mark Bould (UWE), Sherryl Vint (Brock University), and Gerry Canavan (Marquette University), with an international board of advisory editors, it encourages dialogue among the scholarly and intellectual communities of film studies, sf studies and television studies. We invite submissions on all areas of sf film and television, from Hollywood productions to Korean or Turkish sf film, from Sci-Fi Channel productions to the origins of SF TV in Rod Brown of the Rocket Rangers or The Quatermass Experiment. We encourage papers which consider neglected texts, propose innovative ways of looking at canonical texts, or explore the tensions and synergies that emerge from the interaction of genre and medium. We publish articles (6000-8000 words), book and DVD reviews (1000-2000 words) and review essays (up to 5000 words), as well as archive entries (up to 5000 words) on theorists (which introduce the work of key and emergent figures in sf studies, television studies or film studies) and texts (which describe and analyse little-known or unduly neglected films or television series). Science Fiction Film and Television is hosted online by Metapress and is accessible at http://liverpool.metapress.com/content/121631/. Online access is free to existing subscribers.
* Call for applications: The 2015-16 postdoc seminar at Rice, “After Biopolitics.”
* In the absence of sparrows: the front page story says you’ve been missing since / November 22, 2012. Everything else it doesn’t say. / In the absence of sparrows: you simply wandered off, past the Sunoco, pockets stuffed. / The door to your apartment is open still—
* Together, these forums, initiatives, and spy teams constitute a sustained effort to suppress meaningful resistance to the university’s privatization program by placing strict boundaries on dissent. Policing Civility.
* Elsewhere in campus civility: The Pentagon Is Giving Grenade Launchers to Campus Police.
* Hence I propose that, roughly speaking, one’s privilege level correlates with the likelihood that expressing anger will make people take your concerns more seriously rather than less — or at the very least, that it will prompt a reaction to you as an individual rather than triggering an immediate generalization about your demographic profile. This is one of the most intimate and insidious things about privilege dynamics: even the right to express perfectly natural and justified human emotions can’t be taken for granted.
* The Paris Review interviews Ray Bradbury.
If I’d lived in the late eighteen hundreds I might have written a story predicting that strange vehicles would soon move across the landscape of the United States and would kill two million people in a period of seventy years. Science fiction is not just the art of the possible, but of the obvious. Once the automobile appeared you could have predicted that it would destroy as many people as it did.
They affect us because we realize that if they are monsters it is because we, the adults, have made them so. In them we find everything: Freud, mass culture, digest culture, frustrated struggle for success, craving for affection, loneliness, passive acquiescence, and neurotic protest. But all these elements do not blossom directly, as we know them, from the mouths of a group of children: they are conceived and spoken after passing through the filter of innocence. Schulz’s children are not a sly instrument to handle our adult problems: they experience these problems according to a childish psychology, and for this very reason they seem to us touching and hopeless, as if we were suddenly aware that our ills have polluted everything, at the root.
* As fast-food workers demonstrate nationwide for a $15 hourly wage, and congressional Republicans fight off a $10 federal minimum, little SeaTac has something to offer the debate. Its neighbor, Seattle, was the first big city to approve a $15 wage, this spring, but that doesn’t start phasing in until next year. SeaTac did it all at once. And, though there’s nothing definitive, this much is clear: The sky did not fall.
* Profiles in courage: Obama to delay his big move on immigration until after election.
* Not really how it’s supposed to work: An atheist airman at Creech Air Force Base in Nevada was denied re-enlistment last month for refusing to take an oath containing “so help me God,” the American Humanist Association said Thursday.
* Female privilege is real: Sharks nine times more likely to kill men than women, study says.
* The eight white identities. I’m not 100% clear on the daylight between White Traitor and White Abolitionist, but otherwise it seems to taxonomize approaches to white supremacy I see on the Internet all the time.
* Could it be possible that police departments are lying when they say suspects handcuffed behind their backs are shooting themselves in the chest with hidden weapons that were somehow not found when they were searched? Truly, a bold provocation. Perhaps it will always be a mystery.
* And: you fools: every day is Bill Murray Day.
ENGLISH 3000: Critical Practices and Processes in Literary Studies
Thematic Title: Magic and Literature
Description: This course serves as an introduction to the English major, using literary depictions of magic from William Shakespeare to J.K. Rowling as its organizing principle. We will consider the ways a wide range of authors have taken up magic from a variety of critical perspectives, from feminist and Marxist analysis to genre criticism to postcolonial theory and beyond, as well as consider the possibilities and limits of reading “magic” allegorically. What is the relationship between magic and religion on the one hand, and magic and science on the other? How do stories about magic suggest powerful critiques of Western technologies of power and ways of thinking? Conversely, how do they reinforce our positions as good subjects of democratic capitalism? Why are stories about magic, and fantasy more generally, still largely understood as belonging to children’s literature, even as related speculative genres like science fiction and superheroes have enjoyed a renaissance of “serious” critical attention? For that matter, why does our society persist in raising its children in such magical worlds, only to finally spit them out as adults into this one? This course will help students develop fluency with academic discourses and habits of literary criticism that will serve them in their upper-division courses as Marquette, as well as develop their skills as writers and thinkers in their own right.
Readings will include The Tempest, Doctor Faustus, Arabian Nights, Grimm’s Fairy Tales, The Turn of the Screw, “The Yellow Wall-Paper,” Franz Kafka, Gabriel García Márquez, H.P. Lovecraft’s Cthulhu mythos, J.R.R. Tolkien, Junot Díaz, Nalo Hopkinson, Disney’s Brave and Frozen, Marvel’s Dr. Strange, The Chronicles of Narnia, TV’s Game of Thrones, Dungeons & Dragons, and J.K. Rowling’s Harry Potter and the Order of the Phoenix.
Assignments: two shorter papers, one final paper, weekly forum posts, class participation
* Like C.P. Snow’s two cultures of the humanities and the sciences, a new bimodal view of higher education is becoming increasingly important at the start of the twenty-first century: one that sees the goal of universities as developing “the whole person” and another that sees it as largely or even exclusively in terms of job training. The Two Cultures of Higher Education in the Twenty-First Century and Their Impact on Academic Freedom.
* Academic search season watch: How To Tailor a Job Letter (Without Flattering, Pandering, or Begging).
* Episode 21 of Rachel and Miles X-Plain the X-Men (with Kurt Busiek) is a great look at how Marvel’s sausage is made. Give it a listen if you’re a fan of the comics…
* Steve Shaviro: Twenty-Two Theses on Nature.
* Thirty-two teens escaped from a Nashville youth detention center by crawling under a weak spot in a fence late Monday, and nine of them were still on the run Tuesday, a spokesman said.
* “Duke University seeks a talented, engaged student body that embodies the wide range of human experience; we believe that the diversity of our students makes our community stronger. If you’d like to share a perspective you bring or experiences you’ve had to help us understand you better — perhaps related to a community you belong to, your sexual orientation or gender identity, or your family or cultural background — we encourage you to do so. Real people are reading your application, and we want to do our best to understand and appreciate the real people applying to Duke.”
* Unlike most other states, Wisconsin does not recognize prisoners’ good behavior with credits toward accelerated release. Wisconsin had such a “good time” program for well over a century, but eliminated it as part of the policy changes in the 1980s and 1990s that collectively left the state unusually — perhaps even uniquely — inflexible in its terms of imprisonment. Why No “Good Time” in Wisconsin?
* Now we see the violence inherent in the system: Meet The Guy Who Spent Seven Months Killing Everyone In Fallout 3.
* For the geeks: How Randall “xkcd” Munroe wrote What If?
* Time Travel Simulation Resolves “Grandfather Paradox.” Bah! We need to go back in time and prevent this simulation from ever being devised!
* The arc of history is long, but: HBO has commissioned some sort of new Flight Of The Conchords show.
* And just because it’s gerrycanavan.wordpress.com: Limits to Growth was right. New research shows we’re nearing collapse.