Posts Tagged ‘The Last Jedi’
Ring in the New Year the Gerry Canavan Way with New Year’s Eve Eve Eve Links!
- ArtReview asked me to write up something about the state of sequels and franchise culture for their year-in-review roundup: “Is the Blockbuster Sequel Worth Saving?”
- 13 new SF/F books to enjoy this December, and I’m one of them! Uneven Futures is out!
- Extrapolation 63.3 is out too!
- Wisconsin 46. MLG 2023.
- “Spaceman,” a short comic strip by US illustrator Marc Hempel (born 1957, Chicago) that was published in Questar magazine in 1980.
- This is maybe my favorite viral image of all time: a handout said to be from the Moral Majority in the 1980s warning people not to take my classes.

- It’s still Christmas somewhere.
- Higher Ed’s Prestige Paralysis. Reading after the University. Lit Crit after Lit Crit. Land-Grant or Land Grab Universities? Fewer jobs at SLACs? What Should We Do About Undergrads Who Want to Pursue a Humanities Doctorate? Capitalism (more precisely, the neoliberal version that currently reigns) has destroyed the humanities, and we should not pretend otherwise. The Rich Get College Subsidies While the Student Debt Debate Goes On.
- The Largest Strike in the History of American Higher Ed. University of California faculty join teaching assistant strike. Canceled lectures, no grades: University of California students face chaotic finals as academic workers strike. Skipping meals to scrape by: A striking UC student worker shares his story. UC graduate student workers ratify labor agreement, end historic strike with big wage gains. Many Rank-and-File UC Grad Student Workers Are Unhappy With Tentative Agreement. What’s at Stake in the University of California Graduate Worker Strike. California Medical University Apologizes For Experimenting On Prisoners. New School Strike: Students Occupy University Center Over Longest US Adjunct Strike. Blue Collar/White Collar: Reflections on The New School Strike. After 30 Years, Yale Graduate Students Are Finally Unionizing.
- A Rare Survey of Faculty Morale Shows That the Pandemic’s Effects Continue to Ripple. Higher Ed Is a Land of Dead-End Jobs.
- China Mieville on Why Capitalism Deserves Our Burning Hatred. Merry Christmas! We’re All Being Murdered by Capitalism.
- Will Children’s Books Become Catalogs of the Extinct?
- Astra Magazine Had Creative Freedom and a Budget. It Wasn’t Enough.
- Rethinking ‘Run, Hide, Fight’: Our mass-shooting guidance may be woefully out of date.
- The AIs are coming for what make us truly and most distinctly human: Human-level play in the game of Diplomacy by combining language models with strategic reasoning.
- Amazon Alexa is a “colossal failure,” on pace to lose $10 billion this year.
- Dystopia for Realists. Chatbots: they’re just like us! Teachers are on alert for inevitable cheating after release of ChatGPT. Update Your Course Syllabus for chatGPT. The viral AI avatar app Lensa undressed me—without my consent. Trendy Portrait App Lensa Is Accused of Creating Nonconsensual Nudes, Child Abuse Content. The Automation Charade. Jobs you can’t automate: Assistant Professor in the History of Artificial Intelligence.
- Nightmare Blizzard in Buffalo. After deadly Buffalo blizzard, families scramble to find food and essentials.
- Officials fear ‘complete doomsday scenario’ for drought-stricken Colorado River.
- A startup says it’s begun releasing particles into the atmosphere, in an effort to tweak the climate. Now, I’m just a pointy-headed literature professor, but it seems like this should be MASSIVELY illegal!
- El Niño Is Coming—and the World Isn’t Prepared.
- The US is a rogue state leading the world towards ecological collapse.
- Effective altruism takes an L.
- It is at this point that we get our bizarro world inversion of the comic book nerd. The fan of comic book movies is now something of a “sore winner,” who continues to act the victim, marginalized, even in his dominance. I would argue that this “sore winner” idea is integral to our contemporary version of the majority, and even fascism to recall the quote about Faulkner. We are far from Deleuze and Guattari’s image of a majority that is all the more powerful in being unstated, in being assumed, now dominance, cultural, political, and economic, focuses on its apparent marginalization in order precisely to reassert its dominance. The inversion is not just that comic books have gone from margins to mainstream, but that marginalization has gone from being the basis of empathy to an expression of dominance. Victimhood is the language of domination. The bizarro world that we are living in is not just that what was once the obsession of a few has become the culture of many, that Moon Knight is now practically a household name, but that grievance against perceived marginalization has become the language of the majority.
- An ‘Imperial Supreme Court’ Asserts Its Power, Alarming Scholars.
- to save some nickels Hertz mindlessly reported 1000s of cars stolen a year and got dozens of people arrested and jailed. Their punishment is to settle a lawsuit, none of the Hertz execs responsible for ruining lives and getting people kidnapped and caged will see a day in prison
- Once You See the Truth About Cars, You Can’t Unsee It. A driver killed her daughter. She won’t let the world forget. Inside Cleveland’s plans to become a 15-minute city. The Case for Guerrilla Crosswalks.
- Southwest cancels 5,400 flights in less than 48 hours in a ‘full-blown meltdown.’
- Gloomhaven in the New Yorker! Sci-Fi Board Game Terraforming Mars Has Been Optioned for Film. (Stan Robinson, call your lawyer.) We’re in a golden age of board games. It might be here to stay.
- The U.S. Needs More Housing Than Almost Anyone Can Imagine. The Homeownership Society Was a Mistake. You Should Probably Wait to Buy a Home. Millions of US Millennials Moved in With Their Parents This Year. Millennials are stuck in the world boomers built.
- America solved child poverty by accident and immediately gave itself a lobotomy to forget.
- They Called 911 for Help. Police and Prosecutors Used a New Junk Science to Decide They Were Liars. Florida’s Child Welfare System Is Found to Be Complicit in Sex Trafficking.
- Why the crypto crash hit black Americans hard.
- If I pay that much for a car I expect to get the whole thing.
- Twitter king Dril on Musk’s chaotic reign. Elon Musk claims Neuralink is about ‘six months’ away from first human trial. Elon’s Twitter Enters the Red Zone. Tesla’s Stock Is Burning Faster Than a Lithium Battery. Twitter brings Elon Musk’s genius reputation crashing down to earth. We’re in Denial About the True Cost of a Twitter Implosion. When you’ve lost the worst degenerates on Earth.
- Scrolling alone. Men have fewer friends than ever, and it’s harming their health.
- Just in time! TWO YEARS LATER, Jan. 6 panel to vote on urging DOJ to prosecute Trump on at least 3 criminal charges.
- Finally a political movement I can get behind: Is It Toxic to Tell Everyone to Get Therapy?
- Enough With the Sad, Put-Upon Woman Essay.
- The Dark History of Hysteria.
- Did the Mother of Young Adult Literature Identify as a Man?
- We Might Have Long COVID all wrong. The Power and Peril of the ICU.
- The Failed Plot to Kill 6 Million Germans in the Wake of WWII.
- Scientists Are Investigating Signs of Ancient Human Civilization Underwater.
- Physicists Create ‘the Smallest, Crummiest Wormhole You Can Imagine.’ I like this energy, scientists.
- With historic explosion, a long sought fusion breakthrough.
- If Future Humans Terraformed a New Earth, Could They Get It Right?
- The rise and fall of peer review: Why the greatest scientific experiment in history failed, and why that’s a great thing.
- So little of what defines our lives seems to be in our control.
- I meet someone; we talk; I explain that Martian colonists will live in structures extracted from their own blood, sweat, and urine; they leave.
- LIGO may be able to detect alien warp drives using gravitational waves.
- Testing LEGO Investments.
- Working on my screenplay for Muppets to the Lighthouse.
- Domesticating Barbie: An Archaeology of Barbie Material Culture and Domestic Ideology.
- Film History According to Tarantino.
- The expanding orbit of Seattle science fiction writer Octavia Butler. Caliban, His Woman, and the Gendered (In)humanism of Wild Seed. Lesson Plan: “Octavia Butler’s Science Fiction Predicted the World We Live In.” How to Survive in Broken Worlds: Jesmyn Ward on Octavia Butler’s Empathy and Optimism.
- Star Trek showrunners vow to kill again. Avengers’ Anti-Oedipal Endgame. Ryan Coogler shares his original plot for the Black Panther sequel, beat by beat. Star Wars Will Never Escape The Last Jedi. Rian Johnson’s Primal Scream. Police and Thieves: On Tony Gilroy’s “Andor.” The Grown-Up Art of Andor. The Perfect Show for the Era of Disappearing TV. When you stan Ana de Armas so hard you change the course of film history. Ke Huy Quan’s True Hollywood Comeback. The piece of mass culture I’m most excited for. Unless it’s this. Or this.
- It is easier to imagine the end of capitalism than the end of attempts to adapt The Dark Tower.
- I decided not to write a review of Cormac McCarthy’s latest dual release The Passenger and Stella Maris in the end, but I did read a bunch of other good reviews when I was thinking about it: 1, 2, 3, 4, 5, 6.
- A Fifth of American Adults Struggle to Read. Why Are We Failing to Teach Them?
- Oh: Thousands of Teens Are Being Pushed Into Military’s Junior R.O.T.C.
- A Century of Serious Difficulty.
- Is It Art?
- So You Want to Start Reading (or Writing) Fanfic.
- MKE 101: Why the Cream City has it all. Just don’t have to go to a hospital!
- I think we’re not rushing it fast enough. We’re rushing the use of psychedelics as medicine, researchers say.
- Fitting.
- And always remember: if the opposition party somehow does win an election, simply strip them of their powers!

Happy Star Wars Eve, One… Last… Time
* Not that anybody has asked, but if I had to come up with a definitive ranking of all the “Star Wars” episodes — leaving out sidebars like the animated “Clone Wars,” the young Han Solo movie and the latest “Mandalorian” Baby Yoda memes — the result could only be a nine-way tie for fourth place. A dismal farewell to the trilogy. Even Solo got a better reception. The Rise of Skywalker—and the Fall of Fun. Star Wars: The Rise of Skywalker is what happens when a franchise gives up. ‘The Rise Of Skywalker’ Is A Convoluted And Clumsy End To The Star Wars Saga. The Rise of Skywalker Is So Bad It Actually Makes the Trilogy Worse. The Most Incoherent Star Wars Movie Ever Made. watching the rise of skywalker is like telling an acquaintance you ate potato salad once and enjoyed it, and then having that acquaintance break into your home in the middle of the night, tie you to a chair, and mash potato salad into your face and eyes for 2+ hours
* Of course the real content of Episode 9 discourse is The Last Jedi nostalgia.
* How ‘Watchmen’s’ misunderstanding of Vietnam undercuts its vision of racism.
* Don’t Hold Your Breath for That Quentin Tarantino Star Trek Movie. “In a strange way, it seems like [‘Hollywood’] would be my last. So, I’ve kind of taken the pressure off myself to make that last big voilà kind of statement,” Tarantino told Consequence of Sound. “I mean to such a degree there was a moment when I was writing and went, ‘Should I do this now? Should I do something else? Is this the 10th one?’ No, no don’t stop the planets from aligning, what are you, Galactus? If the Earth is saying do it, do it…But in a weird way, it actually kind of freed me up. I mean, I have no idea what the story of the next one’s going to be. I don’t even have a clue.” Kill Bill 3 confirmed.
* Netflix and the monoculture.
* Click Here to Kill: The dark world of online murder markets.
* Living through the era of school shootings, one drill at a time.
* Why did my sweet 5-year-old become so stormy when she started kindergarten? The Miseducation of the American Boy.
* A New (Jesuit) Model for Community Colleges.
* You Shouldn’t Have to Be Good at Your Job.
* The World The Economist Made.
* Why Naomi Klein Has Been Right.
* The Oil Age Is Coming to a Close.
* A Future with No Future: Depression, the Left, and the Politics of Mental Health.
Regardless, the point is obviously not to get out of depression so that we can get back to the work that caused the depression to begin with. The point must be, rather, to destroy the material conditions that make us sick, the capitalist system that destroys people’s lives, the inequalities that kill. Thus, creating another world together. But to do that, to get to where that becomes possible, what is called for is not competition among the sick, but alliances of care that will make people feel less alone and less morally responsible for their illness. In alliance with each other, people might eventually be able to get up and throw some bricks.
* The 2010s Killed Off the Polite Climate Change Conversation.
* Trump’s Plan to Criminalize Homelessness Is Taking Shape. Police officer admits he told homeless man to lick public urinal to avoid arrest.
* How Families Cope with the Hidden Costs of Incarceration for the Holidays.
* Devin Nunes lives on a congressman’s salary. How is he funding so many lawsuits?
* Memo: the Senate is an irredeemable institution.
* Insulin prices double since 2012.
* Self-Driving Mercedes Will Be Programmed To Sacrifice Pedestrians To Save The Driver. For an extra $50,000 it’ll kill a poor person every time you turn it on just because.
* 15 major cities around the world that are starting to ban cars.
* America is still innovating.
* An Oral History of the Folgers Incest Ad.
* John Mulaney Made a Kids’ Special. We Sent a 10-Year-Old to Interview Him About It.
* ‘Civilization’ and Strategy Games’ Progress Delusion: How strategy games have held on to one of colonialism’s most toxic narratives, and how they might finally be letting it go.
Sunday Morning After ICFA Links!
* Two poems from the great Jaimee Hills: “Frosted Palm” and “The Books in the Bushes.”
* ICYMI: My #ICFA39 talk, “Star Trek after Discovery.” Building on my AUFS post from last week, and it’s already inspired an expansion at r/DaystromInstitute.
* Have you played this new gritty realistic fantasy game?
* How vulture capitalists ate Toys R Us.
* The constitutional crisis is always arriving and never arrived. It’s been here at least twenty years.
* The market can’t solve a massacre.
And so in schools across the country, Americans make their children participate in Active Shooter drills. These drills, which can involve children as young as kindergartners hiding in closets and toilet stalls, and can even include simulated shootings, are not just traumatic and of dubious value. They are also an educational enterprise in their own right, a sort of pedagogical initiation into what is normal and to be expected. Very literally, Americans teach their children to understand the intrusion of rampaging killers with assault rifles as a random force of nature analogous to a fire or an earthquake. This seems designed to foster in children a consciousness that is at once hypervigilant and desperate, but also morbid and resigned—in other words, to mold them into perfectly docile citizen-consumers. And if children reject this position and try to take action, some educational authorities will attempt to discipline their resistance out of them, as in Texas, where one school district has threatened to penalize students who walk out in anti-gun violence actions, weaponizing the language of “choices” and “consequences” to literally quash “any type of protest or awareness.”
* All rise and no fall: how Civilization reinforces a dangerous myth.
* There Are No Guardrails on Our Privacy Dystopia.
* On misogynoir: citation, erasure, and plagiarism.
* ICE Spokesman Resigns, Saying He Could No Longer Spread Falsehoods for Trump Administration.
* The U.S. separates a mother and daughter fleeing violence in Congo.
* James Mattis is linked to a massive corporate fraud and nobody wants to talk about it.
* How America’s prisons are fueling the opioid epidemic.
* The rise of the prison state.
* Trump administration studies seeking the death penalty for drug dealers.
* Oconomowoc schools impose limits on ‘privilege’ discussions after parents complain.
* America’s ‘Retail Apocalypse’ Is Really Just Beginning.
* The YouTube Kids app has been suggesting a load of conspiracy videos to children.
* What America looked like before the EPA.
* Supreme Court Can’t Wait to Kill Youth Climate Lawsuit.
* YouTube mini-lecture from Adam Kotsko: Trump as mutation, or parody, of neoliberalism. And some more Kotsko content: Superheroes, Science Fiction, and Social Transformation.
* The Rise of Dismal Science Fiction.
* The Science Fiction of Roe v. Wade.
* Visions, Ventures, Escape Velocities: A Collection of Space Futures. A response.
* David Foster Wallace and the Horror of Neuroscience.
* Neither utopia nor apocalypse? Somedays I feel like both is the most likely outcome of all, a heaven for them and a hell for the rest of us.
* Who Owns the Robots? Automation and Class Struggle in the 21st Century.
* Rest in peace, Stephen Hawking. His last goodbye.
* Facing Disaster: The Great Challenges Framework.
* ‘Picked Apart by Vultures’: The Last Days of Stan Lee.
* For Decades, Our Coverage Was Racist. To Rise Above Our Past, We Must Acknowledge It.
* Why museum professionals need to talk about Black Panther.
* PSA: Marvel’s Black Panther Animated Series is Streaming for Free on YouTube.
* Hate spree killings in Austin.
* To Catch a Predator. You know it’s a bleak story when the NYPD are the good guys.
* The radical vision of Wages for Housework.
* Happy International Women’s Day.
* Hundreds of Missouri’s 15-year-old brides may have married their rapists.
* If NYT printed the *actual, real-life* sentiments of today’s conservative masses, it would print a bunch of paranoid, Fox-generated fairy tales and belligerent expressions of xenophobia, misogyny, racism, and proud, anti-intellectual ignorance.
* Surveillance in everything: A US university is tracking students’ locations to predict future dropouts.
* Dialectics of the superhero: 1, 2.
* Pew pew.
* Huge, if true: Studying for a humanities PhD can make you feel cut off from humanity.
* From the archives: The Racial Injustice of Big-Time College Sports.
* Podcast minute: Screw It, We’re Just Gonna Talk about Spider-Man and The Beatles. The first is new and the second is old but both are worth checking out.
* And I’m not a lazy home owner. I’m a goddamn hero.
#ICFA39 Talk: “STAR TREK after DISCOVERY”
(One of the nice things about my recent promotion is that I can perhaps start to think a little differently about the way I publish. With that in mind here’s my ICFA 2018 talk, delivered earlier this morning on the Star Wars and Star Trek panel, which builds on some recent writing I’ve been doing on franchise SF but which doesn’t really have a natural home in any of my current writing projects. As you can see it winds up in a similar place to my “Magic to Make the Sanest Man Go Mad” post but takes a somewhat different path to get there.)
Hello, and thanks for coming out to this early morning panel. I did indeed just find out that I’ve been promoted — this is actually the first official thing I’m doing since I found out, which is nice because I really think of ICFA as my “home” conference. I’ve been coming here since the very start of my career and many of my earliest and best opportunities (my first publication, my first book contract, in various ways most of the editing projects I’ve done) have come out of my association with ICFA. It’s a very good place.
That said, I also like SFRA, where I am the outgoing vice-president, and one of the organizers of the upcoming SFRA18 conference to be held on the campus of Marquette University July 1-4, 2018. I have a few flyers, which I’ve also been secreting to various locations on the conference tables when no one is looking—I hope to see some of you there! Please email me with any questions or for any additional details.
I’ll be talking today about Star Trek (and Star Wars just a little bit), which is coming out of some pieces on franchise SF I’ve been doing over the last couple years, including a piece I was proud of that was shortlisted for the Pioneer Award this year (“Hokey Religions: Star Wars and Star Trek in the Age of Reboots”), popular criticism at The Los Angeles Review of Books and Sight and Sound, Dan Hassler-Forest and Sean Guynes’s Star Wars and the History of Transmedia Storytelling book, and even a blog post for the recent An und für such blog event on Discovery that went up this Tuesday night. So if you follow me on Twitter or Facebook some of this might be familiar to you, though I think most of it will be new.
Since this is a Star Wars and Star Trek panel I wanted to start off my remarks with an observation of the intriguing convergence that has been happening between these two in recent years. People who’ve been attending ICFA for awhile may find this convergence somewhat unexpected, as Star Wars and Star Trek have long been understood here as doing significantly different things, and perhaps as not even properly belonging to the same genre at all. This critical distinction was matched by or, more likely, produced by a parallel divide in SF fandom of the 1980s and 1990s; people who are old enough to have been active on the early Internet will recall that Star Wars vs. Star Trek was a banned topic on many forums, especially in its more fannish varieties (like the infamous question “Who would win in a fight, a Star Destroyer or the Enterprise D?”).
Now, this all may seem a little strange—of course the Enterprise D would win that fight, as the military applications of transporter technology alone far surpass any of the known tactical capabilities of the Empire, much less their sad devotion to the ancient Jedi religion.
But it’s also a bit strange to see fandom elevate the at-times rather slim distinctions between these two mass cultural corporate megabrands to the level of political or even moral principle, especially as those distinctions are largely originating on the level of affective response (what kind of person does watching Star Trek make me feel like I am, what kind of person does their watching Star Wars make me feel like they are, and so on), rather than any particularly rigorous distinction on the level of either form or content.
The thin line dividing the two properties has only grown thinner in recent years,as the J.J. Abrams reboot timeline expressly bringing a Star Wars action-comedy sensibility to Trek (with J.J. openly trumpeting that he wasn’t a Star Trek fan in his promotion of the first reboot film)
and the J.J. Abrams “sequel trilogy” bringing a dyspeptic, 80s-Trek-movies sensibility to Star Wars (where the once-carefree franchise becomes, in its 2010s formulation, an extended and grim meditation on the unfulfilled promises of youth, the roads not taken, the disappointments of parenting, and the sadness of growing old).
In 2016-2017 we saw each property embark full-throatedly on a project of metanarrative revision, directing their attention not only to telling new stories about categories of people they had previously ignored but also interrogating the assumptions that had previously undergirded appreciation of each franchise. I’ll talk most about Star Trek: Discovery in what follows but I hope this produces an immediate glimmer of recognition as a description of both Rogue One and The Last Jedi, which both not only center on women as central protagonists, and which both proliferate new points of audience identification beyond just “Bad Empire” and “Good Rebellion,” but which also give us new ways of understanding the mythic logic that structures the Holy Trilogy of episodes IV, V, and VI. Rogue One shows us “Star War is hell” after all, recentering our attention on the nameless extras in the background who need to die, anonymous and unmourned, so Luke Skywalker can be the Chosen One — while The Last Jedi shows us that being the Chosen One isn’t exactly all it’s cracked up to be either, and that the fantasy we thought we wanted (“You think what? I’m gonna walk out with a laser sword and face down the whole First Order?”) is infantile and embarrassing, and in any event when it does come produces not “new hope” but a new world of death that has the same no-future in the end (Kylo doesn’t turn Good; to a rounding error the Resistance doesn’t escape; Luke doesn’t save the day, and in fact, Luke dies).
For the rest of my talk I’ll be elaborating on what Discovery does to Star Trek, in the opposite direction, but my central claim can be summarized in a variation on a recent tweet of mine: Today Star Wars wants to be Star Trek and Star Trek wants to be Star Wars, and everyone is sad.
Have people been watching Star Trek: Discovery? Who’s seen all the way to the end?
I really hope I’ve pitched the paper at a level where everyone can enjoy what I’m about to say whether you’ve seen the series or not.
Because this is an academic talk I will have to break the spoiler seal, so I apologize if you were planning on going back to the room to watch some CBS All Access tonight. (That goes for you, too, Internet.) And it’s strange in a way to even have to worry about, as Star Trek has historically been a primarily episodic concern, with season and series arcs existing only at the margins of the franchise, especially in its paradigmatic formulations of TOS/TNG. It hasn’t previously hinged on “spoilers.” But Discovery is nearly all arc, nearly all mythology episodes: there is only one properly standalone episode in the series after the pilot, episode 7, “Magic to Make the Sanest Man Go Mad,” and even that one is nominally a sequel. (I’ll return to the subject of that episode a little bit in a moment). The other fourteen episodes are almost nothing but series arc, each episode feeding directly into the next, and sadly comprised of mostly “shocking” plot twists.
I feel as though I should also apologize the way Steve did yesterday, too, for this being all a little bit fannish. But this is ICFA, after all.
The initial arc of Discovery, which is set approximately a decade before the adventures depicted in the original season of Star Trek (1966), concerns Cmdr. Michael Burnham, who in the pilot has served on the Shenzhou under Captain Phillippa Georgiou (most recently as the first officer) for seven years. (That’s no arbitrary number; seven years is the typical run of a modern Star Trek series, so we are essentially being introduced to these characters in the context of the series finale of the TNG-style series Star Trek: Shenzhou, which of course never actually aired.) Burnham is a human orphan, her parents having been murdered in a raid by Klingon marauders; afterwards she was raised on Vulcan as a Vulcan by her adopted parent, long-running Star Trek secondary character Sarek (Spock’s father). She is therefore the adopted human sister of Spock, whom he just never happened to have mentioned on camera in any context before now.
Encountering a massive Klingon installation at the edge of space, Burnham becomes convinced that the Shenzhou needs to fire on the Klingons or the Shenzhou will be destroyed. Georgiou refuses on the basis that Starfleet does not fire first — so Burnham disables her with a Vulcan neck pinch in her ready room and gives the order as if it came from Georgiou, becoming Starfleet’s first-ever mutineer. Georgiou recovers quickly and belays the order, and in the ensuing battle the Shenzhou is lost, Georgiou is killed, and the Federation plunges into a cataclysmic war with a newly reunited and newly dangerous Klingon Empire that soon threatens its very survival.
(I should say here the series never exactly commits to whether Burnham’s impulse was correct, whether it could have stopped the war or saved the Shenzhou if she’d been allowed to see it through. That’s deliberate: in Discovery we aren’t in a place where we can simply trust our heroes implicitly anymore, and nobody knows what’s actually right or what’s best.)
This is just the pilot and we are already quite far afield of our expectations of a Star Trek series: mutiny, war, death, blowing up the ship and killing the captain and then not undoing it by the end of the episode. But things only get worse from here.
Burnham is found guilty of mutiny and sentenced to life imprisonment on a Federation work colony; however, sometime later, while being transferred with some other prisoners, there is an accident with her shuttle and she is brought aboard the science vessel U.S.S. Discovery, captained by Gabriel Lorca.
The Discovery has been retrofitted for the war, and in fact soon becomes the key tactical asset of the Federation, as it possesses a unique “spore drive” that taps into a fungal substratum of the universe, allowing the Discovery to appear and reappear anywhere it likes instantaneously. Lorca—a disabled, traumatized veteran of the war who has already lost one ship to Klingon attack, its only survivor—runs the ship not in the loose, avuncular style of previous captains but as a warship, an actual military vessel, with strict military discipline, unquestioning obedience, and a shoot-first-and-take-no-prisoners attitude towards the prosecution of the war. Indeed, our early episodes on the Discovery indicate that a decidedly un-Starfleet cult of personality has developed around Lorca on the Discovery, with some officers utterly worshipful of his leadership and others (especially the Discovery’s initial science complement, who have now found themselves conscripted as soldiers) deeply skeptical of his attitudes and decisions. One of Burnham’s compatriots from the Shenzhou, Lt. Saru, from an evolved prey species called the Kelpians, has been promoted and is now Lorca’s first officer, though he seems weirdly out of the loop compared to earlier first officers we’ve known.
And if you were at the Trek/Star Wars/Mass Effect worldbuilding panel yesterday, and heard Steve Rabitsch say he doesn’t like any of the DIS characters yet: I defy anyone not to like Saru.
Lorca doesn’t stand on ceremony with Burnham; he knows her past but also her ingenuity and incredible usefulness, and offers to allow her to resume service in Starfleet despite her crime as a non-commissioned enlistee, under his broad wartime legal authority.
The first arc thus details Burnham’s reintegration into Starfleet under the unusual Discovery command structure, as the Discovery first perfects the spore drive and then uses it to singlehandedly turn the tide of the war.
Until, that is, the last episode of the first arc, when Lorca uses the now-perfected spore drive to teleport the Discovery not home to Earth, where it can win the war, but to the Mirror Universe, first seen in the classic TOS episode “Mirror, Mirror,” home of the infamous Evil Goateed Crew.
In an extremely Star Wars twist, it turns out Lorca is not our father; he is not the affable, dad-joke Kirk, nor the dignified and distant but he-really-loves-you-on-the-inside Picard, nor the bombastic, affectionate Sisko. He’s actually the Mirror Universe Lorca, who was marooned in our universe after a transportation accident years before and who has successfully impersonated a proper Starfleet captain ever since (actually rising to extreme prominence in the fleet as an incredibly effective, brilliant war hero, due to his merging of Starfleet’s collectivist organizational ethos with brutal Mirror-Universe tactics). Lorca has done all this in a convoluted plan to return to the Mirror Universe and overthrow the Mirror Universe’s “Terran empire” and put himself at its head, with the Prime Burnham ruling by his side (the consequence of a creepy obsession he has with her, due to his having groomed the Mirror Burnham for a likely sexual relationship while acting as a literal father figure towards her in her childhood).
Luckily, in a Star-Wars-style, Throne-Room-fight high-speed resolution, Lorca is dispatched almost immediately after revealing himself as a bad guy, falling through a hole in the floor into the spore drive, presumably never to be heard from again.
Problem solved, the Discovery then goes back to the Prime Universe, where it arrives nine months late to find a Federation at the brink of defeat. But, through another extremely convoluted plan and a very high-speed resolution, they solve that problem too, and give a quick speech affirming the superiority of the Federation’s values that has not been borne at all out by any the events we have witnessed over the course of the season, while they all give each other medals—the end.
I write in last month’s LARB piece about Discovery about the way the series is unwilling to fully commit to its revisionist narrative (much moreso than either Rogue One and The Last Jedi, in fact), and instead characteristically uses its moments of “shocking revelation” as an opportunity to eject the suspect element from the series and start the narrative over.
And I write in this week’s AUFS piece about the way these attempt to eject these non-Trekian elements of the series—many of them the undead remnants of the original Bryan Fuller conception of Discovery that proved problematic during actual production, especially after he left the series—has itself proved failed. I don’t have time to talk about the whole post here or, indeed, to explain the entire time-travel conceit of “Magic to Make the Sanest Man Go Mad”—I advise you to carefully study my blog post on your own time—so in the time remaining to me today allow me to simply summarize the essential problem I found there: like most of the early episodes of Discovery, “Magic,” ostensibly a standalone episode with a happy, we-beat-the-bad-guy ending, is no longer standalone at all, and in fact now almost impossible to watch without constantly thinking about the Mirror Universe twist. To make a long story short:
…having exposed and then immediately ejected Lorca from the series has not “solved the problem” of Lorca but retroactively turned rewatching the series into an exercise of trying to read Jason Isaacs’s exquisitely opaque facial expressions for some slight dropping of Lorca’s mask. On rewatch the whole series is now even more about Lorca than it was before.
Discovery has thus produced a perverse situation where it is primarily—indeed, nearly entirely—about something it has since decided it doesn’t want to be about—and that thing is unfortunately not “Star Trek,” at least not as we have ever understood the concept before. I’ll quote again from that piece:
As of yet we know very little about Star Trek: Discovery season two. But I think it’s fair for us, in this off season, to ask what elements of season one will extend to season two that will reward repeated rewatching by obsessive fans. Lorca is gone; Culber is gone; Tyler is gone; the war is over; Burnham is reinstated; Stamets is a plot device; Sarek is boring; Tilly is extremely inconsistently written, and by the end almost exclusively for laughs. What from the perspective of season two and beyond—from the perspective of the whole series as we will come to recognize it retrospectively years from now—will look like the must-see episodes of season one?
At the moment I think this is still very hard to say.
The last shot of the season, a cliffhanger, has the Discovery literally face-to-face with the Enterprise (still Pike’s, not Kirk’s), a place where Burnham’s adopted sibling Spock is currently serving as science officer. The series, that is, true to form, ends precisely on yet another image of imperfect, failed, mirroring: Discovery and the original Enterprise are clearly two versions of one another, in some sense or another, but the image is oddly composed, tilted and asymmetrical, and the twinned questions of (1) continuity and difference and (2) priority and subordination between the two ships remain very open-ended. Discovery seems unable to either replicate the past or to break free of it; even armed with the incredible power of the spore drive, it lacks direction or destination.
Star Trek after Discovery is thus facing a deep crisis of narrative coherence, condemned to be neither “Star Trek” nor “after”; indeed, having tossed out nearly everything that constituted the first season, there is very little sense of what if anything can extend from this initial season into a future, seven-or-more-year Trek arc like the ones we have been habituated to expect post-TNG. To coin a phrase: What are the spores here? What sort of life can grow on Discovery now, post-season-one? And will the thing this show grows into truly be “Trek,” whatever that means?
I am of course speculating here, but if any such through-line exists I suspect the key figure will actually be Saru, a key character I have spoken very little about here who is sidelined for much of the first season due to the breakdown of his prior relationship with Burnham and his effective nonpresence in Lorca’s inner circle. With the possible, arguable exception of Deep Space Nine, no Trek series has ever managed to be a true ensemble show: a pair or trio of characters always rises to the top to provide the primary locus of narrative interest. Picard and Data; Kirk and Spock (and McCoy); Janeway and Seven (and maybe the Doctor); Archer and T’Pol (and Trip). While Lorca dominates season one—so thoroughly that it is hard for me to imagine what the series will look like without him, and episodes 1.14 and 1.15 don’t exactly fill me with confidence—it seems hard to imagine that Discovery as a multi-season, unified totality can be anything but Burnham and Saru. Their fraught, delicate, but genuine friendship is the last remaining source of compelling interpersonal drama that hasn’t been jettisoned from the series by the end of season one; if seasons two (and beyond) are to feel like an extension of season one, rather than a complete reboot, Burnham and Saru will have to be their foundation.
In short, I argue, to survive as a coherent narrative project rather than an exercise in rebranding, Star Trek after Discovery will first and foremost need to find its way back to being Star Trek—and the fertile ground of the Burnham-Saru friendship is only path I see from where we are now towards that goal. If there’s hope for the series, it starts there. Thanks for listening!
Tuesday Links!
* A Political History of the Future: Black Panther. Does the film ask its audience to root for the wrong character? Black Panther’s Right Thing.
* Directly following from the notion that life is often boring and annoying, comes the consequence that our characters cannot always be wrapped up in galactic struggles to save existence. Sometimes it just has to be a day at the office, and we keep watching simply because a Federation starship is a more interesting and inspiring office than ours. That thought motivated me to portray the communist future not as a magical resolution of the human condition but, to follow Freud by way of Corey Robin, the conversion of hysterical misery into ordinary unhappiness. To Boringly Go.
* According to a new study, we might be locked in this deadly embrace. Research by an international team of scientists recently published in the journal Geophysical Research Letters says that the cooling effect of aerosols is so large that it has masked as much as half of the warming effect from greenhouse gases. So aerosols can’t be wiped out. Take them away and temperatures would soar overnight. Turns out we have been unwittingly geoengineering for decades, and just like in the movies, it’s gone off the rails.
* We’re witnessing the fastest decline in Arctic sea ice in at least 1,500 years.
* The Cardinals will become the first NCAA Division I men’s basketball program to vacate a national title during the Final Four era, according to ESPN Stats & Information.
* The Real Threat To Campuses Isn’t ‘PC Culture.’ It’s Racism.
* Why the media can’t report the truth about John Kelly.
In many instances, the people forming that early narrative about Kelly — the reporters writing the profiles and the sources they quoted — were white. That’s not a determinative fact, but it was likely a factor in which parts of Kelly’s resume were focused on, and which aspects of his personality were prioritized.
* I’m autistic. I just turned 36 — the average age when people like me die.
* Michael: So one day, we were taping, and Fred comes in, and starts singing, “It’s a beautiful day in the neighborhood, a beautiful day … ” puts the shoes down here, goes to hang up the sweater in the closet. And he’s singing, and he opens the door — and there’s his floor manager, Nick, this big guy with his long goatee, pierced ears, hair all over the place, totally nude, just standing there naked in the closet. Well, Fred just fell down; it was the most hysterical thing you’ve ever seen. He was totally cool.
* Why Do Star Wars Fans Want the New Han Solo Movie to Flop? Rey is the new Anakin.
* Challenging new reading of Garfield reframes canonical “anti-Mondays” stance.
Wednesday Links!
* Some current calls for papers: Science Fiction and Communism. Beyond Humanism. Sesame Street at 50.
* Coming soon to Marquette! The Center for the Advancement of the Humanities will host Adam Kotsko on Feb. 15th at 3:30 p.m. in Marquette Hall 105, as he discusses “Animated Nihilism: RickandMorty, BoJackHorseman and the Strange Fate of the Adult Cartoon.”
* My favorite weird found-poetry I’ve discovered on this trip: in Switzerland and Germany first-person shooters are called “ego shooters.”
* My favorite thing on the Internet in a long, long time: Rey and Kylo set to just about every song you’ve ever heard of.
* Star Trek: Discovery is exciting, but not much else.
To put it another way, if this was just called Discovery, if the serial numbers were filled off and this was just another science fiction show with aliens and parallel universes and FTL drives, I doubt we’d be talking about it. It would be significantly less annoying in some ways (my brain would appreciate not having to fit any of this into continuity, that’s for damn sure), but it would be far more forgettable—a pretty, messy piece of nonsense with some decent performances and occasionally unexpected story twists. Hell, maybe we’d like it more, if only because our standards would be lower and it would still be possible to convince ourselves that someday, this would all make sense.
io9 was even harsher, if anything. I’m still a fan of the series but the extremely poor plotting of the second half of season one has made complete hash of their very promising initial setup. It’s much harder for me to argue the series is genuinely good, as opposed to liking it because it is Star Trek and I like pretty much everything Star Trek.
* Advice from a Contingent Faculty Member on Career Directions for PhDs in English.
* Sam and Max Hit the Road: The Design Document. What a great game that was.
* “A fascinating new kind of job that only a human can do: robot babysitter.”
* The myth of America’s immigration problem.
* Beautiful Coal and Disastrous Droughts.
* Seen accurately. American collapse is a catastrophe of human possibility without modern parallel . And because the mess that America has made of itself, then, is so especially unique, so singular, so perversely special — the treatment will have to be novel, too. The uniqueness of these social pathologies tell us that American collapse is not like a reversion to any mean, or the downswing of a trend. It is something outside the norm. Something beyond the data. Past the statistics. It is like the meteor that hit the dinosaurs: an outlier beyond outliers, an event at the extreme of the extremes. That is why our narratives, frames, and theories cannot really capture it — much less explain it. We need a whole new language — and a new way of seeing — to even begin to make sense of it. Why We’re Underestimating American Collapse: The Strange New Pathologies of the World’s First Rich Failed State.
* If your highest value is the preservation of American institutions, the avoidance of “dysfunction,” the discourse of norm erosion makes sense. If it’s democracy, not so much. Sometimes democracy requires the shattering of norms and institutions. Democracy, we might even say, is a permanent project of norm erosion, forever shattering the norms of hierarchy and domination and the political forms that aid and abet them.
* What does living in a dictatorship feel like?
* Cixin Liu and Chinese science fiction, in the London Review of Books.
* The Voynich Manuscript has been cracked again. Everybody take a drink!
* Sic semper: Twilight of Chief Wahoo.
* Huge, if true: some millennials think James Bond could be sexist.
* Emma, the fifteen-second horror movie.
* Here’s What One Day In The Dysfunction Of Restoring Puerto Rico’s Electricity Looks Like. FEMA To End Food And Water Aid For Puerto Rico.
* ICE Deports Palestinian Man Living In The U.S. For Almost 40 Years Despite Outcry. Father detained by ICE after dropping 4-year-old off at daycare. 2 dads nabbed by ICE as they drop off kids at NJ school; 3rd takes shelter in church. Donald Trump’s immigration crackdown is a recipe for national decline.
* Even By Our Awful Standards, Americans Have Basically Stopped Saving Money.
* CES Was Full of Useless Robots and Machines That Don’t Work.
* An ER visit, a $12,000 bill — and a health insurer that wouldn’t pay.
* Baltimore Cops Kept Toy Guns to Plant Just in Case They Shot an Unarmed Person.
* The future just ain’t no good.
* “In honor of the new Mr. Rogers biopic, here’s his Marquette Commencement address from 2001.”
* A new life awaits you in the off-world colonies.
* Why Reddit’s face-swapping celebrity porn craze is a harbinger of dystopia.
* The life of the mind. Working at university in 2016. Statement of teaching philosophy.
* Of course you had me at a Civilisation V mod about the risk of superintelligent AI.
* And happy birthday, old friend.
First Day of School Links!
* Some late but very nice press for my Octavia Butler book: I was on an episode of the nationally syndicated radio show Viewpoints Radio this week, and the book had a lovely review in LARB!
* CFP: Artificial Life: Debating Medical Modernity (April 19-21, UC Riverside).
* $75 million dollars to philosophy at Johns Hopkins.
* And on the pedestal these words appear.
* 12 People Face Misdemeanor Charges for Giving Food to The Homeless in El Cajon.
* A girl-power moment for Medieval Times, where a woman has the lead for the first time. I have wanted to take my kids to Medieval Times ever since listening to the Doughboys episode about it a few months ago.
* Like the story about the sexual assaults of the US gymnastics team, there is something about Eliza Dushku’s story of being abused as a child by adults who were trusted with her care that is just so heartbreaking.
* Meanwhile, McKayla Maroney is facing a $100,000 for violating her NDA with USA Gymnastics.
* ‘Every day I am crushed’: the stateless man held without trial by Australia for eight years.
* ICE Keeps Raiding Hospitals and Mistreating Disabled Children. Feds planning massive Northern California immigration sweep to strike against sanctuary laws. DHS and DOJ Want to Arrest Mayors of Sanctuary Cities.
* How one employee ‘pushed the wrong button’ and caused a wave of panic. America’s emergency notification systems were first built for war, and then rebuilt for peace. A false alarm in Hawaii shows that they didn’t anticipate how media works in the smartphone era. These are fascinating but I still have every confidence that the explanation we have been given for this event is bullshit and that the truth will come out in a decade or so. Pandemonium and Rage in Hawaii.
* “Wisconsin school apologizes for slavery homework assignment.”
* Foxconn boondoggle nearing $4.5 billion.
* “Almost 35 years ago, she let a stranger hold her newborn. It has haunted her ever since.”
* Activists charged with Confederate statue toppling no longer face felonies.
* Chelsea Manning files to run for U.S. Senate in Maryland.
* The True History of Luke Skywalker’s Monastic Retreat.
* Tea if by sea, cha if by land: Why the world only has two words for tea.
* How the Female Stars of The Breakfast ClubFought to Remove a Sexist Scene, and Won.
* And of course you had me at “Gorgeous Images of the Planet Jupiter.”