Batman Is At Least Fascist-Curious

In my humble opinion, this act — this decision to not end poverty because you might release a weapon into the public sphere — demonstrates the real driving force for the movie’s morality, sense of history, and its understanding of civic virtue: the violence within, which must be contained. On the one hand, to say that we could solve all problems of human need and want, but we won’t, because it might become a bomb, is to assert that inequality is not what creates the specter of violence (it’s also, oddly, a lot like the argument that “people don’t kill people; guns kill people!”). The threat of violence is prior and separate from complaints over inequality, however much they might claim to motivate it. And indeed, this was the lesson of the first movie, the lesson Bruce Wayne learned from the death of his parents: you can build an awesome Keynesian super-train and fix Gotham’s economy forever, but some random street criminal will still murder you, because. Better to invest in a secret police force.

Like the Batman himself, Aaron “zunguzungu” Bady returns from self-imposed exile for one last rip-roaring caper.