Posts Tagged ‘van Gogh’
Weekend Links!
* But at least one line in the tax form gives pause: The college lost roughly $4-million in investment income compared with the previous year, for unknown reasons. That year the college posted a deficit of $3-million, compared with a $325,000 deficit the previous year. I certainly hope someone follows up on that little oddity.
* Of course, it’s not entirely insane: How Larry Summers lost Harvard $1.8 billion.
* Academia and the Advance of African Science Fiction.
* SimCity, homelessness, and utopia.
It seems we all now live in a Magnasanti whose governing algorithm is to capture all work and play and turn them not only into commodities but also into data, and to subordinate all praxis to the rule of exchange. Any data that undermines the premise that this can go on and on for 50,000 years, has to be turned into non-data. If there’s work and play to be done, then, it’s inside the gamespace that is now the world. Is there a way that this gamespace could be the material with which to build another one?
* Parenting and the Profession: Don’t Expect Much When You’re Expecting.
* Higher Education and the Promise of Insurgent Public Memory.
While the post-9/11 attacks have taken an even more dangerous turn, higher education is still a site of intense struggle, but it is fair to say the right wing is winning. The success of the financial elite in waging this war can be measured not only by the rise in the stranglehold of neoliberal policies over higher education, the increasing corporatization of the university, the evisceration of full-time, tenured jobs for faculty, the dumbing down of the curriculum, the view of students as customers, and the growing influence of the military-industrial-academic complex in the service of the financial elite, but also in the erasing of public memory. Memory is no longer insurgent; that is, it has been erased as a critical educational and political optic for moral witnessing, testimony and civic courage. On the contrary, it is either being cleansed or erased by the new apologists for the status quo who urge people to love the United States, which means giving up any sense of counter memory, interrogation of dominant narratives or retrieval of lost histories of struggle.
* 158 Private Colleges Fail Government’s Financial-Responsibility Test.
* The gangsters of Ferguson. But even this is still not “proof!”
* The Ferguson PD is NOT medieval. It’s modern white supremacy.
* Judge who invented Ferguson’s debtor’s prisons owes $170K in tax.
* It’s Not Just the Drug War: Progressive narratives about what’s driving mass incarceration don’t quite add up.
* Sotomayor May Have Saved Obamacare.
* Designing The Grand Budapest Hotel with Marquette alum Adam Stockhausen.
* Why Is Milwaukee So Bad For Black People?
* “Rahm Emanuel pays the price for not pandering.” Why should the poor man be voted out of office just because his policies are horror-shows that no one likes?
* A corrupt politician from New Jersey? What will they think of next?
* Wow: Ringling Bros. Circus Will Stop Using Elephants By 2018.
* Cities Are Quietly Reviving A Jim Crow-Era Trick To Suppress Latino Votes.
* Hartford, CT says friends can’t room together unless some of them are servants.
* This Is What It’s Like To Go To Prison For Trolling.
* Brianna Wu vs. the Troll Army.
* Short film of the weekend: “Chronemics.”
* Gasp! Science proves men tend to be more narcissistic than women.
* The Time That Charles Babbage Tried To Summon The Devil.
* Mary Cain Is Growing Up Fast.
* Wellesley Will Admit Transgender Applicants. Planet Fitness Under Fire For Supporting Trans Woman, Kicking Out Transphobic Member. Students seeking to redesignate restrooms as “all gender” face harassment and police detention at UC Berkeley. US Army eases ban on transgender soldiers.
* The headline reads, “Decades of human waste have made Mount Everest a ‘fecal time bomb.’”
* Colonization: Venus better than Mars?
* On Iain M. Banks and the Video Game that Inspired Excession: Civilization.
* Get it together, Millennials! “Millennials like to spank their kids just as much as their parents did.”
* The Catholic Church Opposes the Death Penalty. Why Don’t White Catholics?
* What’s Next After “Right to Work”?
* David Graeber talks about his latest book, The Utopia of Rules.
* The Pigeon King and the Ponzi Scheme That Shook Canada.
* Conservative columnist can’t mourn Nimoy’s death because Spock reminds him of Obama. Is there nothing Obama can’t destroy?
* 9 Social Panics That Gripped America.
* How Unsafe Was Hillary Clinton’s Secret Staff Email System?
* To whatever extent Doctor Who series 8 was a bit rocky, it seems like it’s Jenna Coleman’s fault.
* Making teaching a miserable profession has had a completely unexpected effect.
* Why Are Liberals Resigned to Low Wages? What could explain it?
* Is Yik Yak The New Weapon Against Campus Rape Culture?
* Tilt-shift effect applied to Van Gogh paintings.
* They say we as a society are no longer capable of great things.
Monday Night Links
* Really good looking TT job in American Popular Culture at the University of Minnesota.
* A poorly designed (to my eye) study purporting to show adjunct faculty teaches better than tenured and tenure-track faculty is getting a ton of press today, as you’d expect.
* Meanwhile: Recent Deep State Higher Education Cuts May Harm Students and the Economy for Years to Come.
* Johns Hopkins and the Case of the Missing NSA Blog Post.
* Judge rules Indiana right-to-work law violates constitutional provision on forced services.
* More than the dress-up or the fabric-inspired mindbeat, fashion compelled me because the field is underwritten. Very little in the way of popular writing considers both the material reality and symbolic worth of fashion and dress, considers the field as we consider other cultural fields as worthy of critical discourse. What crushed me most about my foray into fashion journalism was a Word document I titled “EDITED OUT FUCK” (EOF), where I collected my writing that had been cut due to advertiser conflict. Finding Not Vogue was like discovering a Wikileak of my EOF.
* Meet The Trans Scholar Fighting Against The Campaign For Out Trans Military Service.
* Did Obama and Kerry just draw an inside straight on Syria? I hope to God they did.
* George Zimmerman in the news again.
* History’s greatest monster: How Joss Whedon may have accidentally got Angel cancelled.
* 105 years in jail for posting a link.
* Man Changes Address, Tricks Demo Crew Into Destroying Neighbor’s House.
* New van Gogh discovered. Wow.
* And Twitter reminded me that Strange Horizons posted John Rieder’s “On Defining SF, or Not: Genre Theory, SF, and History,” and I’d completely forgotten to link it.
Jaimee Makes Me Nice Things
…for instance, my very own copy of the classic Van Gogh painting Blue Box Exploding.
Tuesday Night
Tuesday night.
* Early review of The Fantastic Mr. Fox at the Rushmore Academy.
* Van Gogh’s ear actually cut off by Gauguin? Now I don’t believe in nothing.
* Carbon taxes vs. cap and trade. More at Kevin Drum.
* Advocate torture? That’s a disbarrin’.
* Mexican legislature votes to legalize small quantities of narcotics.
* Maine legislature votes to legalize marriage equality. DC: ditto.
* And this map at Wikipedia claims the entire energy output of the world could be provided by six very large solar energy facilities operating at just 8% efficiency. Via MeFi.
Genius in the Works of Wes Anderson
The Suicide of Genius: Owen Wilson and Wes Anderson in Life and Art. At 24LiesaSecond, via The House Next Door.
The subtext of The Royal Tenenbaums is one of collisions. The sanctified world of genius, creativity and art collide with the world of contemporary psychology. Diagnosis, psychosis, breakdown, and divorce emerge like a hydra in the wings of Anderson’s work. And the point of collision is Eli Cash, played by Owen Wilson. Through Cash, Anderson’s tragic-comedic vision reaches its apex and foreshadows its decline into sentimentality and self-apologetic quirk.
Of course, as an unrepentant Wes Anderson fanboy, I don’t agree that his later works are failures in this or any other way—but the thesis is interesting. And I think there’s something to Lasky’s idea that Anderson shifts in Tenenbaums from a model of autonomous, tragedy-laced genius towards a comparatively more hopeless one of psychological and psychochemical dysfunction:
Genius, in their early work, is ineffable, resplendent with the trappings of depressive, rumple-haired Nietzschean eccentricity and Faustian striving and discontent. Anderson as writer/director and Wilson as writer/actor depict the creative spirit that defies diagnosis as it is ratified by its own insatiable drive, as it rebels against social pressures and cultural environments. Conversely, the therapeutic imperative of our contemporary society is to contextualize and diagnose, to encourage radical self-assessment in hopes of propagating permanent stability and happiness. As of late, Anderson’s original vision has been compromised by this imperative: his idea of the troubled genius has lost its romantic cache. Its integrity as a thing of heroism and beauty has been ostensibly diagnosed.
This may go a long way towards explaining why Rushmore is so much better-loved than Zissou.
The Last Van Gogh
Neil writes in to remind me I forgot to link to the impending auction of what is believed to be Van Gogh’s final work. Only £17 million! A steal.
Gerry Canavan 
