* My review won’t appear in The New Inquiry for a couple weeks, but Liu Cixin’s Death’s End is finally out today. I read it this summer and it’s great. Go get it!
* Saint Louis University must pay $367,000 in damages to a former professor who alleged she was denied tenure because of her gender. That’s what a Missouri court decided late last week following a trial by jury. The university says it’s “disappointed” in the verdict and is reviewing its options.
* This book is dedicated to the Soviet Space Dogs, who played a crucial part in the Soviet Space program. These homeless dogs, plucked from the streets of Moscow, were selected because they fitted the program’s criteria: weighing no more than 15 pounds, measuring no more than 14 inches in length, robust, photogenic and with a calm temperament.
* The total U.S. budgetary cost of war since 2001 is $4.79 trillion, according to a report released this week from Brown University’s Watson Institute. That’s the highest estimate yet.
* “I await an apology from Chancellor Dirks, and Dean Hesse,” explained Hadweh. “The university threw me under the bus, and publicly blamed me, without ever even contacting me. It seems that because I’m Palestinian studying Palestine, I’m guilty until proven innocent. To defend the course, we had to mobilize an international outcry of scholars and students to stand up for academic freedom. This never should have happened.”
* The name of the character in the excerpt, GBW Ponce, comes actually from the Ponzi scheme, among other things. There’s a Thomas Frank piece that I once read somewhere (I think it was Harper’s), where he said that civilization is basically a gigantic ponzi scheme. With our obsession with data and with predicting the future, it’s as if we were trying to cancel the future and its uncertainties, in order to make the present feel safer. The IMF has projections for the growth of EVERY economy on the planet which stretch to two-three-four and even more years: why let reality run its course when we can model it and predict it, right? So, the idea behind that character was that by “scientifically” predicting every inch of life, it’s as if we borrowed against our unknown future to live the present with fewer uncertainties and anxieties. But that’s precisely what causes more anxiety, this idea of a life that could fit entirely in an Excel spreadsheet.
But while he won’t endorse Hillary Clinton or Barack Obama yet, he specifically praises the latter, who cited Springsteen as the person he would most like to meet in a recent interview with People.
“I always look at my work as trying to measure the distance between American promise and American reality,” Springsteen says. “And I think (Obama’s) inspired a lot of people with that idea: How do you make that distance shorter? How do we create a more humane society? We’ve lived through such ugly times that people want to have a romance with the idea of America again, and I think they need to.
“The hard realities and how things get done are important, too, but if you can effectively convince people that it’s possible to make things better, they get excited.”
The Wikipedia articles on Born to Run and Darkness actually make this point about the distance between promise and reality in a very nice way:
In terms of the original LP’s sequencing, Springsteen eventually adopted a “four corners” approach, as the songs beginning each side (“Thunder Road”, “Born to Run”) were uplifting odes to escape, while the songs ending each side (“Backstreets”, “Jungleland”) were sad epics of loss, betrayal, and defeat. (Originally, he had planned to begin and end the album with alternative versions of “Thunder Road”.)
and
In terms of the original LP’s sequencing [for Darkness], Springsteen continued his “four corners” approach from Born to Run, as the songs beginning each side (“Badlands” and “The Promised Land”) were martial rallying cries to overcome circumstances, while the songs ending each side (“Racing in the Street”, “Darkness on the Edge of Town”) were sad dirges of circumstances overcoming all hope.
I’ve linked to a version of “Wings for Wheels,” the proto-“Thunder Road,” before, but I think this one from Brynn Mawr on 2/5/1975 is even more striking. (UPDATE: I’ve just found out that this is actually the first time the song was ever performed.) It’s not only a truly great performance in its own right, but its marriage of familiarity and difference is also as close as anyone who loves Bruce is ever likely to come to the experience of visiting an alternate universe to attend an alternate-universe Springsteen concert.
Thanks for Justin for giving me the whole bootleg on CD—there’s also a really nice version of “Incident on 57th Street” with a serendipitous police siren passing by the venue at exactly the right moment, right at the end of the song. Don’t take my word for it—you can find it for yourself out there in the series of tubes.
It’s a town for losers, and baby I was born to win. Tim responds to the “Thunder Road” video below with “Wings for Wheels,” the vaunted proto-“Thunder Road” that I’ve listened to a few times but never actually linked to, as far as I can remember, anyway. Bruuuuuuuuuuuuce.
There was this Robert Mitchum movie. It was about these moonshine runners down South… I never saw the movie, I only saw the poster in the lobby in the theater. I took the title and I wrote this song. I didn’t think that there was ever a place that was like what I wrote this song about. I didn’t know if there was or not… We were out in the desert, over in the summertime, driving to Nevada, and we came upon this house on the side of the road that this Indian had built. Had a big picture of Geronimo out front, said ‘Landlord’ over the top… Had this big sign said “This is a land of peace, love, justice and no mercy.” And it pointed down this little dirt road that said “Thunder Road.”
Capitol Theater, Passaic, N.J., September 19, 1978. The whole entire legendary show is available here.