Posts Tagged ‘The World Without Us’
The Very Long Now
Geologist Jan Zalasiewicz’s new book is a World Without Us for the very long now: 100 million years.
The World Without Us
I’m painfully busy for the next few days, but for now here’s my interview with Alan Weisman about his bestselling book The World Without Us, which I’ve talked about a few times before. He’s reading at the Regulator here in town next Tuesday night.
This was not the first time Weisman had examined nature’s resilience in the absence, nor near-absence, of humans. Glausiusz approached Weisman because she had been struck by an essay he wrote for Harper’s Magazine in 1994, “Journey Through a Doomed Land: Exploring Chernobyl’s Still-Deadly Ruins,” chronicling his Ford Foundation-funded trip to Chernobyl and the discovery of a deeply damaged ecosystem that was, astoundingly, already in recovery. Rather than apocalyptic, that essay emerged for Glausiusz as a powerfully hopeful, even optimistic look at the resilience of the Earth, of nature itself.
Weisman remembers the trip well: “You’d go into these places [near Chernobyl], and there’d be bountiful crops and plants, huge mushrooms and rhubarb everywhere. It was wonderful—until you turn on the Geiger counter.”
Weisman says the same strange beauty can be found in such places as the Ninth Ward in New Orleans, where a recent photo shoot in USA Today revealed cars covered by moss and flowerbeds, or in the abandoned, prairie-like regions of shrinking post-industrial cities like Detroit. It’s the same attitude he brings to The World Without Us, which he is always careful to describe as a kind of anti-apocalypse. The sudden disappearance of humans reveals not only the scope of the damage we’ve done to the planet, but also the speed with which the planet could bounce back, if we’d only let it.
‘No one has missed me. The city is a cruel and lonely place. I was right to have disappeared.’
Ralph Garnello considers the world without him. Via MeFi.
Two days after my disappearance, very little has changed in my apartment. A red dot blinks on the answering machine, announcing a missed call. The refrigerator’s compressor turns on and off at regular intervals. A cockroach emerges from under the stove and skitters beneath the dishwasher. The most noticeable difference is the milk, which has been left out on the counter and gone sour. Perhaps I had it out when I inexplicably vanished. More likely, I just forgot to put it away again, as usual.
Ten days after I’m gone, the roaches move about with impunity. Rats scurry, unseen, through the cabinets. The houseplant near the window is brown and withered, although it could have been like that before my departure. I never paid much attention to it. The milk on the counter is slowly turning into a solid, giving off a foul odor that blends in seamlessly with those emanating from the month-old pizza boxes and piles of dirty laundry.
After three months, animals not usually encountered in urban areas will have ventured into the apartment. Wolves roam freely, scavenging for food and drinking out of the toilet. An antelope buries its snout in a half-empty box of Cheerios. A mountain lion knocks over the milk, rendering the entire kitchen and part of the connecting hall uninhabitable for several months…
My name is Ozymandius, king of kings! Look upon my works, ye mighty, and despair. The Web site for The World Without Us has a nice little interactive timeline detailing some of what happens as the humanless future progresses. What I find most interesting about this is the way in which the initial horror of desolation begins to take on a kind of eerie beauty the further and further you get from your projected personal lifespan.
* A brief history of science-fiction spacesuits. Via Gravity Lens, of course.
There, in front of us, where a broken row of houses stood between us and the harbor, and where the eye encountered all sorts of stratagems, such as pale-blue and pink underwear cakewalking on a clothesline, or a lady’s bicycle and a striped cat oddly sharing a rudimentary balcony of cast iron, it was most satisfying to make out among the jumbled angles of roofs and walls, a splendid ship’s funnel, showing from behind the clothesline as something in a scrambled picture — Find What the Sailor Has Hidden — that the finder cannot unsee once it has been seen.
Genius, transcendent, makes a game of life’s transience. It was such games-playing, and the sense it gave him of God the games-player, that made Nabokov the fundamentally happy man he was, as if he, supreme games-player in literature, had worked out the rules of the secret game of the world.
* This AskMe has links to some big scans of images of post-apocalyptic New York from that World Without Us Scientific American article I’ve linked to before, suitable for framing.
Alan Weisman, author of the key apocalyptic text of the moment, The World Without Us, was on The Daily Show last night. Here’s the video:
Ron Riggle’s Operation Fluffy Bunny report was also pretty excellent.
Meanwhile, just about all of The Colbert Report was mandatory viewing last night as well: here’s Stephen on the Freakonomics terrorism kerfluffle, skepticism, and (maybe my favorite news story of the year) corporate edits of Wikipedia.
A review of The World Without Us from the New York Times.
Over all, this book paints a punishingly bleak picture. Entries in its index indicate the scope of its pessimism. For instance: “Birds, plate glass picture windows and”; “Central Park, coyotes in”; “Earth, final days”; “Embalming, arsenic and”; “Human race, robots and computers as replacements”; “Great Britain’s shoreline, rubbish along”; “PCBs, and hermaphroditic polar bears.” “Dessication,” “Meltdowns” and “Slash-and-burn” also play their roles here.
I’ve previously blogged a Scientific American interview with Weisman. I have to say, I’m pretty excited for this book—it’s like twenty years of my darkest thoughts have suddenly been given material form.