Posts Tagged ‘The Matrix’
Lost in January Links
* Out now: Extrapolation Volume 62.3 explores the representation of cyborgs in Pat Cadigan’s Synners, care in Gen Urobuchi’s science-fiction, and the critique of Western technoscience in Welcome to Night Vale.
* CFP: Medical Humanities and the Fantastic: Neurodiversity and Disability. CFP: Push: Childbirth in Global Screen Culture.
* Is there a dominant mode of current science fiction? Notes on Squeecore. Portrait of the Author As a Component of a “Punk-Or-Core” Formulation. Science Fiction Is Never Evenly Distributed. The sci-fi genre offering radical hope for living better.
* Science Fiction is a Luddite Literature.
* Notes on the Forum of the Simulacra.
* How To Develop A Planetary Consciousness.
* How climate catastrophe has consumed popular culture. Ride or Die? Mark Bould and the Fast-and-Furiocene.
* Is Geoengineering the Only Solution?: Exploring Climate Crisis in Neal Stephenson’s “Termination Shock.” Neal Stephenson Thinks Greed Might Be the Thing That Saves Us. Coming back from a time of illness: how finance can learn from climate change fiction. Melancholy Utopianism: The Ministry of the Future by Kim Stanley Robinson. We Can’t Just Grow Our Way Out of This Climate Mess.
* Climate Realism, Capitalist and Otherwise.
* Pop culture can no longer ignore our climate reality.
* Marvel Movies Made 30% Of The Total Box Office.
* Nnedi Okorafor on SF through an African Lens.
* The Matrix Resurrections and trans life (and death). Unpacking the Hidden Meanings in The Matrix Resurrections. A Muddle instead of a Movie.
* Games Studies Studies Buddies is such a good podcast and this is an exemplary episode. Like and subscribe!
* Joss Whedon fully burns down what’s left of his career. The Joss Whedon Era: A Look Back.
* Why so much Obama-era pop culture feels so cringe now.
* Have We Forgotten How to Read Critically?
* From lynchings to the Capitol: Racism and the violence of revelry.
* California’s Forever Fire.
* California, Arizona and Nevada agree to take less water from ailing Colorado River.
* The heat stays on: Earth hits 6th warmest year on record. The Oceans Are Now Hotter Than At Any Point in Human History, Scientists Warn. Here’s how hot Earth has been since you were born. The Supreme Court Case That Could Upend Efforts to Protect the Environment. US hit by 20 separate billion-dollar climate disasters in 2021, Noaa report says.
* As Tax Credit Expires, “Huge Increase” in Child Poverty Feared Amid Omicron Wave. How Did We Go From Stimulus Checks to “Go to Work With COVID”?
* The Ticking Bomb of Crypto Fascism. Tech Startup Wants To Gamify Suing People Using Crypto Tokens.
* Family Capitalism and the Small Business Insurrection: The growing militancy of the Republican right is less about an alliance of small business against big business than it is an insurrection of one form of capitalism against another: the private, unincorporated, and family-based versus the corporate, publicly traded, and shareholder-owned.
* Ultras.
* Democrats will have to do more to save democracy from Trump. The January Sixers Have Their Own Unit at the DC Jail. Here’s What Life Is Like Inside. The January 6th Republicans (from Jonah Goldberg no less). Oath Keepers founder Stewart Rhodes charged with seditious conspiracy in Jan. 6 Capitol riot. Isn’t it pretty to think so?
* The Rise and Fall of Latinx.
* Don’t Look Up Is a Terrible Movie. Really bad. I ranted.
* The Jewish Roots of ‘Star Trek’. Why ‘Star Trek’ made San Francisco the center of the universe.
* A Grieving Family Wonders: What if They Had Known the Medical History of Sperm Donor 1558?
* Percentage that would visit the Moon as a tourist, if money were not a factor.
* On the Legacy of Hunter S. Thompson and Gonzo Journalism.
* The end of the pandemic? Study: Omicron associated with 91% reduction in risk of death compared to Delta. Hospitals Are in Serious Trouble. America’s COVID Rules Are a Dumpster Fire. We are the 3.2%.
* School Closures Led to More Sleep and Better Quality of Life for Adolescents. After last year’s learning loss, we need a plan for students with disabilities. Ideology and school closings. Who is this gentleman, Dude?
* The Mangle of Federalism.
* Book bans in schools are catching fire. Black authors say uproar isn’t about students.
* Becoming Martian.
* Last Year’s Longest Strike Just Ended in Victory.
* Yale, Georgetown, Other Top Schools Illegally Collude to Limit Student Financial Aid, Lawsuit Alleges.
* Dismissive Incomprehension: A Use of Purported Ignorance to Undermine Others.
* This Is the Way the Humanities End.
* A professor welcomed students to class by calling them ‘vectors of disease to me.’ He has been suspended.
* These Tenured Professors Were Laid Off. Here’s How They Got Their Jobs Back.
* So you want to work in academic publishing.
* As Afghanistan’s harsh winter sets in, many are forced to choose between food and warmth.
* US inflation reached 7% in December as prices rise at rates unseen in decades.
* Bernie Sanders says Democrats are failing: ‘The party has turned its back on the working class.’
* A simple plan to solve all of America’s problem.
* Sea Power, ‘Disco Elysium’, and the importance of being miserable.
* HBO’s Station Eleven Surpasses the Novel.
* Oh boy, they’re finally rebooting Quantum Leap.
* I’d never known this: Schrödinger, the Father of Quantum Physics, Was a Pedophile.
* Wes Anderson’s next sounds like another mistake.
* Haruki Murakami’s Monopoly.
* ‘Invincible’ Animated Series Sparks Profits Suit Against Robert Kirkman.
* What Elmo’s Viral Moment Tells Us About How Parents Watch Kids’ TV.
* A people’s history of the Beatles logo.
* If you want a vision of the future.
* Michael Crichton’s Jurassic Park Is a Terrible Masterpiece.
* The Wire as copraganda.
* BEHOLD! MEGA-MANHATTAN!
* The Strange Literary Puzzle Only Four People Have Ever Solved. And welcome to the Wordle century.
New Year, New Pandemic Links
* Brace for Omicron. Wisconsin COVID-19 case counts matching levels not seen since November 2020. Omicron is spreading at lightning speed. Scientists are trying to figure out why. Where are hospitals overwhelmed by COVID-19 patients? Look up your state. After Vaccines: Where Covid Death Rates Have Risen. Omicron Is Pushing America Into Soft Lockdown. “Things will likely get worse, experts warn.” As Omicron Looms, These Colleges Will Start Their January Classes Online. Junior year. You don’t say. In this Midwestern diner, patrons are sticking with coronavirus.
* The pandemic killed so many dialysis patients that their total number shrunk for the first time in nearly half a century.
* Flood of Creative Works Enter the Public Domain on Jan. 1.
* Absolutely beautiful, don’t even care if it’s true.
* How Will the History Books Remember 2021?
* Retired general recommends wargaming potential coup scenarios. That’s just prudent!
* America’s Electoral Future. What elections?
* Redistricting is Going Surprisingly Well for Democrats. Oh, honey.
* The Twitter Putsch. The Big Lie.
* John Roberts, Democratic hero. Joe Biden Has Been Very Good for the Military-Industrial Complex.
* Milwaukee ranks 2nd in poverty level among top 50 most-populated cities in U.S.
* Non-Mortgage Household Debt in the United States, 2003-2022.
* Fast-Moving Wildfires Burn Hundreds of Homes in Denver Area. ‘We Are in a Climate Emergency.’
* ‘The Fuse Has Been Blown,’ and the Doomsday Glacier Is Coming for Us All. The climate apocalypse is real, and it is coming. The trap of climate optimism.
* We stan.
* We’re preparing for apocalypse wrong — and that could make things even worse. What The Marvel Movies Don’t Say About The End Of The World.
But taken together, at the 100,000-foot level, the fact that each property is basically about someone doing what they were doing anyway, then having to deal with some new iteration of surreal but familiar external forces invading, and never having any time to really think about what it all means because the next thing is already happening, as it turns out — now that we really do live in a notable historical period of continual surreal events that could make you question the foundations of society — everyone has to continue doing what they were doing anyway when the world is ending, and you’ll never have that much time to think about what it all means because the demands of the next thing will be upon you.
What does it feel like when the world ends? It just feels like aliens invading until something else happens.

* The Subversive Playfulness of the ‘The Matrix.’ ‘The Matrix Resurrections’ captures the real crisis of our post-truth era. ‘The Matrix Resurrections’ Is the Anti-sequel Sequel. The Matrix Resurrections is a messy triumph. Too many movies right now are “about trauma.” The Matrix Resurrections actually does the work. Why trans fans connect to ‘The Matrix’. On the Matrix Resurrections. Blank Check. Even Neo Can’t Log Off.
* Another person discovers the terrible truth about jazz in the Star Wars universe.
* The case against the trauma plot.
* Placement games were 2021’s most calming trend. Black Games Studies.
* LARB’s top-ten most-read of 2021.
* The Radical James Baldwin.
* The End of Neoliberalism in Chile?
* Space Colonists Will Likely Resort to Cannibalism, Scientist Says. Henry Kissinger: AI Will Prompt Consideration of What it Means to Be Human.
* Routine Maintenance: Embracing habit in an automated world.
* Why am I being hurt?
* The Judge Rotenberg Center, a Massachusetts school, still uses electric shock therapy to punish disabled students. How can an entire field of mental health accept this as fine?
* Death Drive Nation.
* I’m older than Frasier. I’m older than Cliff Claven.
* Behold: Star Trek: Coda.
* What are you doing? Listen to Man Bites Dog.
* And the news just gets worse: Exercise necessary for older people later in life, study says.
Guiltpiercer
I wanted to Storify my back-and-forth with my friend Aaron Bady (and a few other people, but mostly him) on the question of guilt and complicity in liberal politics, which was prompted by his Texas Stands With Gaza post and ultimately looped around, as all things must, to Snowpiercer.
Aaron is right that I’m using Snowpiercer (along with Pacific Rim, Beasts of the Southern Wild, and some other recent Anthropocene science fictions) in a piece of academic writing I’m working on, so I’ll hold off on doing a full reading of the film here for now. But I think the film actually figures this debate we’re having in a pretty direct way. The people on the train are all “guilty” and “complicit” with the Snowpiercer system, albeit in different ways and to different degrees; like any necropolitical survivor, they are all alive while/because someone else has died. Even on the level of character development, much of the movement of the film is directed towards making Chris Evans’s character Curtis feel as though he is worthy of great things despite the guilt he carries with him; characters frequently say this to him explicitly, even, most notably, the character he once tried to eat as a baby and who he later abandons in the name of the larger mission! In fact this guilt, in properly liberal terms, is indistinguishable from his worthiness to lead, with the final act of the film culminating in Curtis being offered the position of the Wizard of Snowpiercer. The Curtis plot in the film is more or less a familiar liberal drama about coming to terms with your own guilty complicity in the system, a process which as if by baptismal magic thereby makes you worthy to run the whole thing as if you’d never been guilty or complicit in the first place.
Aaron’s reading on the film insists that this is the only trajectory open to us, even as he repeatedly turns to Kang-ho Song’s Namgoong as the voice of alterity, rejecting his plan as nonviable. Namgoong knows the train is a horror and knows the train is doomed by its own entropic breakdown, rejects guilt or complicity as a frame, and instead works to blow open the doors and escape. (And this is the position Curtis ultimately settles into as well, having finally hit an encounter of guilt which he can’t autoredeem his way out of in the form of the children in the engine.) Here then we see one version of the Canavan position: guilt is a way of becoming re-trapped, linked back into the atrocity engine, while refusing to identify with the system and its terms opens up the horizon of the future. Neither Namgoong nor Curtis survive the derailment of the train (“there is hope, infinite hope, but not for us”), but their protégés do, and in the final shot of the film see a live polar bear moving outside the train, indicating that life of some kind persists outside the train and that therefore there is something like hope after all.
Now, Aaron rejects all of this — “it’s too cold out there! they have no skills or supplies! that polar bear will probably just eat them!” — and of course he’s right to do so on the level of cold realism; like most such apocalyptic scenarios, the situation is too far gone to allow any sort of genuine renewal. (I always think of the way the Matrix sequels had to confront this, ultimately having the heroic rebels make a truce with the monsters they were supposed to slay because the world is too far gone to actually free anyone anymore.) But this is where Aaron’s flattening of Jameson’s theory of utopia hurts him a bit — because the kernel of the Jamesonian reading of the film is not to imagine it as a practical alternative to the present so much as to figure the ongoing exist alternative in an era that, at every turn, loudly insists there isn’t one.
For it is the very principle of the radical break as such, its possibility, which is reinforced by the Utopian form, which insists that its radical difference is possible and that a break is necessary. The Utopian form itself is the answer to the universal ideological conviction that no alternative is possible, that there is no alternative to the system. But it asserts this by forcing us to think the break itself, and not by offering a more traditional picture of what things will be like after the break. (Archaeologies 232)
Snowpiercer, it seems to me, is pretty plainly about this effort of the imagination; neither the setup nor the climax is really amenable to any sort of realistic analysis about the practicalities of the situation. It’s preposterous from start to finish. The point of the film is to disrupt our guilty comfort and our comforting guilt about a system we all know is terrible (“those crooked fuckers”) but think we can’t oppose, only picket and sigh about and be more beautiful than (“oh, we guilty sinners, oh this fallen world”). So of course the film is an allegory after all; what it figures isn’t the actual situation of capitalism but the hopeless prospects for people who can’t see any way to stop the train, other than a crash, and who perhaps for that very reason have come to believe they’re the ones who are driving it.
Weekend Links
* By allying us with its protagonist, Gravity universalizes its image of exploited female labor, sells it back to its entire audience, men and women alike. Gravity shows a contemporary ideal of femininity still more sinister than the pinup. It presents woman as an intricate machine, strapped to dozens of wires, working her ass off with the goal of appearing weightless.
* We were born too late: …in the early universe, as Loeb speculates in a paper published in Astrobiology late last year, everything would have been a habitable zone.
* Terry Gilliam thinks he could have screwed up Watchmen waaaaaaay worse than Zack Snyder.
* Another day, another Title IX class action against a major university.
* Students Joke About Raping Student Union President, Then Threaten to Sue Her.
* Objectification, Humiliation and the Liberal Arts.
* Surprising minimum wage jobs.
* Wisconsin income gap widening faster than nation as a whole.
* New Study Confirms It: Breast-Feeding Benefits Have Been Drastically Overstated.
* Man Wakes Up In Body Bag At Funeral Home. Wow.
* Chomsky on academic labor. Life off the tenure track at Boise State.
* Polynesian seafarers discovered America long before Europeans, says DNA study.
* Watch Six Colorado Senate Candidates Deny Climate Change Exists In 18 Seconds.
* Man, the rich are different.
* “While the entire U.S. population has increased about one-third over the last 30 years, the Federal prison population has increased at a staggering rate of 800 percent, currently totaling nearly 216,000 inmates and currently operates at a 33 percent overcapacity. One-half of those Federal prison populations are drug offenses. While some of them are truly dangerous persons, as Deputy Attorney General Cole said, many of them are first-timers, and by possession only, wound up under Federal laws, the crack cocaine laws, in the Federal system”, she said.
* Researchers Find CTE In A Soccer Player For The First Time.
* This Is What Discrimination Against Pregnant Workers Looks Like.
* Twelve Fixed, Eternal Commandments for Academic Job Candidates.
* The perfect world was a dream that your primitive cerebrum kept trying to wake up from: Wachowskis prepping new Matrix prequel trilogy.
* And I think we should all just agree this is the true ending to Harry Potter now.
Syllabus: ’21st Century Science Fiction’
I’m obscenely excited about my “21st Century Science Fiction” course, which starts today. As you can see from the planned schedule below I had to make some hard choices about what to exclude—but it should be a truly great time.
DATE |
ASSIGNMENTS AND RESPONSES DUE BY 1 PM |
T JULY 5 |
INTRODUCTION TO THE COURSE Defining SF in class: The Matrix, Star Trek |
R JULY 7 |
Space Empire at home: Wells Tower, “Everything Ravaged, Everything Burned” in class: Battlestar Galactica, Firefly |
M JULY 11 |
Zombies at home: Kelly Link, “Some Zombie Contingency Plans”; Robert Kirkman, The Walking Dead, Vol. 1 in class: 28 Days Later, Shaun of the Dead, Zombieland, etc. |
T JULY 12 |
Reproductive Futurity at home: Nisi Shawl, “Deep End”; Brian K. Vaughn, Y: The Last Man in class: Children of Men |
R JULY 14 |
Superheroes at home: Ted Chiang, “Understand” in class: X-Men, Iron Man, etc. |
M JULY 18 |
Cognitive Estrangement China Miéville, The City and the City (first section) |
T JULY 19 |
Cognitive Estrangement continued China Miéville, The City and the City (second and third sections) |
R JULY 21 |
CONFERENCES—NO CLASS |
M JULY 25 |
MIDTERM DUE—NO CLASS |
T JULY 26 |
in-class screening: Avatar |
R JULY 28 |
Avatar and Others FIRST LONG RESPONSE DUE at home: Annalee Newitz, “When Will White People Stop Making Movies Like Avatar?”; Slavoj Žižek, “Return of the Natives”; Octavia Butler, “Amnesty” in class: “Pumzi”, “Plastic Bag” |
M AUGUST 1 |
Eco-Apocalypse at home: Margaret Atwood, Oryx and Crake (first half) in class: Daybreakers, Moon |
T AUGUST 2 |
Eco-Apocalypse continued at home: Margaret Atwood, Oryx and Crake (second half) in class: WALL-E |
R AUGUST 4 |
The Singularity at home: Charles Stross, Accelerando (first half) RESEARCH PRESENTATIONS, DAY ONE |
M AUGUST 8 |
The Singularity continued at home: Charles Stross, Accelerando (second half) RESEARCH PRESENTATIONS, DAY TWO |
T AUGUST 9 |
Cyberpunk and Its Discontents at home: Nalo Hopkinson, “A Habit of Waste” in class: Dollhouse |
W AUGUST 10 |
make-up class: Inception screening (time and location TBA) |
R AUGUST 11 |
Science Fiction as Philosophy at home: Guy Hasson, “The Levantine Experiments”; Han Song, “The Wheel of Samsara”; Inception Closing Thoughts SECOND LONG RESPONSE DUE LAST DAY OF CLASS |
S AUGUST 14 |
FINAL PAPERS DUE BY 5 PM BY DIGITAL DROPBOX |
I’m beginning this afternoon with a lecture that looks at a multitude of different ways of looking at SF, organized around quotes from well-known SF writers and scholars. As the course goes on we’ll look at some of this critical work in more detail; for now I just want to introduce some basic frameworks for approaching the material. We’ll go over these and then set about applying them as best we can to the opening titles of Star Trek: Enterprise (both verisons) and the classic “battery” scene from The Matrix. The quotes:
SCIENTIFIC/PREDICTIVE
“…a charming romance intermingled with scientific fact and prophetic vision.”
—Hugo GernsbackFORMALIST
“Science fiction is a branch of fantasy identifiable by the fact that it eases the ‘willing suspension of disbelief’ on the part of its readers by utilizing an atmosphere of scientific credibility for its imaginative speculations in physical science, space, time, social science, and philosophy.”
– Sam Moskowitz.COSMOLOGICAL
“Science fiction is the search for definition of man and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post-Gothic mold.”
—Brian AldissHISTORICIST
“Sf is that species of storytelling native to a culture undergoing the epistemic changes implicated in the rise and supercession of technical-industrial modes of production, distribution, consumption, and disposal.”
—Damien BroderickUTOPIAN
“SF is, then, a literary genre or verbal construct whose necessary and sufficient conditions are the presence and interaction of estrangement and cognition, and whose main formal device is an imaginative framework alternative to the author’s empirical environment.”
—Darko Suvin“I would argue, however, that the most characteristic SF does not seriously attempt to imagine the ‘real’ future of social system. Rather, its multiple mock futures serve the quite different function of transforming our own present into the determinate past of something yet to come.”
—Fredric JamesonREVOLUTIONARY
“The intellectual crime for which Zamyatin was reviled and silenced was that of being an ‘internal emigre.’ (The American equivalent would be “un-Americanism.”) This smear-word is a precise and noble description of the finest writers of SF, in all countries.”
—Ursula K. Le GuinDIFFERENTIAL
“At the root of all science fiction lies the fantasy of the alien encounter.”
—Scott McCracken“Science fiction comes into visibility first in those countries most heavily involved in imperialist projects—France and England—and then giants popularity in the United States, Germany, and Russia as those countries also enter into more and more serious imperial competition…. It is not a matter of asking whether but of determining precisely how and to what extent the stories engage colonialism.”
—John RiederAFROFUTURIST
“Black people live the estrangement that science fiction writers imagine.”
—Greg Tate“The blunt thesis underlying Afrofuturism is that all black cultural production in the New World is SF.”
—Isiah LavenderCORRELATIONIST
“Science fiction turns out to be the realism of our time.”
—Kim Stanley Robinson“We live science fiction.”
—Marshall McLuhanLINGUISTIC
“In science fiction, ‘science’—i.e., sentences displaying verbal emblems of scientific discourses—is used to literalize the meanings of other sentences for use in the construction of the fictional foreground. Such sentences as ‘His world exploded,’ or ‘She turned on her left side,’ as they subsume the proper technological discourse (of economics and cosmology in one; of switching circuitry and prosthetic surgery in the other), leave the banality of the emotionally muzzy metaphor, abandon the triviality of insomniac tossings, and, through the labyrinth of technical possibility, become possible images of the impossible.”
—Samuel DelanyNOMINALIST
“Science fiction is anything published as science fiction.”
—Norman Spinrad“SF is what is marketed as SF.”
—Edward James