Posts Tagged ‘The Killing Joke’
Thursday Links!
* Coetzee: There is nothing wrong with arguing that a good humanistic education will produce graduates who are critically literate, by some definition of critical literacy. However, the claim that only the full apparatus of a humanistic education can produce critical literacy seems to me hard to sustain, since it is always open to the objection: if critical literacy is just a skill or set of skills, why not just teach the skill itself? Would that not be simpler, and cheaper too?
…in the end, I believe, you will have to make a stand. You will have to say: we need free enquiry because freedom of thought is good in itself. We need institutions where teachers and students can pursue unconstrained the life of the mind because such institutions are, in ways that are difficult to pin down, good for all of us: good for the individual and good for society.
* Huge drop in humanities majors at Swarthmore.
* Not for the first time, vandals are wreaking havoc in central Europe. Russian police say they’re looking for the intellectually minded miscreants who graffitied “Kant is a moron”—along with a flower and heart—on the philosopher’s home outside Kaliningrad.
* Keywords for the Age of Austerity 16: Flexibility. Special appearance by Plastic Man.
* Higher Education and the Politics of Disruption.
* Black UVA Student Beaten Bloody by Police Over Alleged Fake ID: Reports. UVA’s White President Outsources Outrage Over Martese Johnson to Two Black Administrators.
* Chapel Hill Will Pay $335,000 to Whistle-Blower in Fraud Scandal.
* More Scrutiny of Decision to Close Sweet Briar.
* Penn State Fraternity’s Secret Facebook Photos May Lead to Criminal Charges.
* Despite Progress, Only 1 in 4 College Presidents Are Women.
* The New York Times ran the Duke story—a story about the internal politics of an English department—on its front page.
* I can’t remember if I already linked to Jalada #2: “Afrofuture(s),” but it’s great. I think my favorite little piece is one of the short poems, “Found: An Error in the System.”
* Schools Plan Massive Layoffs After Scott Walker Guts Funding.
* 21st-Century Slaves: How Corporations Exploit Prison Labor.
* Why The U.S. Won’t Let the U.N. Look Inside Its Prisons.
* Modern-Day Caligula Orders Everything Bagel.
* Everything’s different in Denmark: Porn belongs in the classroom, says Danish professor.
* What could possibly go wrong? The Scientist Who Wanted To Bring A Death Row Inmate Back From The Dead.
* Starbucks loses its damn mind. Starbucks Wants To Talk To You About Race. But Does It Want To Talk To You About Racism? Starbucks’s Race to the Center of Civic Life.
* Simians, Cyborg-Women, and Godzilla: 40 Years of Terror of Mechagodzilla.
* 41 Awesome Euphemisms For Vagina Around The World, Because Your Pupusa Speaks All Languages.
* Mars One Finalist Explains Exactly How It‘s Ripping Off Supporters.
* The New Optimism of Al Gore.
* Antarctica appears to be melting from below.
* Climate change and full communism.
* When the CIA funded the National Student Association.
* The Problem With History Classes.
* Rise of the Gender Novel: Too often, trans characters are written as tortured heroes. We’re more complex than that.
* The lonely shame of student debt.
* Queer Silence and The Killing Joke.
* #LightenUp: On Comics and Race.
* I’m Al Lowe and I created a series of games called Leisure Suit Larry for Sierra back in the ’80s and ’90s along with another 20 games and titles back in that period. I was with Sierra from 1982 until 1998 when it — well, it was the poor victim of a hostile takeover by criminals. How about that for an opening?
* Did Terry Brooks save epic fantasy? Given the years involved if anything did it seems more likely to me that it was Dungeons and Dragons, but it’s a nice remembrance of the franchise regardless.
* I’m good for five seasons at least: Bridgeport Priest Who Ran Meth Ring Pleads For Leniency.
* Really bad idea watch: Sherlock Goes Old-School For Its Christmas Special.
* The Hidden History of Miscarriage.
* One chart that shows just how ridiculously huge Wall Street bonuses are.
* Where to expect upsets on your NCAA bracket.
* New edition of Catan coming down the pike.
* You had me at fully automated luxury communism (FALC).
* And because you demanded it! Sam Jones Says New Flash Gordon Is A Sequel.
The Dark Knight
If The Dark Knight is the greatest superhero movie of all time—and I think it probably is—it is entirely on the back of Heath Ledger’s immaculate turn as the Joker. Ledger is utterly, utterly, utterly perfect in this role—so perfect in fact that it is impossible to imagine either anyone else ever playing the Joker or any other villain stepping in to carry a sequel.
(Who’s even still on the bench at this point? The Penguin? Riddler? King Tut? Catwoman can’t carry a movie all by herself. The best bet, it seems to me, would be to go forward with the long-teased Batman vs. Superman project; it’d be something of a genre mismatch for the Christian Bale franchise, but at least it’d spare us all another round of movie nonsense with the highly overrated Riddler.)
There’s no question about it: Ledger’s performance is simply stunning. His sociopathic Joker is so good that it’s hard to say that the movie is actually enjoyable to watch—I feel exhausted after seeing it, disturbed and just a little bit broken. In this sense The Dark Knight isn’t really a superhero movie at all, but a horror movie, a slasher flick, and really—with Ledger so famously dead by suicide* just after shooting—a snuff film. As David Denby put the point in the New Yorker:
When Ledger wields a knife, he is thoroughly terrifying (do not, despite the PG-13 rating, bring the children), and, as you’re watching him, you can’t help wondering—in a response that admittedly lies outside film criticism—how badly he messed himself up in order to play the role this way. His performance is a heroic, unsettling final act: this young actor looked into the abyss.
This is in all respects an astoundingly dark movie that’s hardly suitable for adults, much less children. And if The Dark Knight doesn’t quite possess the necessary sense of self-awareness to be the Watchmen of superhero film, it may well be its Dark Knight Returns (wiki)—or, perhaps more directly, the story from which it draws its most direct inspiration, Alan Moore’s definitive Joker story, The Killing Joke (wiki).
What Moore gets, of course, is what the film is only able to hint at: the extent to which Batman and the Joker (to mix my supervillain metaphors) are two sides of the same coin. It is not just that they are both insane, but that they are both equally insane and insane in exactly the same way—just in opposite directions.
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* Abe rightly points out in the comments that Ledger’s death by overdose probably wasn’t a suicide. Obviously I’m not watching enough entertainment television.
Gerry Canavan 