Posts Tagged ‘The Dark Knight’
Tuesday Links
* David Graeber teaches my superheroes module in one long go at the New Inquiry.
* Affirmative action and the fantasy of “merit” comes to the Supreme Court. Buckle up.
* The wisdom of markets: Mysterious Algorithm Was 4% of Trading Activity Last Week.
* The main victim of the ongoing crisis is thus not capitalism, which appears to be evolving into an even more pervasive and pernicious form, but democracy — not to mention the left, whose inability to offer a viable global alternative has again been rendered visible to all. It was the left that was effectively caught with its pants down. It is almost as if this crisis were staged to demonstrate that the only solution to a failure of capitalism is more capitalism.
* Annals of Canadian crime: Canada cheese-smuggling ring busted – policeman charged. Maple syrup seized in N.B. may have been stolen in Quebec.
* Obama makes a strong pitch for my particular demographic.
* Are drones illegal? Well, we’re an empire now, and when we act, we create our own reality, so…
* Let six-year-olds vote: Afghan war enters twelfth year. And onward! And onward!
* The maintenance of civil order in society rests on the foundation of family discipline. Therefore, a child who disrespects his parents must be permanently removed from society in a way that gives an example to all other children of the importance of respect for parents. The death penalty for rebellioius children is not something to be taken lightly. The guidelines for administering the death penalty to rebellious children are given in Deut 21:18-21… You know what? Let me stop you right there.
* “Man who defaced Tate Modern’s Rothko canvas says he’s added value.” And he’s probably right!
* Community not coming back on schedule is/is not a catastrophe. I’ll just go ahead and assume that they need more time to bring Dan Harmon back.
* Why do Venezulans keep reelecting Hugo Chávez?
To understand why Chávez’s electoral victory would be apparent beforehand, consider that from 1980 to 1998, Venezuela’s per capita GDP declined by 14%, whereas since 2004, after the Chávez administration gained control over the nation’s oil revenues, the country’s GDP growth per person has averaged 2.5% each year.
At the same time, income inequality was reduced to the lowest in Latin America, and a combination of widely shared growth and government programs cut poverty in half and reduced absolute poverty by 70%—and that’s before accounting for vastly expanded access to health, education, and housing.
Oh.
* The Rise and Fall of the Cincinnati Boner King.
* Admitting that scientists demonstrate gender bias shouldn’t make us forget that other kinds of bias exist, or that people other than scientists exhibit them. In a couple of papers (one, two), Katherine Milkman, Modupe Akinola, and Dolly Chugh have investigated how faculty members responded to email requests from prospective students asking for a meeting. The names of the students were randomly shuffled, and chosen to give some implication that the students were male or female, and also whether they were Caucasian, Black, Hispanic, Indian, or Chinese.
* Campus officer kills naked freshman at University of South Alabama.
* The Ohio Statue University marching band pays tribute to video games.
* Johnny works in a factory. Billy works downtown. / Terry works in a rock and roll band looking for that million dollar sound. / Got a job down in Darlington. Some nights I don’t go. / Some nights I go to the drive in. Some night I stay home. On “The Promise.”
* digby imagines what would happen if we tried to ban lead today.
* Like Darth Vader at the end of Jedi, Ridley Scott ends his career a hero.
* Behind the Scenes of the Planet of the Apes.
* And get ready for competing Moby Dick projects! Who says Hollywood is out of ideas?
Obama, Joker, Capitalism, Schizophrenia
From one of my first published pieces as an academic, a slightly strange bit of cultural criticism called “Person of the Year: Obama, Joker, Capitalism, Schizophrenia,” originally written for the Yale “Politics of Superheroes” Conference in 2009 and unexpectedly available in its entirety here:
That CHANGE is a highly adaptive buzzword meaning nothing and everything briefly fed the fantasy that 52% of the country now agreed on some soon-to-be-enacted radical program of change—but now we know better. This is to say that Obama achieved the presidency through a largely content-free, Joker-like demand that the applecart be overturned and the flows of our own military-industrial-mafia-corruption complex be disrupted, and that this demand has, paradoxically, catapulted him to a Batman-like office where his job is to preserve, not disrupt, capital’s flows.
I’ve been thinking a bit about that piece tonight, particularly the way it ends with a quiet echo of Obama’s own once-frequent calls for his supporters to “hold my feet to the fire”:
It is not surprising that Obama’s sky-high approval numbers have sharply dipped since his inauguration; it is Obama himself who has returned to Earth as his ambition, his taste for CHANGE, has been tempered by the duties of the office he now holds. There is only one way for Obama to retain his vitality and his creative energy as a political actor—to remain in his own way, if you’ll forgive me, Batmanesque. He must let himself dance with the Joker, pushing on and being pushed by the limits of CHANGE. He cannot grow complacent; he will have to, in the Joker’s words, let a little chaos in. And to the extent that he cannot, to the extent that any person in his position will necessarily become the champion not of change but of continuity, it will be up to those who supported him—those who are psychologically invested in Obama’s success but who at the same time want to see the flows at last disrupted and the old codes finally overturned, who want in the end CHANGE (whatever that means)—to reassert their impossible demand for a Utopian break from history, to push the limits, to resist the schemers, to Jokerize themselves in opposition.
So, then, let’s Jokerize…
Crazy Busy Today
Seriously busy day today—hardly able to catch my breath. In lieu of that, some links.
* It was an unexpectedly good day for the Communofascist wing of the Democratic Party, with Joe Sestak beating Arlen Specter, Mark Critz winning in PA-12, and Bill Halter forcing Blanche Lincoln into a run-off in Arkansas. That Richard Blumenthal has managed to completely shit the bed in Connecticut can wait perhaps for another night.
* The video of our most recent Polygraph event—John Bellamy Foster and Brett Clark discussing “the consumer trap—is now on iTunesU. The download should be free to everyone.
* A from-bad-to-worse update on the story of a seven-year-old Detroit girl killed by police officers during a no-knock raid: they may have been filming a reality show.
* Extreme weather videos in hailstorm and tornado flavors. Both links via MeFi.
* It’s pretty scary to think that a person without basic qualifications could fraudulently pilot jets for 13 years without being caught, but at the same time it’s actually fairly comforting that in all that time nothing bad happened.
* This Dark Knight / Toy Story 2 mashup is an instant classic of the genre.
* Raising academic dishonesty to the level of art.
* Curb Your Enthusiasm Season 8 will be set in New York. I am intrigued.
* Lenin’s Tomb on why neoliberalism persists.
* And preparing now for next year’s job market. And the next year’s. And the next year’s…
V-Day Links!
V-Day links.
* I feel stimulated, and I bet you do too. Here’s Arlen Specter with your partisan post-mortem.
“When I came back to the cloak room after coming to the agreement a week ago today,” said Specter, “one of my colleagues said, ‘Arlen, I’m proud of you.’ My Republican colleague said, ‘Arlen, I’m proud of you.’ I said, ‘Are you going to vote with me?’ And he said, ‘No, I might have a primary.’ And I said, ‘Well, you know very well I’m going to have a primary.'” […]
“I think there are a lot of people in the Republican caucus who are glad to see this action taken without their fingerprints, without their participation,” he said.
Your modern Republican party.
* The headline reads, “Large Banks Are on the Brink of Insolvency.” You heard it from Brad Miller first.
* Heath Ledger fans want the Joker retired in honor of Ledger’s turn in the makeup.
“When Michael Jordan retired, they withdrew the number 23 jersey as an honor. It’s the same thing with Heath.”
Yes, it’s exactly the same.
* Space debris. Via Cynical-C.
* Images from Watchmen. Clock’s at 11:59…
* Paul Auster, science fiction writer.
* Joss Whedon, cultural humanist.
* And Henry David Thoreau, vegetarian.
Vegetarian ideas figured prominently in 19th-century intellectual circles. Though practicing vegetarians remained outside the mainstream, as they do today, vegetarianism itself was intriguing, its arguments compelling. Thoreau, for instance, was not a strict vegetarian, but he did believe that the vegetarian diet was “the destiny of the human race.” Not because animals were cute and fuzzy and therefore ought to be saved from brutality, but because they were dirty and difficult and expensive. “The practical objection to animal food in my case was its uncleanness,” he wrote in Walden, “and besides, when I had caught and cleaned and cooked and eaten my fish, they seemed not to have fed me essentially. It was insignificant and unnecessary, and cost more than it came to. A little bread or a few potatoes would have done as well, with less trouble and filth.” You can stand around in the forest, waiting to spear, skin, and roast a bunny for your next meal, but…why?
Celebratory Links
I had a nasty case of food poisoning or something last night—fever, chills, the whole bit. But now I’m back and quite literally better than ever. A few links to celebrate my recovery:
* Early reviews of Dollhouse remain mixed. We’ll know tomorrow….
* This YouTube clip (via MeFi) captures just the barest sliver of the greatness of the Conan DVD commentary. It is our civilization’s highest cultural achievement.
* The trailer for the new Tarantino is out.
* How to teach non-canonical material responsibly in a composition class: lesson plans from Scott Eric Kaufman on Dark Knight and Watchmen.
* Two satellites have collided in orbit. Apparently that’s never happened before. More from MeFi.
* Happy birthday, Charles Darwin. More from Satisfactory Comics.
Son of News Roundup
Son of news roundup.
* Burger King is pushing the viral marketing hard lately, following up its gag body spray with a Facebook application that gives you a free hamburger for every 10 people you unfriend.
* Speaking of body spray, here’s an interesting study suggesting it’s not about the smell.
And a new study in the U.K…found that men who used Lynx deodorant, Axe’s British-brand cousin, were seen as more attractive by females than men who used a “placebo” deodorant with no fragrance.
But: the women just saw videos of the guys in the study—they couldn’t smell them. Meaning that Axe actually works by making you feel more attractive. If you feel more attractive after soaking yourself in an aerosol version of car air freshener, you may not be the most urbane man to begin with, which leads to the second part of the study’s results:
Women rated the fragranced men as more attractive when the sound on the videos was off, but had no statistically significant preference when the sound was on.
* Obama to team up with Spider-Man. Which wanted criminal will he pall around with next?
* Zipcar comes to Duke. More here.
* Larry Flynt says porn needs a bailout. Via MeFi.
* Malcolm X on a Canadian game show.
* The cell-phone novel, or keitai shosetsu, is the first literary genre to emerge from the cellular age. For a new form, it is remarkably robust. Maho i-Land, which is the largest cell-phone-novel site, carries more than a million titles, most of them by amateurs writing under screen handles, and all available for free. According to the figures provided by the company, the site, which also offers templates for blogs and home pages, is visited three and a half billion times a month.
* It took me almost another decade after graduate school to figure out what writing really is, or at least what it could be for me; and what prompted this second lesson in language was my discovery of certain remaindered books—mostly of fiction, most notably by Barry Hannah, and all of them, I later learned, edited by Gordon Lish—in which virtually every sentence had the force and feel of a climax, in which almost every sentence was a vivid extremity of language, an abruption, a definitive inquietude. These were books written by writers who recognized the sentence as the one true theater of endeavor, as the place where writing comes to a point and attains its ultimacy. As a reader, I finally knew what I wanted to read, and as someone now yearning to become a writer, I knew exactly what I wanted to try to write: narratives of steep verbal topography, narratives in which the sentence is a complete, portable solitude, a minute immediacy of consummated language—the sort of sentence that, even when liberated from its receiving context, impresses itself upon the eye and the ear as a totality, an omnitude, unto itself. Gary Lutz on the sentence, via the too-sporadically-updated Black Garterbelt.
* And will The Dark Knight win Best Picture? Eli Glasner says it just might.
Captain Marvel and The Zeitgeist
Captain Marvel and the zeitgeist: You can have Heath Ledger’s Joker or you can have Billy Batson in Shazam!, but you can’t have both.
The irony here is that the comics version of Captain Marvel can actually get fairly dark: witness a lobotomized Captain Marvel as a stooge for Lex Luthor in Kingdom Come, the quasi-reformed Black Adam committing genocide in 52, or what they’ve done to poor Mary Marvel. And that’s not even getting started on Miracleman.
Via io9.
Shia Labeouf as Robin Is a Nice Touch
I’ve said for years there’s only one man who can follow Heath Ledger’s Joker, and that’s Eddie Murphy as the Riddler. Shia Labeouf as Robin is a nice touch.
Busy, Busy, Busy
Busy, busy, busy, as the Bokononists say.
* Sci-Fi has put out a “Catch the Frak Up” video for the last four seasons of Battlestar Galactica.
* All about Patrick Fitzgerald, the man everybody wants to put in charge of everything.
* Daily Routines: how writers, artists, and other interesting people organize their days. Via MeFi, which has some greatest hits.
* In 1945, after the atomic destruction of two Japanese cities, J. Robert Oppenheimer expressed foreboding about the spread of nuclear arms. “They are not too hard to make,” he told his colleagues on the Manhattan Project at Los Alamos, N.M. “They will be universal if people wish to make them universal.” How the bomb spread (and didn’t) around the world.
* The Los Angeles Film Critics Association has named WALL-E the best film of the year. It’s a bit of a strange choice against Dark Knight and Synecdoche, among others, but WALL-E was a hell of a good film, potentially a very important one, and damnit if I don’t love Pixar.
* No book more deeply and revealingly explains the spasm of madness through which the United States has passed in recent years than Moby Dick. For generations, it has been considered a masterpiece of world literature, but now can it be seen as an eerily prophetic allegory about 21st-century America. It is now truly the nation’s epic.
* The Barack Obama of 2018 has been playing video games all his life.
* Everybody loves Silent Star Wars.
* Pharyngula has been having an awful lot of fun with found images lately.
* Has Greenpeace been rating Apple unfairly?
* Will we nationalize the auto companies?
* And the good news: Gabriel García Márquez is still writing after all.
Game Theory in ‘The Dark Knight’
Game theory in The Dark Knight. Fun article analyzing the Joker’s opening heist in the context of the pirate game, an interesting situation with a nicely counter-intuitive result:
Three pirates (A, B, and C) arrive from a lucrative voyage with 100 pieces of gold. They will split up the money according to an ancient code dependent on their leadership rules. The pirates are organized with a strict leadership structure—pirate A is stronger than pirate B who is stronger than pirate C.
The voting process is a series of proposals with a lethal twist. Here are the rules:
1. The strongest pirate offers a split of the gold. An example would be: “0 to me, 10 to B, and 90 to C.”
2. All of the pirates, including the proposer, vote on whether to accept the split. The proposer holds the casting vote in the case of a tie.
3. If the pirates agree to the split, it happens.
4. Otherwise, the pirate who proposed the plan gets thrown overboard from the ship and perishes.
5. The next strongest pirate takes over and then offers a split of the money. The process is repeated until a proposal is accepted.Pirates care first and foremost about living, then about getting gold. How does the game play out?
If everyone acts maximally rationally, A comes away with 99 of the 100 coins, which is pretty fantastically unexpected.
Three for Sunday: Superman, Seinfeld, The Dark Knight Returns
Three for Sunday.
* Superbugs: all about the new generation of treatment-resistant infections.
“My basic premise,” Wetherbee said, “is that you take a capable microörganism like Klebsiella and you put it through the gruelling test of being exposed to a broad spectrum of antibiotics and it will eventually defeat your efforts, as this one did.” Although Tisch Hospital has not had another outbreak, the bacteria appeared soon after at several hospitals in Brooklyn and one in Queens. When I spoke to infectious-disease experts this spring, I was told that the resistant Klebsiella had also appeared at Mt. Sinai Medical Center, in Manhattan, and in hospitals in New Jersey, Pennsylvania, Cleveland, and St. Louis.
*Will the next Christopher Nolan movie be a straight-up adaptation of Frank Miller’s The Dark Knight Returns?
By leaving the Joker (literally) hanging at the end of The Dark Knight, Nolan left open-ended a story that begs to be finished. Even Tim Burton knew he had to kill Jack Nicholson at the “end”. Nolan himself killed Ra’s at the end of Batman Begins and he even tied-up a loose end regarding the Scarecrow in The Dark Knight. These are both clear signals Nolan knows the story has to have an end and has some idea for that end already in mind.
Nolan further foreshadows the future in The Dark Knight’s climatic moments as well. Remember when the Joker tells Batman the two of them can “do this for years”? Filmmakers of Nolan’s talent don’t throw away lines like that, especially in a moment like that. That was the director signaling to the audience that he understands one of “The Dark Knight Returns'” main themes – that the Joker’s very existence is primarily to be Batman’s nemesis and their fates were inevitably intertwined, as well as a signal that their final showdown will in fact come years down the road.
Which brings us back to the three-act structure: Act One (Batman Begins) was the first Batman story. Act Two (The Dark Knight) was a classic tragic turning point.
So what does this demand Act Three be?
Well, not only the final battle of Batman and the Joker, but also the last Batman story, of course.
More discussion of the idea, which I can personally guarantee will never, ever happen, at io9.
* A not-quite-complete list of Kramer’s business ideas. Not quite complete, because Wikipedia has even more.
Good News for culturemonkeys (All about the 1950s)
Never say Hollywood can’t learn from its mistakes. The producers have figured out how to please everyone: maintain earnestness regardless of the inherent absurdity of the genre, be ‘topical’ by way of empty allegory, be spectacularly violent, never stop moralizing. Meet these requirements, and a great deal of variety is possible: one has free reign to be jokey or serious, bright or gloomy, undisguisedly sexist, racist, homophobic, or none of the above, ‘critical,’ or ‘wish fulfillment.’ Or all of the above. These labels are simply not the creator’s responsibility. Restore the superhero’s propaganda function, in short, and in so doing prove Sontag’s thesis that “pure camp” is always so for the future and not the present.** The comic book-loving nerds of my generation are now faced with the dubious realization of our pubescent dreams: the nerds have taken over Hollywood, and the responsibility thus falls to the Figure of the Superhero to ‘teach us’ something about the “human condition.”
Good news for culturemonkeys: Ryan has a great post on superhero cinema over there. (And here too.) It’s more or less the definitive post on Dark Knight. But a few quick thoughts. First, I think Acephalous’s attempt to rehabilitate the film from attempts to understand it solely as a “balls-out obvious apolog[y] for the authoritarian, repressive ‘excesses’ of global capitalism” is instructive, and definitely worth reading.
Second, Ryan writes that we are currently experiencing the”repetition-as-farce of the ’50s”—but this doesn’t strike me as a new phenomenon. Isn’t it more the case that post–war American culture is perpetually returning to the ’50s as a site of degrading, doomed unity?
This is to say that Jameson’s claim that WWII is the moment of highest American nostalgia par excellence is, I think, fundamentally correct, with the revision that it’s more the period from Dec. 1941 to August 29, 1949, the day the Russians exploded their first atomic bomb. The ’50s are the memory of “the good ’40s” combined with and juxtaposed against the reality of 8/29/49—they are the dawning but perpetually unfinished recognition of how it all will go / is going / has already gone wrong. In other words, the ’50s themselves were a repetition-as-farce the first time around of the ideologically unacceptable, apocalyptic shock at the end of the previous decade—and we find ourselves going back to the ’50s for answers whenever we get shocked again.
That’s why, when 1973 is the year of disaster for American capitalism, Happy Days premieres in January 1974.
Gerry Canavan 