Posts Tagged ‘space opera’
Wednesday, Wednesday
* NOAA just released its summer outlook, predicting which areas are going to see unusually hotter temperatures this year. Unsurprisingly for those who have been watching the string of heat records that have been falling like dominoes, almost every area of the United States is included. Things Have Gotten Much Worse Since An Inconvenient Truth.
* Love in the time of climate change: Grizzlies and polar bears are now mating.
* How highways wrecked American cities.
* Is Donald Trump’s Hair a $60,000 Weave? A Gawker Investigation.
* The Democratic primary has entered its Gnostic phase.
* The Marijuana Industry’s War on the Poor.
* Scenes from the class struggle at Oberlin. A reasonably good ethnographic study of a subject which seems to have become utterly impossible to talk about dispassionately.
* And speaking of “impossible to talk about dispassionately”: The canon of English literature is sexist. It is racist. It is colonialist, ableist, transphobic, and totally gross. You must read it anyway.
* Diversity as a Tenure Requirement?
* The Baylor board of regents fired school president Ken Starr on Tuesday amid the sexual assault scandal involving the Bears football team, according to HornsDigest.com. Baylor not commenting on reports of President Kenneth Starr’s firing.
* Enrollments Slide, Particularly for Older Students.
* The terms “World Science Fiction” or “Global Science Fiction” are becoming legitimate fields of interest at a time where human life is indistinguishable from technological interference and scientific thought. We are technology. We are post-human. And we understand both the “global” and “world” adjectives only through the eyes and screens technology has afforded us. If we loosely understand science fiction as the imaginative exercise with which we deal with science and technology, then it becomes a major tool in understanding a reality that increasingly grows less believable and more fragile, in which crisis has become our quotidian condition. We are desperately looking for others because, in a globalized culture and economy, they might not exist anymore. We might have exterminated them, and we fear our genocidal complicity.
* Soviet Brutalist Architecture, Photographed By Frederic Chaubin.
* Some truly crazy news about Peter Thiel and Gawker today.
But if the extremely wealthy, under a veil of secrecy, can destroy publications they want to silence, that’s a far bigger threat to freedom of the press than most of the things we commonly worry about on that front. If this is the new weapon in the arsenal of the super rich, few publications will have the resources or the death wish to scrutinize them closely.
* Here’s the thing: from where I live, the world has drifted away. We aren’t precarious, we’re unnecessary. The money has gone to the top. The wages have gone to the top. The recovery hasgone to the top. And what’s worst of all, everybody who matters seems basically pretty okay with that. The new bright sparks, cheerfully referred to as “Young Gods” believe themselves to be the honest winners in a new invent-or-die economy, and are busily planning to escape into space oracquire superpowers, and instead of worrying about this, the talking heads on TV tell you its all a good thing- don’t worry, the recession’s over and everything’s better now, and technology is TOTES AMAZEBALLS!
* Freddie Gray verdict: US police officers who kill rarely get punished, but they might get rich.
* The Do Not Call list was supposed to defeat telemarketers. Now scammy robocalls are out of control. What happened?
* Would the U.S. Drop the Bomb Again?
* John Scalzi has a new space opera.
* Which Rock Star Will Historians of the Future Remember?, or, “Johnny B. Goode in the Anthropocene.”
But it did guarantee that one rock song will exist even if the earth is spontaneously swallowed by the sun: “Johnny B. Goode,” by Chuck Berry. The song was championed by Ann Druyan (who later become Sagan’s wife) and Timothy Ferris, a science writer and friend of Sagan’s who contributed to Rolling Stone magazine. According to Ferris, who was the album’s de facto producer, the folklorist Alan Lomax was against the selection of Berry, based on the argument that rock music was too childish to represent the highest achievements of the planet. (I’m assuming Lomax wasn’t too heavily engaged with the debate over the Sex Pistols and “Saturday Night Fever” either.) “Johnny B. Goode” is the only rock song on the Voyager disc, although a few other tunes were considered. “Here Comes the Sun” was a candidate, and all four Beatles wanted it to be included, but none of them owned the song’s copyright, so it was killed for legal reasons.
* The Pitch Meeting for Animaniacs.
* How One in Ten Humans Could Be Wiped Out Within the Next Five Years.
* The Business of Too Much TV.
* On the Trail of Nabokov in the American West.
* And presenting Reverse CAPTCHA.
Every Last Weekend Link
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to thresholdsjournal@gmail.com no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Jacob Brogan reviews the first issue of Ta-Nehisi Coates’s Black Panther. And here’s not the only one!
* If you’re not, you should really be reading The Vision.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* Questions for the #4c16 crowd.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* The Future Happened 56 Million Years Ago.
* Plants Taking Over New York City Is What Will Happen When the World Ends.
* At this Florida jail, the inmates are also zookeepers.
* How to Write a History of Video Game Warfare.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* My next screenplay: Radioactive boars are running wild and breeding uncontrollably in the northern region of Japan contaminated by the Fukushima nuclear disaster.
* Bernie Sanders Is Even Less Competitive Than He Appears.
* Bruce Springsteen Cancels North Carolina Concert in Protest of Anti-LGBT Bathroom Bill.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* Now more than ever, it’s time for Animaniacs.
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* This seems pretty plausible, honestly.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
Wednesday Links!
* Really good news on the Trek front: Bryan Fuller will be showrunner.
* Bernie, basking in the glow of the victory. 21 Gifts For The Bernie Sanders Supporter In Your Life. Demographics, y’all. The last time someone won New Hampshire by 20 points and didn’t win the nomination. All uphill from here. Even the neoliberal Matt Yglesias. How Hillary Clinton Gets the Coverage She Wants. Nice work if you can get it. And on the other side of the aisle: Never forget.
* Chaos at Mount St. Mary’s. “An Appalling Breach of Faith.” Sign the petition.
* Wheaton College, Larycia Hawkins to ‘Part Ways.’
* Permanent emergency at Berkeley.
* Congress Again Scrutinizes Colleges With Big Endowments.
* Keywords for the Age of Austerity 25 3/4: “Residences.”
* Segregation Now, Segregation Tomorrow, Segregation Forever?
* Why Twitter Is Fundamentally Broken.
* A brief history of Marquette’s Joan of Arc Chapel.
* My Encounter with the Princeton Police and Its Aftermath.
* Twilight of Michael Jackson’s Chimp, Bubbles.
* Who planted drugs in the PTA mom’s car?
* The Supreme Court Just Gave The Finger To Obama’s Plan To Slow Climate Change.
* Mark Strand: “After Our Planet.”
* A Producer Is Tweeting Descriptions of Women from Movie Scripts and It’s Hilariously Awful.
* Inaccessible: what I should have said in my review of The Witness.
* When disabled people need not apply.
* Why and How DC Keeps Screwing Up Superman.
* I still don’t know if Ta-Nehisi Coates is right about Bernie and reparations, but I’m in for as many issues of Black Panther as he wants to do.
* And speaking of: How an Ex-Slave Successfully Won a Case for Reparations in 1783.
* Sabrina Alli on Getting Screwed: Sex Workers and the Law.
* “Cold War modernism,” then, doesn’t refer to experimental artwork produced between the end of World War II and the Reagan administration, but to “the deployment of modernist art as a weapon of Cold War propaganda by both governmental and unofficial actors as well as to the implicit and explicit understanding of modernism underpinning that deployment.” And, given the archive from which Barnhisel works, this book doesn’t provide Cold War–flavored interpretations of individual modernist works. Instead, it offers an evenhanded explanation of the changing connotation of the term “modernism” as the federal agencies and private foundations listed above sought out an antonym for (Soviet) realism. With this in mind — the afterlife of modernism, instead of its genealogy — the Cold War modernists of the title do not seem to be the painters, sculptors, poets, and novelists who produced the original works, but instead the “governmental and unofficial actors” who produced the federally subsidized midcentury reinterpretation of both individual works and modernism in general, in the name of Cold War politics.
* Chicago’s troubled public school system on Wednesday had to slash the size of one of the biggest “junk” bond offerings the municipal market has seen in years and agree to pay interest costs rivaling Puerto Rico’s in order to lure investors into the deal.
* The controversy over J.K. Rowling’s new African wizard school, explained. Pottermania, round two.
* Jughead comes out as asexual.
* A player after my own heart: “This strategy involves the use of rules that many people don’t know about, and having the rulebook nearby will speed up the process of dealing with the numerous complaints you’ll receive during the game.”
* Wausau man arrested twice in child sex stings 3 weeks apart. Reminds me of a clip from To Catch a Predator that made the viral media rounds a few years ago.
* Cop who killed college student and 55-year-old mother sues for ‘extreme emotional trauma.’
* Winning a competition predicts dishonest behavior, or, #academicjobmarket.
* “A good start”: FBI Arrests Nearly Every Single Elected Official In A Texas Town.
* Classic whoopsies on The Hateful Eight set.
* Of course you had me at “Lord of the Rings-inspired space opera wants to connect you with African mythology.”
* Truly a Road to Damascus moment: “66-Year-Old Man Struck By Lightning While Masturbating to Bible.”
* You thought 90s nostalgia had gone too far before, but it’s definitely too far now.
* Long Seventies Conspiracy Cinema: An Introduction.
* That Dragon, Cancer and how the digital age talks about death.
* Meet the New Student Activists. A Timeline of Black Activism on Campus.
* Birds of prey spread bush fires deliberately.
* Gender in the classroom. The Impact of Gender on the Review of the Curricula Vitae of Job A pplicants and Tenure Candidates: A National Empirical Study.
* From Annihilation to Acceptance: A Writer’s Surreal Journey.
* And let us now praise famous men: “3 siblings picking up their daily allowance of bottled water from the Fire Dept in Flint, MI.”