Posts Tagged ‘rebellion’
Live from a Hotel Room in Philadelphia – Saturday Links!
* Climate work and despair. It’s a tough problem in the classroom, too. Climate change conflicts somehow with an assumed, mandatory pedagogical optimism; the lack of a solution or even a “hope spot” often leaves the class feeling somehow incomplete.
* Today our president was trolled on Twitter by Arnold Schwarzenegger and Vicente Fox.
* Ted Chiang in the New Yorker. Great piece.
Beyond this narrow Wikipedian territory, Chiang is reluctant to venture. Although he is amiable and warm, he is also reticent and does not riff. Over several conversations, I learned, in addition, that he owns four cats, goes to the gym three times a week, and regards a small cylindrical seal made of hematite sometime around 1200 B.C. as one of his most treasured possessions—it was a gift from his sister, a reference to “Tower of Babylon.” He told me that, when he was a child, his family celebrated Christmas but wasn’t religious. When I asked Chiang if he had hobbies, he said no, and then, after a long pause, admitted that he plays video games. He refused to say what he eats for breakfast. Eventually, I sent him an e-mail with twenty-four questions that, I hoped, might elicit more personal details:
Do you have a favorite novel?
There isn’t one that I would want to single out as a favorite. I’m wary of the idea of a favorite anything.You’ve spent many years living near the water. Do you like the sea?
Not particularly. I don’t actually spend much time on the coast; it’s just chance that I happened to move here.What was the last work of art that made you cry?
Don’t know.Do you consider yourself a sensitive person?
Yes.
* Required Reading: 50 of the Best Sci-Fi Comics.
* Conspiracy theories we can believe in: the 19A0s, the suppressed decade between the 1970s and 1980s whose memory has been repressed.
* Can We Really Measure Implicit Bias? Maybe Not. This article certainly supports my implicit bias against these sorts of studies.
* Trumpism: The Devil We Know.
* Today in the hopeless search for some Trump upside: the end of the campus sex bureaucracy.
* How could it possibly get worse? Oh.
* From December: UN opens formal discussions on AI-powered autonomous weapons, could ban ‘killer robots.’
* I Can’t Answer These Texas Standardized Test Questions About My Own Poems.
* In a society that profits from your self doubt, liking yourself is a rebellious act.
* A Practical Guide to Teaching Children Basic Math Concepts Using LEGO Bricks.
* And meanwhile, in the other universe…
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Slave Rebellions and History
I was talking with Traxus the other day about how slave rebellions mark an interesting difference between knowledge and belief. Everybody who is historically informed knows slave revolts happened, and moreover is perfectly eager to say so—but all the same nobody believes in them. They exist in history only to be bracketed: “Of course, there were slave rebellions, but…”
Two reviews of Django Unchained take this up. First, the New Yorker:
It is precisely because of the extant mythology of black subservience that these scenes pack such a cathartic payload. The film’s defenders are quick to point out that “Django” is not about history. But that’s almost like arguing that fiction is not reality—it isn’t, but the entire appeal of the former is its capacity to shed light on how we understand the latter. In my sixteen years of teaching African-American history, one sadly common theme has been the number of black students who shy away from courses dealing with slavery out of shame that slaves never fought back.
It seems almost pedantic to point out that slavery was nothing like this. The slaveholding class existed in a state of constant paranoia about slave rebellions, escapes, and a litany of more subtle attempts to undermine the institution. Nearly two hundred thousand black men, most of them former slaves, enlisted in the Union Army in order to accomplish en masse precisely what Django attempts to do alone: risk death in order to free those whom they loved. Tarantino’s attempt to craft a hero who stands apart from the other men—black and white—of his time is not a riff on history, it’s a riff on the mythology we’ve mistaken for history.
Second, Jacobin:
It’s a shame, because the history of North Atlantic slave revolts offers up a lot of interesting material. Try this: “For our declaration of independence, we should have the skin of a white man for parchment, his skull for an inkwell, his blood for ink, and a bayonet for a pen.” That’s Boisrond-Tonerre, Jean-Jacques Dessalines’ aide. Tarantino certainly couldn’t write that.
David Graeber on Buffy
If nothing else, Buffy reminds us how much ’60-style youth rebellion was premised on an assumption of security and prosperity: Why put up with all this stodginess when life could be so good? Today’s rebellious youth, rather, are reduced to struggling desperately to keep hell from entirely engulfing the earth. Such, I suppose, is the fate of a generation that has been robbed of its fundamental right to dream of a better world. The very notion of being able to take part in a relatively democratically organized group of comrades, engaged in a struggle to save humanity from its authoritarian monsters, is now itself a wild utopian fantasy–not just a means to one. But cynics take note: If the mushrooming success of Buffy means anything, it’s that this is one fantasy which surprising numbers of the Slacker Generation do have.
From the archives: ‘Rebel without a God.’