Gerry Canavan

the smartest kid on earth

Posts Tagged ‘Phantom Menace

Star Wars Day! Yay! Episode III Procrastination of the Procrastination

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(episode one, the procrastination menace) (episode two, attack of the procrastination)

* Secrets of a lonely childhood revealed!

* A Brief Visual History of People Waiting in Line for Star Wars.

* The Tides of Lust: Samuel Delany reviews the first Star Wars movie, 1977. In the Butler archives there’s a ton of her thoughts on the Star Wars franchise, including her class notes for the Clarion classes where she discussed it. Really interesting stuff.

* And speaking of which: a CFP for a Butler essay collection.

* Evacuate? In my moment of triumph? J.J. Abrams also apologizes for Star Trek Into Darkness.

* Apropos of this New Yorker cartoon, this profile of Ahmed Best is one of the best things I’ve read about Phantom Menace.

12360359_10153376574063869_4285188336294404539_n* People are still arguing in the mentions of this Tumblr post on jury nullification, over two years later.

There’s No College P.C. Crisis: In Defense of Student Protesters.

* Rewind: How the U.S. Military Turned Santa Claus Into a Cold War Icon.

* Out today: Adam Roberts’s The Thing Itself.

* Low Pay, Long Commutes: The Plight Of The Adjunct Professor.

I expected to find at least a couple prisons within a mile of a toxic site — after all 89 percent of all New Jersey residents live within a mile of a toxic site. What I didn’t expect is that over half of New Jersey’s state prisons would be toxic sites. The WNYC map, using information from the New Jersey Department of Environmental Protection website, identifies seven out of the 13 New Jersey state prisons as toxic sites. Plus, these toxic prison sites are often surrounded by more contaminated sites.

In US, poverty dampens genetic influence on IQ.

The Silent Collapse Of The Death Penalty In The United States.

The Convoluted Profits of Academic Publishing.

The Disaster Most Likely to Cause Global Famine Is Not an Earthquake, Storm, Tsunami, or Flood. I knew it, it’s capitali–oh, no, drought, it’s drought.

And Streaming TV Isn’t Just a New Way to Watch. It’s a New Genre.

I Saw ‘The Phantom Menace,’ I Know How This Turns Out

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General Assembly Speaker Robin Vos, a Republican, said governance changes within the system were a matter of “when, not if,” and that university chancellors should be empowered to “truly be the chief executive officers.”

Vos added: “Does the role of allowing faculty to make a huge number of decisions help the system or hurt the system?”

The exciting next step in destroying the University of Wisconsin system.

I Was a Teenage Padawan

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Yesterday it was Ahmed Best; today it’s Jake Lloyd, who says the Phantom Menace made his life a “living hell.”

The mere existence of child actors, it should be said, is strongly at odds with just about every other ideological formation we have regarding childhood; I’m pretty sure we’ve all decided to just overlook the contradiction entirely on the grounds that we like having movies to watch.

Written by gerrycanavan

March 6, 2012 at 9:10 am

Fixing the Phantom Menace

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Written by gerrycanavan

February 25, 2012 at 11:52 am

Indiana Jones and the Kingdom of the Crystal Skull

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Indiana Jones and the Kingdom of the Crystal Skull is not a rumination on the ravages of age, though early in the movie it briefly pretends to be. Nor is it an examination of the Cold War’s culture of paranoia and suspicion—though it has a little bit of that too—nor is it about the way power ultimately looks the same whatever uniform it happens to wear or which flag it claims to fight under, nor about Chariot of the Gods and saucer men from Mars. In the end, it’s about being an Indiana Jones movie, which is to say it’s all about car chases, booby traps, clever in-jokes, and the sheer, unstoppable force that is Harrison Ford’s charisma.

And it does this job quite well.

Now, if I were inclined to look at Indiana Jones with anything like a critical mind, I’m sure I’d find plenty of negative things to say about this movie, from a story that’s strikingly light on character or emotional depth (even for its genre) to more than a few embarrassingly silly plot moments to a characteristically Lucasian overreliance on CGI. (Don’t even get me started on politics, postcoloniality, or heteronormativity.) El Dorado is a good MacGuffin, but it just doesn’t pack the same mythic punch as the Lost Ark or the Quest for the Grail—and while I thought the alien stuff was pretty well-handled overall, fundamentally there’s a style mismatch here that approaches the level of category error.

And of course on some pure plane of aesthetic valuation it must be said that Lucas and Spielberg should have resisted the temptation to mess with perfection and let Last Crusade stand as the proper ending to this story it’s always been. In this sense Crystal Skull is actually worse than superfluous—the need to return to Indy, 20 years on, undercuts and arguably destroys entirely the narrative arc that somehow took the cartoon hero of Raiders and turned him into a human being. Last Crusade didn’t need a sequel; the trilogy was already a complete story, not Episodes 44-46 in the 108 Adventures of Indiana Jones.

Phantom Menance betrayed us right up front, and was pretty noisy about it. What Crystal Skull does is quieter, subtler, and perhaps ultimately more devastating to its franchise: it takes that human being from Crusade and turns him back to a cartoon again.

If I were inclined to look at Indiana Jones critically, I’m saying, I think I’d have a pretty ambivalent view of Crystal Skull. But tonight I’m not at all inclined to do any of that—I watched Indiana Jones tonight as I always do, with the spellbound eyes of my twelve-year-old self, and he liked the movie just fine.

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