Posts Tagged ‘parody’
Weekend Links!
* Clear your calendars for the An und für sich Star Trek: Discovery blog event, beginning Monday!
* A student project from my Tolkien class gets a great writeup at Marquette’s Digital Scholarship Lab.
* KSR’s next book has a cover.
* The MCU vs. America. What Black Panther can teach us about international relations. Weapons of Black Panther. And Žižek shows up two weeks late with a Killmonger-was-right take.
* The science of late sleepers.
* Why I’m Writing Captain America (And Why It Scares the Hell Out of Me).
* Mueller news you can use: almost all the Mueller leaks are from witnesses and tell us little or nothing about the true scope of the investigation or its likely outcomes.
* Hardware Wars: A People’s History.
* Wildcat teachers’ strike in West Virginia (but not on MSNBC). Onward to Oklahoma!
* Phew! Lucky coincidence.
* Buying a gun around the world. How Defective Guns Became the Only Product That Can’t Be Recalled. The Florida legislature’s push to arm teachers, explained.
* Public schools have been re-segregating for decades.
* Florida Public School Teacher Has A White Nationalist Podcast.
* NASA releases time-lapse of the disappearing Arctic polar ice cap. The age of climate migration.
* Homelessness in the Magic Kingdom.
* Great story about retirees who cracked the lottery.
* Brooklyn man wins nearly $1M lawsuit after NYPD cop tried to frame him on DWI charge.
* I’m Gen X again, maybe for good.
* I predicted this would happen: There is no psychohistory, and there never will be.
* I’ve used this as a hypothetical in class for years; let’s say I’m skeptical.
* The last word in Firefly fan physics: The Ultimate Solar System.
* A right-wing online “university” is on track for a billion views in 2018, its professors are some of the best-known conservatives in media, and its founder wants to put it in real schools. So how come you’ve never heard of it?
* And your micro-game of the week: Post/Capitalism.
Crazy Busy Links
Today was busy and tomorrow’s very busy, but after that I get a breather. Here are some links.
* With the upcoming retirement of the space shuttle and Obama’s quiet cancelation of the planned return to the Moon, America essentially no longer has a manned space program. (Via MeFi.) For a nerd I’m actually pretty bearish on space and think there’s probably nothing up there for us—but all the same this makes me really sad.
* Where are all the aliens? Maybe they killed themselves through geoengineering.
* Related: the UFO that mined uranium in Argentina during the 1970s has returned.
* Hard times in academia: college endowments lost $58 billion dollars last year, about 19%.
* How to Report the News. This is perfect.
* Pelosi for president: “You go through the gate. If the gate’s closed, you go over the fence. If the fence is too high, we’ll pole-vault in. If that doesn’t work, we’ll parachute in. But we’re going to get health care reform passed for the American people.”
* How Obama will double exports in five years: the magic of inflation. When you put it that way it sounds a lot less impressive.
* And Republicans have voted 0-40 against another one of their own ideas.
DFW on T2
“T2” is thus also the first and best instance of a paradoxical law that appears to hold true for the entire F/X Porn genre. It is called the Inverse Cost and Quality Law, and it states very simply that the larger a movie’s budget is, the shittier that movie is going to be. The case of “T2” shows that much of the ICQL’s force derives from simple financial logic. A film that would cost hundreds of millions of dollars to make is going to get financial backing if and only if its investors can be maximally — _maximally_ — sure that at the very least they will get their hundreds of millions of dollars back [11] — i.e. a megabudget movie must not fail (and “failure” here means anything less than a runaway box-office hit) and must thus adhere to certain reliable formulae that have been shown by precedent to maximally ensure a runaway hit. One of the most reliable of these formulae involves casting a superstar who is “bankable” (i.e. whose recent track record of films shows a high ROI). The studio backing for “T2”’s wildly sophisticated and digital F/X therefore depends on Mr. Arnold Schwarzenegger agreeing to reprise his Terminator role. Now the ironies start to stack, though, because it turns out that Schwarzenegger — or perhaps more accurately “Schwarzenegger, Inc.,” or “Ahnodyne” — has decided that playing any more malevolent cyborgs would compromise the Leading Man image his elite and bankable record of ROI entails. He will do the film only if “T2″‘s script is somehow engineered to make the Terminator the Good Guy. Not only is this vain and stupid and shockingly ungrateful [12], it is also common popular knowledge, duly reported in both the trade and the popular entertainment media before “T2” even goes into production. There’s consequently a weird postmodern tension to the way we watch the film; we’re aware of what the bankable star’s demands were, and we’re also aware of how much the movie cost and how important bankable stars are to a big-budget movie; and so one of the few things that keeps us on the edge of our seats during the movie is our suspense about whether James Cameron can possibly weave a plausible, non-cheesy narrative that meets Schwarzenegger’s career needs without betraying “T1″‘s precedent.
The Great David Foster Wallace on Terminator 2. (Via Candleblog.) I’ve said before: T2 can only be understood as a parody of the Terminator franchise as a whole.
‘Kill Bill’ in One Minute and One Take
Kill Bill in one minute and one take. YouTube, is there no end to your treasures?