Posts Tagged ‘Owen Wilson’
Monday Jr. Links!
* Who knew my politics has a name?
* Not Just Being Right, But Getting Free: Reflections on Class, Race, and Marxism. The incredible lost history of how “Civil Rights Plus Full Employment Equals Freedom.” What Was Postraciality?
* Detroit’s Underground Economy: Where Capitalism Fails, Alternatives Take Root.
* What coastal elites don’t get about heartland nihilism.
* Trump’s tax cuts would give the poor $40 each and the ultrarich $940,000.
* Jeff Sessions wants police to take more cash from American citizens.
* The GOP’s moral rot is the problem, not Donald Trump Jr.
* The secret life of USC med school dean.
* The Horror Novel You’ll Never Have to Live is getting its dark, gritty reboot.
* An Oral History of The Simpsons’ Classic Planet of the Apes Musical.
* In Heaven, there is no pain.
* This podcast interview with Zeynep Tufecki on persuasion and control is pretty chilling, especially about the dystopian possibilities of microtargeted algorithmic messaging.
* George Lucas finally made a change to Star Wars I approve of.
* Weird Radio Signals Detected from Nearby Red Dwarf Star.
But if you’re getting the urge to invoke E.T., temper it: “In case you are wondering, the recurrent aliens hypothesis is at the bottom of many other better explanations,” Mendez wrote.
Get lost, buzzkill! This is happening.
Friday Links, Part Two!
* Insert cheap infallibility joke here: Vatican Misspells ‘Jesus’ on Thousands of Commemorative Medals.
* Dwarf Fortress: A Marxist Analysis.
* Rutgers rejects Pearson deal.
“There’s nothing about this online business model that saves students money,” said David M. Hughes, professor of anthropology. “This is not about Rutgers trying to increase the access and affordability of its offerings. In fact, it’s supposed to bring in a great deal of revenue for both Pearson and Rutgers.”
…
According the agreement, Pearson will receive half of the tuition revenue in the first academic year. The share drops as more students enroll; if Rutgers were to meet its 2019 enrollment goal, for example, Pearson would take 45 percent the next academic year. Hughes said a growth in enrollment and tuition revenue should be accompanied by more tenured faculty members, not corporate profits.
* Breaking Away: Top Public Universities Push for ‘Autonomy’ From States.
* Here are the facts: Piedmont hasn’t turned away anything close to 100 applicants for nursing school. Even if it had, the college could not possibly squeeze the $400,000-a-year cost of instructing them out of its prison furniture purchases, which were below $100,000 last year. Piedmont is not even required to buy furniture from the state, though it must get a waiver to shop elsewhere. Great story though bro.
* An Extended Government Shutdown Threatens To Halt Rape Kits In Washington, DC. Congressman: Workers Furloughed In Shutdown Should Not Get Backpay. North Carolina Reverses Course, Promises Nutrition Assistance For Moms And Babies.
* Gun Groups Declare Newtown Massacre Anniversary “Guns Save Lives Day.“
* Google crawls into bed with ALEC.
* Tom Hiddleston IS Owen Wilson AS Loki.
Genius in the Works of Wes Anderson
The Suicide of Genius: Owen Wilson and Wes Anderson in Life and Art. At 24LiesaSecond, via The House Next Door.
The subtext of The Royal Tenenbaums is one of collisions. The sanctified world of genius, creativity and art collide with the world of contemporary psychology. Diagnosis, psychosis, breakdown, and divorce emerge like a hydra in the wings of Anderson’s work. And the point of collision is Eli Cash, played by Owen Wilson. Through Cash, Anderson’s tragic-comedic vision reaches its apex and foreshadows its decline into sentimentality and self-apologetic quirk.
Of course, as an unrepentant Wes Anderson fanboy, I don’t agree that his later works are failures in this or any other way—but the thesis is interesting. And I think there’s something to Lasky’s idea that Anderson shifts in Tenenbaums from a model of autonomous, tragedy-laced genius towards a comparatively more hopeless one of psychological and psychochemical dysfunction:
Genius, in their early work, is ineffable, resplendent with the trappings of depressive, rumple-haired Nietzschean eccentricity and Faustian striving and discontent. Anderson as writer/director and Wilson as writer/actor depict the creative spirit that defies diagnosis as it is ratified by its own insatiable drive, as it rebels against social pressures and cultural environments. Conversely, the therapeutic imperative of our contemporary society is to contextualize and diagnose, to encourage radical self-assessment in hopes of propagating permanent stability and happiness. As of late, Anderson’s original vision has been compromised by this imperative: his idea of the troubled genius has lost its romantic cache. Its integrity as a thing of heroism and beauty has been ostensibly diagnosed.
This may go a long way towards explaining why Rushmore is so much better-loved than Zissou.
Wes & Owen
It started to feel a little bit, not competitive with the monkeys, but that they didn’t have your best interests at heart. Wes Anderson talks to Owen Wilson about The Darjeeling Limited and more on everybody’s third-favorite community Web site, MySpace. Thanks to blucarbnpinwheel, as always your source for Wes Anderson interviews.
