Posts Tagged ‘Netflix’
I’ve been incredibly busy lately, and things are only going to get worse in the next few weeks. But for now, some links!
* I made a Twitterbot that I’m pretty pleased with: @LOLbalwarming. It’s the only authentic voice left to us in these tough times.
* Book plug: Shaviro’s No Speed Limit: Three Essays on Accelerationism is really good. It’s the #3 book you should buy right now after the longstanding #1 and #2.
* And while I’m hawking stuff on Amazon: they discontinued my Swiss Army canvas wallet, so I had to find a new one. It’s leather, alas, but this Fossil wallet is everything else I want. It’s great.
* Why, in this day and age, is there even a Save command in any application? Its very presence implies — indeed, guarantees — that the default state of the world is unsafe. This breaks the rule our ancestors learned over billions of years of interaction with the objective world: when you do something, it stays done, until undone. Saving considered harmful. After what happened to me the other week, I am 100% on board with this.
* Scott Walker budget cut sparks sharp debate on UW System. Deep cuts in Wisconsin. Anticipating budget cuts, nervous UW System tried to strike deal. Republican UW Professor Has Sharp Words For Walker Over Faculty Comment. Scott Walker’s State of Ignorance. A reckless proposal. A self-inflicted wound. Be skeptical. Chasing away UW’s stars. Cut athletics.
* From the archives, apropos of absolutely nothing: Stalin, CEO.
* “No Crisis” is a Los Angeles Review of Books special series considering the state of critical thinking and writing — literary interpretation, art history, and cultural studies — in the 21st century. A new installment to the series will be released at the beginning of each month through the fall of 2015. Our aim, as our introductory essay explains, is to “show that the art of criticism is flourishing, rich with intellectual power and sustaining beauty, in hard times.”
* As an opening gambit, I want to suggest that undergraduate students do not care about digital humanities. I want to suggest further that their disinterest is right and even salutary, because what I really mean is that undergrads do not care about DH qua DH.
* Exciting new degradations: Bill Would Allow Texas Teachers To Kill Students.
Kermit Elementary Principal Roxanne Greer told the Odessa American that she could not comment on the suspension, because “all student stuff is confidential,” but Steward said that she told him that any and all threats to a child’s safety — including magical ones — would be taken seriously by the school.
* Harper Lee to publish new novel, 55 years after To Kill a Mockingbird. Her editor tries to put a good spin on what for all the world looks like elder abuse.
* Grace has Type 1 diabetes, for which there is no cure. Now 15 years old, she has endured approximately 34,000 blood tests, 5,550 shots and 1,660 medical tubing injections to keep her alive.
* Bring the Jubilee: Croatia Cancels Debts For Tens Of Thousands Of Its Poorest People.
* Boing Boing reviews David Graeber’s The Utopia of Rules.
In the TV pilot, Juliana finds a banned newsreel called The Grasshopper Lies Heavy, which portrays a world in which the Allies won the war. The idea that this might be true fills her with an almost religious, tearful enthusiasm. In Dick’s version, The Grasshopper Lies Heavy is a book. Juliana discovers that that book is true—but her reaction is not exactly fervor. Instead, it’s a mixture of hope, bafflement, and a kind of displaced, distant fear. “Truth, she thought. As terrible as death.” That truth, or at least one possible truth suggested by Dick, is that there is no radical disjunction between his alternate history and our own. The TV show encourages us to congratulate ourselves on our horror at the Nazis, and our distance from them. But Dick’s novel suggests, disturbingly, that the defeat of the Nazis did not, in fact, truly transform the world. Their evil was not banished; it’s still here with us, a dystopia we can choose, and that many of us do choose, every day.
* But friends, I’m here to tell you: it gets worse.
* Although there were negligible differences among the racial groups in how frequently boys committed crimes, white boys were less likely to spend time in a facility than black and Hispanic boys who said they’d committed crimes just as frequently, as shown in the chart above. A black boy who told pollsters he had committed just five crimes in the past year was as likely to have been placed in a facility as a white boy who said he’d committed 40.
* BREAKING: Politicians listen to rich people, not you.
* Probably wouldn’t be my first choice if I had that kind of cash, but: The Vatican Will Offer Free Shaves And Haircuts To Rome’s 3,276 Homeless People.
* New York cooks up a special unit for kicking hippies.
* Harry Potter and the Methods of Rationality is back.
* In case you missed them: the syllabi for my spring classes, which start tomorrow.
* Meanwhile MLA saves its best panel for last: 759. Guilty Pleasures: Late Capitalism and Mere Genre. Today at 1:45!
* On March 11-12, 2015, the Humanities Division at Essex County College will host its Spring 2015 Conference, “Speculative Humanities: Steampunk to Afrofuturism.” This two-day conference offers space for writers, musicians, artists, and academicians to explore, expand upon, and rethink the implications of speculative humanities. This year’s conference will feature a special emphasis on the life, work, and influence of Octavia E. Butler.
* Really, though, huge shoutout to all the literary critics heading home today.
* #FreeCommunityCollege. Did Obama Just Introduce a ‘Public Option’ for Higher Education? Angus is happy. Who Has a Stake in Obama’s Free Community-College Plan? Of course, it’s a Republican plan. And there’s a catch. Or two.
Sometimes you don’t get a sales pitch. It’s none of your business, it’s reactionary to even ask the question, it’s an assertion of privilege, something’s got to be done and what have you been doing that’s better? Sometimes you get a sales pitch and it’s all about will and not about intellect: everybody has to believe in fairies or Tinkerbell will die. The increments sometimes make no sense. This leads to that leads to what? And what? And then? Why? Or perhaps most frustrating of all, each increment features its own underlying and incommensurable theories about why things happen in the world: in this step, people are motivated by self-interest; in the next step, people are motivated by basic decency; in the next step, people are motivated by fear of punishment. Every increment can’t have its own social theory. That’s when you know that the only purpose is the action itself, not the thing it’s trying to accomplish.
As leverage, Silvia Federici outlines the two-part process of demanding a wage for previously uncompensated labor. The first step is recognition, but the ultimate goal is refusal. “To say that we want money for housework” she says, “is the first step towards refusing to do it, because the demand for a wage makes our work visible, which is the most indispensable condition to begin to struggle against it, both in its immediate aspect as housework and its more insidious character as femininity” (Wages Against Housework). Another way to say this is: it is only with the option of refusal that not-publishing is meaningful.
It is clear that “publish or perish” is undergoing a speedup like all other capitalist work. We must all struggle for a re-valorization of living labor. And in the first step against publication’s command over living labor, we agree with Federici, who demands that “From now on we want money for each moment of it, so that we can refuse some of it and eventually all of it” (Wages Against Housework).
* New research is first to identify which reserves must not be burned to keep global temperature rise under 2C, including over 90% of US and Australian coal and almost all Canadian tar sands.
* Rave drug shows great promise in treating depression once thought resistant to drug therapy. I hope they found some way to control for the curative effects of glowsticks.
* The kids aren’t all right: Millennials Are Less Racially Tolerant Than You Think.
* And exciting loopholes I think we can all believe in: “He was doing research for a film,” said Sherrard. “It’s not a crime; it’s artwork… He’s an intellectual.”