Posts Tagged ‘movie trailers’
Every Last Weekend Link
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to thresholdsjournal@gmail.com no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Jacob Brogan reviews the first issue of Ta-Nehisi Coates’s Black Panther. And here’s not the only one!
* If you’re not, you should really be reading The Vision.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* Questions for the #4c16 crowd.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* The Future Happened 56 Million Years Ago.
* Plants Taking Over New York City Is What Will Happen When the World Ends.
* At this Florida jail, the inmates are also zookeepers.
* How to Write a History of Video Game Warfare.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* My next screenplay: Radioactive boars are running wild and breeding uncontrollably in the northern region of Japan contaminated by the Fukushima nuclear disaster.
* Bernie Sanders Is Even Less Competitive Than He Appears.
* Bruce Springsteen Cancels North Carolina Concert in Protest of Anti-LGBT Bathroom Bill.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* Now more than ever, it’s time for Animaniacs.
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* This seems pretty plausible, honestly.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
Wednesday Wednesday Wednesday
* Read the article on professor-mothers that set Twitter aflame. Guaranteed to be the worst thing you read this week!
* No one can figure out how Borislav Ivanov is cheating in chess. Via Boing Boing.
* The rise and fall of the American arcade.
* The intentional fallacy: Kathryn Bigelow says Zero Dark Thirty’s fine because she’s a lifelong pacifist.
* Single charts that explain everything.
* #nodads: California convicts twelve-year-old boy for murdering his neo-Nazi father at ten-years-old.
* Finally, proof that all movie trailers use the same color palette.
* Todd Glass looks back on a year since “the Marc Maron thing.”
* Here Are Obama’s 23 Executive Actions on Gun Violence. 11. Nominate an ATF director. That’ll solve it!
* You can carry a loaded firearm into national parks and can tuck your rifle and ammunition into stowed luggage on Amtrak trains. Federal product-safety law subjects everything from toys to toasters to safety inspection and recalls, but exempts guns. Little-known laws shed light on NRA influence.
* I know people will believe anything, but I have to believe Sandy Hook Trutherism is almost entirely a media phenomenon.
Monday Night Links
* The kids are all right: Last Friday night, the Harvard College Undergraduate Council announced that the student body had voted 72% in favor of Harvard University divesting its $30.7 billion endowment from fossil fuels.
* Barbarians at the Wormhole: On Anthony Burgess.
The trope of invasion is doubly brilliant, first because the invasion plot is a mainstay of SF and second because the trope captures quite neatly what it must feel like for some literary intellectuals to be forced to confront the increasing cultural cachet of SF, to face its meteoric rise over the last thirty years from lowbrow genre to literary respectability. The genre now comfortably occupies university syllabi, best-of lists, and handsome Library of America editions — though some hardened highbrows might suspect its popularity is more a function of marketing than of quality.
For all its brilliance, Clowes’s trope of invasion makes an important mistake, failing to note that the invasion is largely moving in the other direction. After all, one wouldn’t expect Asimov’s Science Fiction to run a special issue featuring “literary fiction,” but publications like the New Yorker apparently do feel the need for a science fiction issue, perhaps trying to freshen themselves up by tapping into the unruly energies of a disreputable genre. Indeed, the lure of the so-called low genres — and SF in particular — has long proven irresistible to those who otherwise fashion themselves as literary types, at least since Kingsley Amis’s classic 1960 study of the genre, New Maps of Hell.
Clowes’s New Yorker cover is, in fact, a perfect example in miniature of the subgenre Amis called the “comic inferno” — humorous dystopias such as those written by Frederick Pohl, C.M. Kornbluth, and Robert Sheckley. This subgenre, by Amis’s account, mocks ideas of progress in its humorous rendition of dystopian futures. What is dystopian about Clowes’s comic cover is very precisely that SF cannot be ignored, that it disrupts the bourgeois regularity and comfort that informs the imagination of hypothetical readers of The New Yorker. The genre — which always bears with it the threatening knowledge that the world might change inexorably, beyond human control, or at least beyond the control of those who are humanistically inclined — cannot be ignored, because the signs of our world’s deepening state of crisis (political, technological, environmental) cannot be ignored.
* Bonus: “Anthony Burgess Answers Two Questions” by Jonathan Lethem.
* Not only are student loans not a burden on the federal government, they’re a good investment. In 2012 the DOW estimated its subsidy for student lending at -17 percent. In other words, the DOE “subsidies” actually represent money coming in. Including all expenses, from loses on defaults to debt collection to program administration, the DOE will pull in more than $25 billion in profit from student lending this year alone—billions more dollars than the IRS will assess in gift and estate taxes combined, and more than enough to pay NASA’s whole budget. The DOE explains the negative subsidy through a divergence between “the Government’s borrowing rate and the interest rate at which borrowers repay their loans.” After all, no one can borrow at lower rate than the U.S. Treasury, certainly not college students and their families. Bondholders aren’t the only ones who think student debtors—including defaulters—will pay back every cent they owe, with interest. The government is literally counting on it.
* The headline reads, “Charges dropped against man arrested for wearing an elaborate wristwatch.”
* Elmo accuser wants to retract his retraction. Hostess may survive after all.
* Hostess Bankruptcy Has Worked Out Well for CEO Brian Driskoll.
This is not identical to the story with the American Airlines bankruptcy, but there’s something similar about it. There the CEO gets a large payday if he can avoid a merger, regardless of the value for the enterprise.
* The handwriting is on the wall. Until Republican candidates figure out how to perform better among non-white voters, especially Hispanics and Asians, Republican presidential contenders will have an extraordinarily difficult time winning presidential elections from this point forward.
* JSTOR provides free access to Wikipedia editors via pilot program.
* Cory Booker to live on food stamps for a week.
* My name is R______. I am six years old. I think it’s not fair to only have 5 girls in Guess Who and 19 boys. It is not only boys who are important, girls are important too. If grown ups get into thinking that girls are not important they won’t give little girls much care.
* Remixed trailer of the moment: Gotham High.
* And a new game: impressions of Sean Connery as Gandalf. Oh, what might have been!
Find Something You Love and Do It For the Rest of Your Life
…for me, that’s going to Hogwarts. A little too long and a bit rough around the edges, but still pretty good.
(spotted on Reddit)
Wes Anderson Remakes All His Previous Movies Simultaneously
At least that’s the take-away from the Moonrise Kingdom trailer.
Wow, This Seems Like It Could Be Really… Oh.
Has a great premise ever been so badly squandered? My heart sank when I realized what this was actually for.
Saturday!
* 10 Star Wars characters with unnecessary backstories. The comments continue the fun with notes on Skippy the Jedi Droid and George R. Binks.
* The Arrested Development movie is back on again, maybe.
* And your fake trailers for the day: Inglourious Plummers and Wes Anderson’s God of War.
The End of Voiceovers
In a world where death is king, sadness has a name: Rest in peace, movie legend Don LaFontaine. MetaFilter’s collecting his trailers.