Posts Tagged ‘endowments’
* The Department of English invites candidates holding the rank of Associate or Full Professor to apply for the inaugural Stephen E. King Chair in Literature honoring the department’s most celebrated graduate.
* Next week at Marquette: Cuban science fiction authors Yoss and Orlando Luis Pardo Lazo!
* I am writing to apply for the job–or rather “fellowship”–advertised on your website. As a restless member of the creative class, I agree that secure employment, renewable year-to-year, can be a suffocating hindrance. And besides, you specify “tons of snacks and beverages” as part of your benefit package. As a job-seeker motivated by a combination of desperation and snacks, I am an ideal candidate for this position.
* The report finds that the cost of forgoing tuition revenue from two- and four-year public institutions could run into the billions for some states: $4.96 billion in California, $3.89 billion in Texas and $2.53 billion in Michigan.
* Pence and gaslighting. Kaine’s tactical defeat. A Con Man of Epic Proportions. Donald Trump Tax Records Show He Could Have Avoided Taxes for A Mere Two Decades. The mind-blowing scale of Trump’s billion-dollar loss, in one tweet. Trump Foundation ordered to stop fundraising by N.Y. attorney general’s office. I want to believe! This seems legitimate. If Donald Trump Published an Academic Article. If you want a vision of the future.
* All told, however, Xiberras feels Louise could have done better. “We hoped for more followers to take notice of Louise’s behavior,” he says. “There were a few people who sensed the trap—a journalist among others, of course—but in the end, the majority just saw a pretty young girl of her time and not at all a kind of lonely girl, who is actually not at all that happy and with a serious alcohol problem.”
* Here’s a piece we can all get mad about, regardless of our pedagogical inclinations: Are We Teaching Composition All Wrong?
* Teaching the controversy: The Identity of a Famous Person Is News. The outing of Elena Ferrante and the power of naming. Ars longa, vita brevis.
* Harvard loses a mere $2 billion from its endowment. My favorite part of these stories is always the comparison to passive management by an index fund.
* More running it like a sandwich: More than ever, college football programs are finding it difficult to draw and retain the young fans who grow up to be lifelong season-ticket holders. In many athletic departments, the reasons can practically be cited as catechism: high-definition televisions, DVRs, diffuse fan bases and higher ticket and parking costs.
* No one knew then that Springsteen, like Smith, would provide a through-line for his fans as things got worse, shifted in unimaginable ways, shifted again. Springsteen has himself changed with the times, becoming more sensitive to the issues his most-adored music still raises. Born To Rundemonstrates that. The decency at the heart of his memoir is a balm. He’s not only survived a life in rock and roll; he shows how a true believer doesn’t have to get stuck within its illusions, no matter how much they also attract him. After all, to Springsteen, a worthwhile dream isn’t an illusion; it’s a form of work.
* Unusually Murderous Mammals, Typically Murderous Primates: You know, humans.
* One of the most important lessons of Ghosh’s book is that the politics of climate change must not tiptoe around the questions posed by colonial encounters. Issues of climate justice cannot be solved without first addressing questions of equitable distribution of power, historically rooted in imperialism. And therein lies Ghosh’s disagreement with those who find the source of the problem in capitalism itself (Naomi Klein, for example). For him, even if “capitalism were to be magically transformed tomorrow, the imperatives of political and military dominance would remain a significant obstacle to progress on mitigatory action.”
* Wealth of people in their 30s has ‘halved in a decade.’ Probably definitely totally unrelated: Federal student loans facilitate a pernicious profit motive in higher education.
* And marrying the last two links: One in Six Eligible Voters Has a Disability.
* Let history be our judge: Pepe the Frog, an explainer.
* Researchers at the Karadag Nature Reserve, in Feodosia, Russia, recorded two Black Sea bottlenose dolphins, called Yasha and Yana, talking to each other in a pool. They found that each dolphin would listen to a sentence of pulses without interruption, before replying.
* CFP: this xkcd.
* Going viral this week: extinction illusions.
* Nice work if you can get it: Wells Fargo won’t claw back $125m retirement bonus from exec who oversaw 2m frauds.
* Stories that should be more exciting than they are: We Were Wrong About Where the Moon Came From!
* I read Jason Shiga’s Demon as a crowdfunder — it’s great. Check out the first volume when it comes to print next month.
* Special providence: Catfish Falls From The Sky, Hits Woman In The Face.
* The organizing economic metaphor of all of Against Everything is artificial scarcity. The concept usually refers to the way that monopolistic sellers exploit their excessive market power to restrict supply so they can raise prices. Greif’s view is more capacious and idiosyncratic: He describes a culture where the affluent, at sea in a world of abundance, engage in the elaborate restriction of their own demand (to kitsch diners, ethnic food, inappropriately youthful sexual partners). This turns what could be unfussy gratification into resource-intensive performance. On one level, this is about making a technically meaningless life more diverting, but it also gives our atomized selves the comfort of belonging. It serves to differentiate “people like me” from those other, worse people—those without access to the most current information, say, or simply the economic means to act on it. What gives n+1’s economistic turn its authority and novelty is the way Greif and his colleagues show that the market is not, as someone like Gary Becker had it, a bazaar untainted by sinister, irrational notions (discrimination, exploitation, class prejudice), but a site where those things are given free play under cover of neutral utility-maximizing exchange. They have taught us to speak the softer insights of theory (with its sensitivity to symbolic difference and its hermeneutics of suspicion) in the hardheaded but incantatory vernacular of the powerful.
* The New Yorker remembers the Wilmington coup of 1898.
* And I’m catching up late, but man oh man, Bojack Horseman is a good show.
* Really good news on the Trek front: Bryan Fuller will be showrunner.
* Bernie, basking in the glow of the victory. 21 Gifts For The Bernie Sanders Supporter In Your Life. Demographics, y’all. The last time someone won New Hampshire by 20 points and didn’t win the nomination. All uphill from here. Even the neoliberal Matt Yglesias. How Hillary Clinton Gets the Coverage She Wants. Nice work if you can get it. And on the other side of the aisle: Never forget.
* Mark Strand: “After Our Planet.”
* I still don’t know if Ta-Nehisi Coates is right about Bernie and reparations, but I’m in for as many issues of Black Panther as he wants to do.
* And speaking of: How an Ex-Slave Successfully Won a Case for Reparations in 1783.
* “Cold War modernism,” then, doesn’t refer to experimental artwork produced between the end of World War II and the Reagan administration, but to “the deployment of modernist art as a weapon of Cold War propaganda by both governmental and unofficial actors as well as to the implicit and explicit understanding of modernism underpinning that deployment.” And, given the archive from which Barnhisel works, this book doesn’t provide Cold War–flavored interpretations of individual modernist works. Instead, it offers an evenhanded explanation of the changing connotation of the term “modernism” as the federal agencies and private foundations listed above sought out an antonym for (Soviet) realism. With this in mind — the afterlife of modernism, instead of its genealogy — the Cold War modernists of the title do not seem to be the painters, sculptors, poets, and novelists who produced the original works, but instead the “governmental and unofficial actors” who produced the federally subsidized midcentury reinterpretation of both individual works and modernism in general, in the name of Cold War politics.
* Chicago’s troubled public school system on Wednesday had to slash the size of one of the biggest “junk” bond offerings the municipal market has seen in years and agree to pay interest costs rivaling Puerto Rico’s in order to lure investors into the deal.
* A player after my own heart: “This strategy involves the use of rules that many people don’t know about, and having the rulebook nearby will speed up the process of dealing with the numerous complaints you’ll receive during the game.”
* Wausau man arrested twice in child sex stings 3 weeks apart. Reminds me of a clip from To Catch a Predator that made the viral media rounds a few years ago.
* “A good start”: FBI Arrests Nearly Every Single Elected Official In A Texas Town.
* Of course you had me at “Lord of the Rings-inspired space opera wants to connect you with African mythology.”
* Truly a Road to Damascus moment: “66-Year-Old Man Struck By Lightning While Masturbating to Bible.”
* You thought 90s nostalgia had gone too far before, but it’s definitely too far now.
* And let us now praise famous men: “3 siblings picking up their daily allowance of bottled water from the Fire Dept in Flint, MI.”