Posts Tagged ‘end of history’
Today at UWM: ‘What’s the Matter with MOOCs?’
What’s the Matter with MOOCs?
A Critical Conversation
Tuesday, March 12
3:30 pm Greene Hall
3347 N Downer Ave
The Center for 21st Century Studies (C21) is hosting a roundtable entitled “What’s The Matter With MOOCs? A Critical Conversation.” MOOCs (or Massively Open Online Courses) are large-scale online learning communities that charge no fee for classes, often have some form of assessment and certification, but do not offer college credit. The aim of this conversation is to raise questions and concerns that may have been ignored or swept aside in the current rush to MOOCs, both nationally and locally.”What’s the Matter with MOOCs?” is not framed as a debate of the pros and cons of MOOCs, both because the media rhetoric and public discourse on MOOCs has been largely one-sided in its enthusiasm and because, at least in the short run, MOOCs appear here to stay. What we are hoping to do is to raise some questions that need to be addressed before UWM and higher education more generally proceeds to invest their dwindling resources in these online platforms.
Each invited participant will offer a brief statement or position paper in regard to MOOCs as a way to open up a wide-ranging discussion among participants and audience members, giving special attention to how the MOOC phenomenon might affect the work we do at UWM.
Featuring:
Gerry Canavan (Assistant Professor of English, Marquette University)
Richard Grusin (Director, Center for 21st Century Studies)
Greg Jay (Senior Director, Cultures and Communities Program, UWM)
Wilhelm Peekhaus (Assistant Professor, SOIS)
Kristi Prins (English 101 coordinator/Ph.d. candidate, English department)
Some Preliminary Theses on MOOCs
These tweets got a lot of attention over the weekend, so I wanted to take a minute and expand a bit on why I think this is the case. On some level, after all, this seems like a calculatedly perverse thing to say; as we all know, MOOCs are the one and only future of a higher education system that is otherwise doomed. Doomed! And don’t they use computers, and the Internet? What could be more future-oriented than that?
But MOOCs actually register an end-of-history fantasy in at least three ways:
(1) First, the most basic economic justification for MOOCs assumes that the funding conditions of the current financial downtown (2008-) will never reset. Colleges, we are repeatedly told, are to face ever-declining budgets from this moment forward forever. There will never be any period of expansion and growth again; consequently “we must all learn to do more with less.” From my perspective this supposedly urgent need to upend the basic assumptions that have governed university life over its centuries-long history — of which the MOOC is but the most salient example — is both a hyper-reaction to temporary vibrations in the economic cycle and an unnecessary surrender to a shock-doctrine rhetoric of permanent crisis. Draconian cutbacks to education are a choice we are making, not an historical inevitability or some unyielding law of nature, and a choice we can yet unmake.
But going deeper:
(2) The pedagogical justification for MOOCs derives from a misunderstood belief in the surety and fixidity of current academic knowledge when, in fact, the entire point of the academy is discovery and dialogue. That is: the MOOC assumes we know what there is for us to know, and the only question now is how to package that knowledge in its best possible form for widest dissemination. So we must locate the “most charismatic” professors — but really, why not hire actors? — and have them lecture “deliver content” for huge Internet audiences of 10,000 or more.
But this bears no relationship to what actually goes on in classrooms, at least in the humanities fields in which I’ve spent the last fifteen years. The vitality of our teaching derives not from the recitation of what is certain but from the explorations of questions that are still unsettled and raw. MOOCs presume that nothing new will be produced in research — the entire point is to freeze established “content” in its perfected form — but also that nothing new or worthwhile is produced in the two-way encounter between teacher and student. Neither assumption reflects any college classroom I’ve ever sat in or how we in the humanities teach and learn.
This is at odds, we should further note, with the ecstatic assertions of “disruption” that frequently accumulate around discussions of the MOOC. In fact the MOOC is not a disruptive form but a fundamentally conservative one, flattening academic practice into the playing back of fixed lectures from a handful of professors recorded who-knows-how-long-ago under who-knows-which conditions. The MOOC is, in short, exactly how you’d structure higher education if you believed there was no future, if you believed you were living at the end of history and nothing was ever going to change. It’s in fact the interactive educational experience that is dynamic and radically adaptative, the interactive experience that has the power to disrupt the things both student and teacher think they know for sure.
(3) Parallel to this there is the question of who exactly is supposed to update all these MOOCs, or record new ones, years and decades from now, as will inevitably become necessary. And in some ways this is the crucial point, not just about MOOCs but about neoliberal attempts to defund and deprofessionalize the academy more generally. People working in the academy themselves are commonly complicit in this; we generally treat questions of our own reproduction as a kind of unhappy embarrassment, as if it weren’t necessary for any field of human activity to attend to the replenishment of its own conditions for existence. (Indeed, what’s wrong with the short-term balance-sheets of late capitalism is precisely this failure to attend in any meaningful way to long-term sustainability.) What’s unique about the field of higher education is that it itself is in crucial ways the system of replenishment for so many other fields — the means by which we produce more engineers, writers, teachers, lawyers, journalists, doctors, and so on. But higher education is also the means by which higher education replicates itself, as it must, as any system must. It needs to fulfill both mandates as it goes or the system will collapse.
Articulating the need for more professors in the future — and thus grad students and assistant professors in the present — isn’t any different than doctors recognizing that in each year that comes there will always need to be more med students to replace those doctors who will retire or die. There are children being born today who will someday need college professors. There are children not yet born who will someday become professors for children not yet born! The university requires a rational and sustainable system for replicating itself into the future because there will still need to be a university system after we are all dead.
Failing to account for, and pay for, the continuation and reproduction of a necessary system isn’t economic rationality; it isn’t a hard-nosed commitment to making the tough choices; it’s the exact opposite. It’s living as if there is no future, no need to reproduce the systems we have now for the future generations who will eventually need them. The fantasy that we could MOOCify education this year to save money on professor labor next year, and gain a few black lines in the budget, ignores the obvious need for a higher educational system that will be able to update, replenish, and sustain the glorious MOOCiversity when that time inevitably comes. Who is supposed to develop all the new and updated MOOCs we’ll need in two, five, ten, twenty years, in response to events and discoveries and technologies we cannot yet imagine? Who is going to moderate the discussion forums, grade the tests, answer questions from the students? In what capacity and under what contract terms will these MOOC-updaters and MOOC-runners be employed? By whom? Where will they have received their training, and how will that training have been paid for? What is the business model for the MOOC — not this quarter, but this decade, this century?
In a thousand ways today, all across the world, higher education today is eating its seed corn; MOOCs are just a particularly visible example of this phenomenon.
The answer to this objection, as best as I can tell, is that elite students will still have elite colleges, and their elite professors will just do all the new MOOCs. But this is revealing — against a rhetoric of radically democratizing MOOCs that expand access for all, we find instead a reality of intensifying class divisions in higher education, making the current divide between educational cohorts both formal and permanent while at the same time returning to us the worst aspects of the academy’s past as a luxury only for the rich. It’s also a fundamentally self-defeating explanation for how all this is supposed to work; when pushed to its limit the radical disruption of the MOOC turns out to retain the “rotten tree” of the university after all, just for those who can still afford to pay. To take up Aaron’s hyperextended metaphor once again, from this perspective we might say that the MOOCiversity keeps only the rotten tree, and clear-cuts the rest of the forest.
Of course this is not to say that every MOOC is necessarily bad. Of course not. It seems to me there are plenty of places where this pedagogical model can work quite well; I’ve even heard rumblings on my own campus of limited MOOC-style projects that could (at least potentially) solve real structural problems with core instruction here. I don’t oppose the MOOC form in principle any more than I oppose online classes, or three-hundred-person-lectures, or Wikipedia. There’s a place for multiple pedagogical models in knowledge production, and certainly a place for experimentation. But this fantasy we keep hearing of replacing whole campuses and all courses and all instruction with MOOCs — of doing away with face-to-face and digital-face-to-digital-face instruction entirely, at least for bulk of students and professions — is a fantasy of tearing down the robust university system our society spent centuries building and selling it for scrap. I say we shouldn’t do it.
Tuesday Night Links
* Ten Percent Of U.S. High School Students Graduating Without Basic Object Permanence Skills.
* Teachers in Seattle boycotting standardized testing.
* Neoliberalism watch: Under this plan, financed by Pitney Bowes, the entire Postal Service would become a series of private companies that would process and transport the mail to your US Postal Service Letter Carrier who would deliver it. The rational of this misguided plan is that they can eliminate hundreds of thousands of good union middle class jobs and replace them with low wage and benefit challenged employees . Then disguise it by still having your trusted Letter Carrier still bring it to your door.
* End of history watch: The 14 rules for predicting future geopolitical events.
* Alas, Atlantic: Boing Boing and The Onion twist the knife.
* And it looks like Republicans are now full-on committed to trying to rig the Electoral College in their favor. Bring on the next manufactured political crisis! Adventure!
‘To Truly Address Ralph’s Complaints Would Require a Total Overhaul of the Social Order; Or, a Revolution, a Re-Programming of the Ideological Code That Generates Their Reality’
In Wreck-It Ralph as in Toy Story, during the night when the arcade is closed, the arcade game characters are conscious, living beings who are aware of their position in the world as game characters. They are able to leave their games and visit others by traveling through the machines’ electrical cords which are connected through a power strip.
But despite this knowledge of the real world, the staged antipathy between Wreck-It Ralph and the Nicelanders continues even once the lights in the arcade have been turned off. In a nice example of Žižek’s theory that ideology continues to function even when you don’t believe it, the Nicelanders adore Felix as a hero and despise Ralph even though they see through the game’s “official ideology”. They know it is only a game, and although this is never really stated, logically we have to conclude that the Nicelanders know that Ralph is not really a bad guy.
They treat him as if he was a villain not because they believe he is, but because they suppose an Other who really believes. Or as Michel De Certeau puts it in his essay What We Do When We Believe, “it is a belief in the belief of the Other, or in what one makes believe that he believes”, a version of the Lacanian subject supposed to believe. For the Nicelanders, this Other is clearly the children who come into the arcade every day with their quarters. “Children are in a way the basis for the belief of adults,” says De Certeau. The innocence of this Big Other is assumed, and it must be maintained if the system is to function.
Žižekian reading of Wreck-It Ralph? You had me at hello. As a bonus, you’re treated to what we might as well call Dean’s Cudgel:
Finally, the way the characters invoke the phrase “going Turbo” as an ever-present, threatening possibility reminds me of Jodi Dean’s thesis that while the left seems resigned to defeat and the impossibility of really changing things, the right betrays their belief in the necessity and imminent possibility of radical change in their frantic paranoia that everyone and everything is communist:
In the US, we are reminded daily that radical change is possible, and we are incited to fear it. The threat, or specter, is communism, right-wing radio and blogs scream, and if we don’t do something, we will be under the communist yoke. The right, even the center, regularly invokes the possibility of radical change and it names that change communism. Why does it name the change communism? Because extreme inequality is visible and undeniable.
The right believes in communism as the solution to capitalism because of how frequently they invoke it to silence even talk of reform. In the same way, the characters in Wreck-It Ralph invoke the specter of going Turbo in response to the antagonisms and contradictions in their universe of which they are well aware.
Via @zunguzungu.
Vonnegut’s Scalpel
I didn’t learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn’t a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativism is defensible and attractive. It’s also a source of hope. It means we don’t have to continue this way if we don’t like it. (source)
‘Not That the World Will No Longer Suck, But That It Will No Longer Suck in This Particular Way’
These contradictions don’t show that ideology is “irrational” — the problem is exactly the opposite, that there are too many reasons supporting their views. Žižek argues that these piled-up rationalizations demonstrate that something else is going on.
A similar sense that something else is going on always strikes me when I read a review of Žižek’s work in the mainstream media. (A recent example is John Gray’s review of two of Žižek’s books in the New York Review of Books, to which Žižek has responded.) Now academics are always ill-used in the mainstream press, particularly if they deal in abstract concepts and refer to a lot of European philosophers. Yet there’s something special about the treatment of Žižek. In what has become a kind of ritual, the reader of a review of Žižek’s work always learns that Žižek is simultaneously hugely politically dangerous and a clown with no political program whatsoever, that he is an apologist for the worst excesses of twentieth-century Communism and a total right-wing reactionary, both a world-famous left-wing intellectual and an anti-Semite to rival Hitler himself.
The goal is not so much to give an account of Žižek’s arguments and weigh their merits as to inoculate readers against Žižek’s ideas so they feel comfortable dismissing them. To find left-wing thinkers and movements simultaneously laughable and dangerous, disorganized and totalitarian, overly idealistic and driven by a lust for power is to suggest: there is no alternative.
Adam Kotsko spins some recent blog and Twitter observations into review-essay gold in the Los Angeles Review of Books with “How to Read Žižek.”
Žižek does not hold out the utopian hope of eliminating all conflict — in fact, he believes our supposedly “post-ideological” era is blinded by the truly utopian hope that all genuine conflicts might be resolved, allowing the system of liberal-democratic capitalism to go on more or less forever. What Žižek hopes for, in tracking down the contradiction at the heart of our society and identifying with the class that embodies it, is not that the world will no longer suck, but that it will no longer suck in this particular way, that we will no longer be stuck in this particular vicious cycle, that we can somehow find a way to stop frantically grasping at rationalizations for our self-destructive fixations and do something else — in short, to jolt us into the realization that there is an alternative.
David Graeber on Buffy
If nothing else, Buffy reminds us how much ’60-style youth rebellion was premised on an assumption of security and prosperity: Why put up with all this stodginess when life could be so good? Today’s rebellious youth, rather, are reduced to struggling desperately to keep hell from entirely engulfing the earth. Such, I suppose, is the fate of a generation that has been robbed of its fundamental right to dream of a better world. The very notion of being able to take part in a relatively democratically organized group of comrades, engaged in a struggle to save humanity from its authoritarian monsters, is now itself a wild utopian fantasy–not just a means to one. But cynics take note: If the mushrooming success of Buffy means anything, it’s that this is one fantasy which surprising numbers of the Slacker Generation do have.
From the archives: ‘Rebel without a God.’