Posts Tagged ‘digital humanities’
One Thousand and One Wednesday Links!
I’ve been incredibly busy lately, and things are only going to get worse in the next few weeks. But for now, some links!
* I made a Twitterbot that I’m pretty pleased with: @LOLbalwarming. It’s the only authentic voice left to us in these tough times.
* Book plug: Shaviro’s No Speed Limit: Three Essays on Accelerationism is really good. It’s the #3 book you should buy right now after the longstanding #1 and #2.
* And while I’m hawking stuff on Amazon: they discontinued my Swiss Army canvas wallet, so I had to find a new one. It’s leather, alas, but this Fossil wallet is everything else I want. It’s great.
* Submitted without comment: Letters in support of John McAdams from FIRE and AAUP.
* The shame of America’s parental leave.
* Why, in this day and age, is there even a Save command in any application? Its very presence implies — indeed, guarantees — that the default state of the world is unsafe. This breaks the rule our ancestors learned over billions of years of interaction with the objective world: when you do something, it stays done, until undone. Saving considered harmful. After what happened to me the other week, I am 100% on board with this.
* Manifesto of the Committee to Abolish Outer Space.
* On Weird Fiction and the Interstitial.
* Chris Ware, The Art of Comics No. 2.
* Great job alert: Associate/Full Professor/Shell Oil Endowed Chair (Shell Oil Endowed Chair in Oceanography/Wetland Studies/Tenure-Track/Tenured).
* Salaita Goes After University Donors in Lawsuit Over Job Loss at Illinois. UIUC responds.
* The Medicalization of Reasonable Accommodation.
* Against professors as mandatory reporters.
* Scott Walker budget cut sparks sharp debate on UW System. Deep cuts in Wisconsin. Anticipating budget cuts, nervous UW System tried to strike deal. Republican UW Professor Has Sharp Words For Walker Over Faculty Comment. Scott Walker’s State of Ignorance. A reckless proposal. A self-inflicted wound. Be skeptical. Chasing away UW’s stars. Cut athletics.
* Of course there’s time to kill primary and secondary ed, too.
* From the archives, apropos of absolutely nothing: Stalin, CEO.
* “No Crisis” is a Los Angeles Review of Books special series considering the state of critical thinking and writing — literary interpretation, art history, and cultural studies — in the 21st century. A new installment to the series will be released at the beginning of each month through the fall of 2015. Our aim, as our introductory essay explains, is to “show that the art of criticism is flourishing, rich with intellectual power and sustaining beauty, in hard times.”
* As an opening gambit, I want to suggest that undergraduate students do not care about digital humanities. I want to suggest further that their disinterest is right and even salutary, because what I really mean is that undergrads do not care about DH qua DH.
* Exciting new degradations: Bill Would Allow Texas Teachers To Kill Students.
* Howard Middle School Teachers Fired for Teaching Black History.
* Detroit Cop Who Killed 7-Year-Old Aiyana Stanley-Jones While She Slept Walks Free.
* Texas school suspends 9-year-old for making ‘terroristic threats’ with magic ‘Hobbit’ ring.
Kermit Elementary Principal Roxanne Greer told the Odessa American that she could not comment on the suspension, because “all student stuff is confidential,” but Steward said that she told him that any and all threats to a child’s safety — including magical ones — would be taken seriously by the school.
* Harper Lee to publish new novel, 55 years after To Kill a Mockingbird. Her editor tries to put a good spin on what for all the world looks like elder abuse.
* Keywords for the Age of Austerity 15, Cont’d: “Wellness” and the Anti-Vaxxers.
* In France, police bravely defend liberal democracy from an eight-year-old boy.
* The Fire on the 57 Bus in Oakland.
* Why is there no Norton Anthology of Paperwork?
* Grace has Type 1 diabetes, for which there is no cure. Now 15 years old, she has endured approximately 34,000 blood tests, 5,550 shots and 1,660 medical tubing injections to keep her alive.
* The War Photo No One Would Publish.
* On running and street harassment.
* Bring the Jubilee: Croatia Cancels Debts For Tens Of Thousands Of Its Poorest People.
* Boing Boing reviews David Graeber’s The Utopia of Rules.
* Understanding The Man in the High Castle.
In the TV pilot, Juliana finds a banned newsreel called The Grasshopper Lies Heavy, which portrays a world in which the Allies won the war. The idea that this might be true fills her with an almost religious, tearful enthusiasm. In Dick’s version, The Grasshopper Lies Heavy is a book. Juliana discovers that that book is true—but her reaction is not exactly fervor. Instead, it’s a mixture of hope, bafflement, and a kind of displaced, distant fear. “Truth, she thought. As terrible as death.” That truth, or at least one possible truth suggested by Dick, is that there is no radical disjunction between his alternate history and our own. The TV show encourages us to congratulate ourselves on our horror at the Nazis, and our distance from them. But Dick’s novel suggests, disturbingly, that the defeat of the Nazis did not, in fact, truly transform the world. Their evil was not banished; it’s still here with us, a dystopia we can choose, and that many of us do choose, every day.
* Americans Are Working So Hard, It’s Actually Killing People.
* Study: You Can’t Change an Anti-Vaxxer’s Mind.
* Let’s politicize vaccines because why not.
* But friends, I’m here to tell you: it gets worse.
* Although there were negligible differences among the racial groups in how frequently boys committed crimes, white boys were less likely to spend time in a facility than black and Hispanic boys who said they’d committed crimes just as frequently, as shown in the chart above. A black boy who told pollsters he had committed just five crimes in the past year was as likely to have been placed in a facility as a white boy who said he’d committed 40.
* Great read about one of the founders of the Men’s Rights Movement, a former national feminist.
* Inside that creepy Nationwide ad. “Show a gun. Show a gun. Show a gun.”
* Which Racist UNC Building Are You Today? The University of North Carolina’s Silent Sam Statue Represents a Legacy of White Supremacy.
* Clergy Send In Photos To Replace Images Of Black Youth Police Were Using For Target Practice.
* Food Not Bombs Sues Fort Lauderdale Over Homeless Feeding Law.
* A brief history of the Star Wars expanded universe.
* A brief history of the Super Bowl points spread.
* The shame of the Patriots fan. They even managed to sneak in one more on their way to the championship last weekend.
* Study Links Playing Tackle Football Before Age 12 To Cognitive Impairment.
* Watching football after a traumatic brain injury.
* Florida says parents can’t opt out their kids from standardized tests.
* The Cops Don’t Care About Violent Online Threats. What Do We Do Now?
* BREAKING: Politicians listen to rich people, not you.
* Propaganda has gotten way more sophisticated since the old days.
* Man Wakes Up From Bender With Financial Problems Solved.
* Consumption Of Buncha Crunch Reverently Paused During Unsettling Scenes Of ‘American Sniper.’
* Report: Most Americans Can’t Even Name Their State’s Shadow Lord.
* Reasons You Were Not Promoted That Are Totally Unrelated to Gender.
* Student evaluations are terrible, episode 281.
* Transgender Kids Identify With Their Gender As Completely As Cisgender Kids.
* Coming out as poor at an elite university.
* Probably wouldn’t be my first choice if I had that kind of cash, but: The Vatican Will Offer Free Shaves And Haircuts To Rome’s 3,276 Homeless People.
* Disability, the state, and minimum wage.
* Pettiness and the human condition.
* UVM Recognizes “Neutral” as a Gender Identity.
* Police Reform Is Impossible in America.
* How to tell if you are in a soft science fiction novel.
* Fun With Conspiracy Theories: Did the Chernobyl Disaster Cover Up Something Even Worse? WAKE UP, SHEEPLE!
* New York cooks up a special unit for kicking hippies.
* When Cops Break Bad: Inside a Police Force Gone Wild.
* Meet the Two New Yorkers Who Are Starting a Preschool for Adults.
* When you stare too long into the abyss.
* The #1 reason people die early, in each country.
* Useless but Interesting Facts About America’s Married Couples.
* No, you’re lonely and depressed and lack self-control.
* The United States is becoming a terrible place for air travel. “Becoming.”
* Harry Potter and the Methods of Rationality is back.
* And you can always spot the children of sociologists.
Wednesday Night Links
* The craziest thing you’ll see today: public opposition to a statue in Charleston, SC, honoring black abolitionist Denmark Vesey, on grounds that are frankly baffling.
* An Oral History of Ghostbusters.
* To test the dispersal of those weapons, they found a US city that resembled those cities in the USSR, and gassed it.
* Young scholars are compelled to transform themselves into academic entrepreneurs, creating a brand that they promote through their blogs, tweets, and online profiles.
* The college of about 600 undergraduates announced last month it will eliminate 22 of its 52 faculty positions; it has cut 23 staff members and 16 of its 31 academic programs. How Much Can Be Cut?
* Suggestions on a More Humane Academic Job Market.
* From the archives: The Digital Humanities Postdoc.
* Late Pay: One CUNY Horror Story.
* Gasp! U.S. Lags Behind World in Temp Worker Protections.
* MFA vs NYC: Whoever Wins, We Lose.
* After L.A., Chicago, and NYC, the U.S. prison system has the largest population in America. The American Prison Writing Archive.
* Throughout human history, people have done these ridiculously difficult one-way voyages for one reason: because where they lived was so awful they were willing to get on a little wooden vessel that might sink and go across an ocean to some unknown place that they would probably never return from because it was so crummy where they were. Maybe we’ll do that for ourselves. We’ll make the world so miserable that living in some harsh environment on Mars might seem attractive.
* Here’s Your State’s Favorite Band.
* I don’t understand (1) why this is legal (2) why a governor would be supervising hiring and firing at such a low level.
* Researcher doing her master’s thesis at Halifax’s Saint Mary’s University on missing and murdered aboriginal women found murdered. What a horrible story.
* Publishers Withdraw More Than 120 Fake, Computer-Generated Papers.
* Why are they sending paratroopers against Godzilla? Also, must admit I’m taking Godzilla’s side here.
* Despite Harold Ramis’ death, Ghostbusters 3 is still moving forward. Is there a single person alive or dead who wants this movie to be made? Besides Dan Akyroyd.
* The sad truth about power is that its sidewalks are littered with PhDs.
* New head canon: Andy’s Mom and Toy Story.
* And Daleks have now been invented. What could possibly go wrong?
‘We Can’t Design Ourselves Out of the Responsibility for Supporting the Humanities’
At the LARoB: “Pixel Dust: Illusions of Innovation in Scholarly Publishing” by Johanna Drucker.
To make sure humanities scholarship thrives, it is crucial that we cut through the fog of pixel dust–induced illusion to the practical realities of what digital technology offers to scholarship. Among the prevailing misconceptions about digital production of any kind is that it is cheap, permanent yet somehow immaterial, and that it is done by “machines” — that is, with little human labor. We could add to this another pervasive two-part misperception, that “everything” is digitized and that everything digital is available on Google. Each of these views is profoundly inaccurate. Costs of production and maintenance (or, to use the current grant-required buzzword, sustainability) are much greater with digital objects than print. Every aspect of the old-school publishing work cycle — acquisition (highly skilled and highly valued/paid labor), editing (ditto), reviewing, fact-checking, design, production, promotion, and distribution (all ditto) — remains in place in the digital environment. The only change is in the form of the final production, which becomes a matter of servers, licenses, files, delivery, and platform-specific or platform-agnostic design instead of presses, paper, binding, and so on. The fact that the print object is removed means the single obvious revenue-producing part of the work cycle is eliminated, replaced with a dubious business model of digital sales that as yet doesn’t seem to work well for most authors, and even less well for scholarly monographs.
Not cheap, either, are the costs of ongoing maintenance. A book once finished sits on the shelf, opens without electricity or upgrades to its operating system or to the environment in which it is stored. Five hundred years from now? The complexly layered and interdependent material conditions that support digital storage, access, and use have an unprecedented rate of obsolescence, and half a millennium is unlikely to extend the shelf life of files that aren’t backward compatible across two or three versions of software upgrades. As for permanent — the fact is that every use of a file degrades and changes it, that “bit rot” sets in as soon as a file is made, and that no two copies of any file are ever precisely the same as another. In the archival community, the common wisdom is that “Lots of Copies Keep Stuff Safe,” (LOCKSS) — a formulation premised on the recognition that permanence is as elusive in the digital world as in the mortal coil. As for human labor, the serious business of digital work (the task of analysis and interpretation that add value in a digital environment) is extremely intensive, demanding, and skilled. It can’t be outsourced, and it can’t be automated — that is, if by “it” we mean tasks such as adding metadata, “mark-up” or other tagging that cross-references the contents of texts, images, sound, and video files, and which add intellectual value and functionality. As for Google, the firewalls, licensing agreements, hidden collections, and un-indexed resources all constitute subjects for treatises about what does not get accessed through that or any other search engine.
These basic myths are merely the fundamentals, the first principles on which a host of other delusions are being built. In the mad rush to throw the humanities into the digital breach, the current trend is to invoke the general rubric of “design innovation” — a confusion of novelties. The much-touted “nonlinear” approach to composition is a choose-your-own-adventure model for grown-ups, and the desktop embedding of multimedia encourages all manner of fantasies about crowdsourced, participatory knowledge generation that would essentially de-professionalize knowledge production: “getting students to do it,” and other naiveties, such as marketing data sets or primary materials, or staging debates among prominent academics using a combination of antique road show and reality show techniques, or fantasies of free online textbooks served up to hordes of formerly disenfranchised youth — every bit of the imaginary bouillabaisse except for the crowning glory, a magnificent engagement with what can only be called magic-onomics: a business model in which publishing thrives without a revenue stream.