Posts Tagged ‘Dennis Hastert’
Every Last Weekend Link
* Food for Marquette English’s Hamilton event later this month: A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems. And another: Hamilton, Inc.
Broadway can be a very poor investment, but when shows hit, they really hit. The most successful of them dwarf the revenues of even the biggest Hollywood blockbusters. “Hamilton” could easily run on Broadway for a decade or more. In September, the first road production will open in Chicago, and it will be a “sit down” show, meaning it is intended to stay there for a year or more. Ultimately, there may be as many as seven “Hamilton” companies, in addition to the one on Broadway, performing at the same time in multiple American and international cities. Ticket revenues, over time, could reach into the billions of dollars. If it hits sales of a mere $1 billion, which “Hamilton” could surpass in New York alone, the show will have generated roughly $300 million in profit on the $12.5 million put up by investors. (There are many eye-popping numbers to contemplate, but maybe the most striking one is this: The show is averaging more than $500,000 in profit every week.)
* Call for Papers: Faulkner and Hemingway conference at the Center for Faulkner Studies at Southeast Missouri State University. I was just down there to give a talk and had a fantastic time.
* New digital journal, thresholds, co-edited by Fran McDonald and Whitney Trettian. Here’s the CFP for the debut issue:
The debut issue of thresholds will focus on the theme of the extraneous. We seek manuscripts that deal with the extra, the foreign, or the strange from any angle. We welcome contributions that combine the creative and critical in their approach, and are eager to consider work that is experimental in both content and form. Final submissions will be comprised of a short piece (a maximum of 7000 words) accompanied by a series of fragments. Please submit 400-word abstracts and a brief bio to thresholdsjournal@gmail.com no later than May 15, 2016. Final essays will be due July 31, 2016.
* Elsewhere on the Duke alum beat: Huge congrats to Ainehi Edoro and Brittle Paper, which is now part of the Guardian!
* Protest and Power at Duke. Duke Students End Sit-In in President’s Office. A Lawsuit, Unmet Demands, and Coloring Books: Inside Duke’s Sit-In. A Guide to the Allen Building Takeover Collection, 1969-2002.
* The point is to implement an authority structure that can control public universities under permanent austerity and in the absence of a growing and rising middle-class. Culture wars are good for discrediting particular sources of sociocultural knowledge like ethnic studies, feminist studies, or Middle Eastern Studies. Budget cuts are good for taking the whole public university sector down a few notches. But to reengineer a static enterprise, after decades in which their boards failed to maintain the state revenues on which the system was built, public university governors need the audit and assessment practices that Europeans have long called New Public Management (NPM).
* In a case showing the reach of college sports corruption, a former head men’s basketball coach at the University of Southern Mississippi instructed his assistants to complete junior college coursework for recruits.
* Jacob Brogan reviews the first issue of Ta-Nehisi Coates’s Black Panther. And here’s not the only one!
* If you’re not, you should really be reading The Vision.
* Can you imagine, just for a moment, being a Chancellor of a university—a position with an enormous amount of responsibility to an incredibly wide range of stakeholders—and have someone interrupt you with a ‘No Whining!’ sound effect while you are trying to describe how many staff members you’ve had to lay off and what programs you’ll be cutting, with no end in sight? Would you have an existential moment of crisis where your inner voice conceded, “Oh my god, I’m an adult”? Well, I guess the ‘flexibility’ everyone wants for Chancellors doesn’t apply to their actually speaking without permission and an approved message.
* Questions for the #4c16 crowd.
* To begin answering these questions, we Googled our way to 8,000 screenplays and matched each character’s lines to an actor. From there, we compiled the number of lines for male and female characters across roughly 2,000 films, arguably the largest undertaking of script analysis, ever.
* Incredible narrative about a professor allowed to return to their job at UCLA after egregious sexual harassment. And it’s not even the most unbelievable story of an unrepentant predator allowed to walk free with no significant punishment I’ve read this week.
* Yes, apparently Zack Snyder has the same carte blanche to make Justice League, even after turning the first-ever movie starring three of the biggest, most popular superheroes in the world into a film that analysts believe won’t even make a billion dollars worldwide. Maybe that still sounds like a lot of money, but you know what actually made a billion bucks? Tim Burton’s needless 2010Alice in Wonderland film. If you put Batman and Superman and Wonder Woman together in a live-action movie for the first time ever, don’t you think that movie should probably outgross Iron Man 3?
* My sense is that militarized drones, those machines for remote seeing and killing known in military jargon as “Unmanned Aerial Vehicles,” should be understood to signify an end of empire in two senses. First, an end as in conclusion, or terminus. Hannah Arendt argued that proliferating death is not a sign of an emerging or persisting hegemony but its waning: “rule by sheer violence,” she notes, “comes into play where power is being lost.” This means that the assassinations proliferating in the name of the American phase of accumulation are the sign not of its strength but its incipient weakness; never mind autumn, we could say that drone war is a sign of the coming winter. Second, I mean an end in the Aristotelian sense of telos, or purpose. If we take seriously the fact that empire is best understood not as a culture or as a discourse but as the monopoly on putatively legitimate violence—the stretching of the state’s power over life and death past the boundaries of its “own” populace—then the power of sovereign decision crystallized in globally operated, remote assassination machines is the very essence of empire: its telos, or end. President Obama’s now-infamous “kill list meetings” sharpen to an obscene purity the American state’s power of judgment over life and death beyond its own citizenry and constitute the distillation of imperium as such.
* Never say never again: ‘Speedy Gonzales’ Eyed As Animated Feature At Warner Bros.
* New Jersey University Was Fake, but Visa Fraud Arrests Are Real. Fake New Jersey University Established by Cops to Catch Visa Fraud Has Pretty Good Job Placement. Fake, real, real, fake, let’s not quibble — are they hiring?
* The ideology of the future: Kiplinger’s presents 20 Amazing Ways Life Will Be Different in 2030.
* The Future Happened 56 Million Years Ago.
* Plants Taking Over New York City Is What Will Happen When the World Ends.
* At this Florida jail, the inmates are also zookeepers.
* How to Write a History of Video Game Warfare.
* Prestige TV is a nightmare from which we are all struggling to awake: Dexter return to television confirmed.
* My next screenplay: Radioactive boars are running wild and breeding uncontrollably in the northern region of Japan contaminated by the Fukushima nuclear disaster.
* Bernie Sanders Is Even Less Competitive Than He Appears.
* Bruce Springsteen Cancels North Carolina Concert in Protest of Anti-LGBT Bathroom Bill.
* Our prayers answered, Paul F. Tompkins was finally on Harmontown. I’ve also really been loving the back catalogue of Hello, from the Magic Tavern and (at long last) Welcome to Night Vale after a sojourn through It’s That Episode. Non-podcast news after the link!
* Now more than ever, it’s time for Animaniacs.
* So does this: The Warriors Are Now Long Shots To Win 73 Games.
* Saddest of all: The New Jersey Swamp Dragons? It almost happened.
* Not for me, but maybe for you: LARB has a Grantland-style sports spinoff.
* Grant Morrison was right! Science Says Superman Should Be Black.
* This seems pretty plausible, honestly.
* And I don’t need to tell you what’s coming. Every Cool Detail We Spotted in the Rogue One: A Star Wars Story Trailer.
Every Tuesday Link! Every One!
* Just a reminder that I’ll be in DC for a debate, Resolved: Technology Will Take All Our Jobs.
* The sad story of the São José.
* Against this backdrop, UW System leaders’ public statements in response to JFC’s omnibus bill—statements whose overriding tone is one of gratitude undergirded by obsequiousness—make perfect sense, even as they alternately disgust and infuriate the rest of us. Amid the general calamity for faculty, academic staff, classified staff, and students, there is an alignment of legislative priorities with administrative interests.
* It’s sad to say that when the administrators shut down any possibility for dialogue, when administrations withdraw into cocoon-like gated communities in which they’re always on the defensive, I think that it’s probably not unreasonable to say that this is not just about an assault, this looks like a war strategy. It looks like power is functioning in such a way as to both stamp out dissent and at the same time concentrate itself in ways in which it’s not held accountable.
* Bureaucracy: why won’t scholars break their paper chains?
* Who’s getting Koch money today? University edition.
* Dispatches from dystopia. And one more from LARoB: Gender and the Apocalypse.
* Under these weird meritocratic dynamics, bourgeois characteristics make you more valuable not because they are good characteristics in themselves, but merely because they are bourgeois characteristics, and therefore relatable to the top of the economic hierarchy that directs the resources top spots in top firms are competing to get. This poses obvious problems for social mobility, which is the direction people usually take it, but it poses even deeper problems for the idea of “skills” more generally. Where “skills” refers, not to some freestanding objective ability to produce, but rather to your ability to be chummy and familiar to those with the money, they don’t actually seem to be “skills” in the sense most people imagine the term. Upper crust professionals no longer appear to be geniuses, but instead people who went to boarding school and whose manner of conducting themselves shows it.
* When a child goes to war. We talked about the Dumbledore issue a ton in my magic and literature class this semester. Stay tuned through the end for what is indeed surely the greatest editorial note of all time:
* That Oxford decides its poetry chair by voting is just the craziest thing in the world to me.
* Mass Effect, Personal Identity, and Genocide.
* Ghostwriters and Children’s Literature.
* Shaviro: Discognition: Fictions and Fabulations of Sentience.
* Recent Marquette University grads staging Shakespeare in 13 state parks.
* The map is not the territory (from the archives): The Soviet Union’s chief cartographer acknowledged today that for the last 50 years the Soviet Union had deliberately falsified virtually all public maps of the country, misplacing rivers and streets, distorting boundaries and omitting geographical features, on orders of the secret police.
* When My Daughter Asks Me if She Looks Fat.
* Some discussion of the Hastert case that explains why his supposed “blackmailers” may not be facing any charges: it’s legal to ask for money in exchange for not suing somebody.
* Body Cameras Are Not Pointed at the Police; They’re Pointed at You.
* Wes Anderson’s The Grand Overlook Hotel.
* The poison is the cure: Amid the ruins of its casino economy, NJ looks to build more casinos. And that’s only the second-most-ridiculous debate currently rocking the state.
* “Do we really want to fuse our minds together?” No! Who wants that?
* The Time War was good, and the Doctor changing it was also good. Take my word for it, I’m an expert in these matters.
* Everything you want, in the worst possible way: Michael Dorn is still pitching Captain Worf.
* Uber, firmly committed to being the absolute worst, in every arena.
* The Learning Channel, horror show.
* And after a very uneven season the Community series (?) finale is really good. The end.