Posts Tagged ‘Dark Angel’
* Star Wars Uncut: the last great surrealist masterpiece. I think a friend on Facebook really nailed the appeal of this when he pointed out the importance of this sort of “careful reenactment” in childhood consumption of media. In a sense Star Wars Uncut is what we were doing all along.
* Despite their important implications for interpersonal behaviors and relations, cognitive abilities have been largely ignored as explanations of prejudice. We proposed and tested mediation models in which lower cognitive ability predicts greater prejudice, an effect mediated through the endorsement of right-wing ideologies (social conservatism, right-wing authoritarianism) and low levels of contact with out-groups. In an analysis of two large-scale, nationally representative United Kingdom data sets (N = 15,874), we found that lower general intelligence (g) in childhood predicts greater racism in adulthood, and this effect was largely mediated via conservative ideology. A secondary analysis of a U.S. data set confirmed a predictive effect of poor abstract-reasoning skills on antihomosexual prejudice, a relation partially mediated by both authoritarianism and low levels of intergroup contact. All analyses controlled for education and socioeconomic status. Our results suggest that cognitive abilities play a critical, albeit underappreciated, role in prejudice. Consequently, we recommend a heightened focus on cognitive ability in research on prejudice and a better integration of cognitive ability into prejudice models.
* And I think someone in Parliament has been watching Dark Angel.
On the possibility of a nuclear missile being fired into space and exploded, he said: “I personally believe that it’s quite likely to happen. It’s a comparatively easy way of using a small number of nuclear weapons to cause devastating damage.
“The consequences if it did happen would be so devastating that we really ought to start protecting against it now, and our vulnerabilities are huge.”
* “Epitaph One” is as ambitious and as amazing as promised—definitely my favorite episode of Dollhouse and one of the top Whedonverse episodes of all time. It is, in every sense, just great, laying out a blueprint for the future of the series that is so compelling I’m not sure we need to actually see any of intervening episodes. (As far as I’m concerned they’d just be killing time before we get to “Epitaph Two,” which is what I really want to see.) Joss and his co-writers have been pretty open with the fact that the episode came out of the assumption that there wouldn’t be any more; people reference “Objects in Space,” but the comparison to the season one finale of Sledge Hammer! seems much more apt. Have they written themselves into a corner? It’ll be interesting to see if Joss & Co. can make the second season work when the real story now seems to be happening in 2019. Will people really sit still for john-of-the-week episodes with the stakes raised so much higher? Or will season two be more like Lost seasons four and five, with flashbacks and flashforwards that meet somewhere in the middle? Honestly I think I’d be most happy if they stuck with the “Epitaph” frame for good and did 2009-2018 just in flashback. It’s not like we’re getting a third season; don’t leave anything on the road.
* Speaking of 2019: Was that a Dark Angel shout-out? The episode definitely had a post-Pulse vibe, and Joss and Dark Angel have something of a checkered past: widely understood as a Buffy rip-off, Dark Angel was unceremoniously canceled in favor of Firefly, which was later (you may have heard) unceremoniously canceled…
* The unaired pilot is, I think, probably a little worse as a pilot than the actually aired pilot—a rare case of network interference not being all bad—but it’s pretty clear that Joss bitterly prefers it. (I haven’t listened to the commentary yet, but apparently he has a lot of thoughts along these lines there as well.) Not only did he make oblique references to the original pilot throughout the season and in Epitaph One *and* bring back the astoundingly unimpressive Chrissy Seaver for “Omega,” but he ended the (aired) season on the same audiovisual image—a whispered “Caroline”—that the original pilot ended on. The implication seems to be that the whole of the first season gets us to the same place the pilot did in just one hour.
* The most interesting thing about the unaired pilot, I think, is the discovery that Eliza Dushku is actually pretty good at doing a series of drastically different characters when it happens in rapid-fire, three-minute bursts. It’s only over the course of a full episode that she really struggles as an actress. The hints toward Future Caroline in “Epitaph One” look like the latest attempt to explain away the one-note-acting; we’ll see how this plays out.
* Patton Oswalt says if you didn’t like The Watchmen you should just shut up. Fair enough, but you know, that’s not really the title… (via Bill, who promises via Twitter both a blog post and a Poli-Sci-Fi Radio podcast on this soon)
* We all want to flee to the Cleve: a new Bruce Springsteen exhibit opens at the Rock and Roll Hall of Fame on April 1. (Thanks, Brent!)
* Science fiction set in 2009. The Postman and Dark Angel are legit picks—but when your list needs three movies from the last two years, Family Matters, and an episode of Charmed to work, it’s time to rethink.