* Smartly realizing that nothing is going to change on the climate change beat, NPR guts its environmental reporting.
* Epigrams for my research agenda: That’s to say nothing of the fact that the people involved in GamerGate that Grieco defends are, in fact, not poor bullied kids. They are, overwhelmingly, employed, educated, privileged adult men, many of whom work for some of the most powerful and profitable industries in our economy. Their beloved sci fi and comic books and fantasy genres and media– those aren’t reviled and disrespected properties that people are ashamed to like. They’re economically dominant and critically lauded, and given the way the internet makes culture spread more broadly and intensely than ever before, are probably the most powerful force in the history of the arts.
* Spock was right: Concern for equality linked to logic, not emotion.
* National insanity watch: Students at a Nebraska High School Can Now Pose With Guns in Their Senior Portraits.
* I want to talk about how badly we’re failing the boys who can’t see their way out of a totally lethal, totally toxic distortion of masculinity — the kind that says that if boys aren’t manly, or gentlemanly, they can be gunmanly.
* Forty percent of mass shootings start with the gunman targeting his wife, girlfriend, or ex. And access to firearms makes it seven times more likely that a domestic abuser will kill his partner.
* LARoB interviews David Mitchell.
* Why Google wants to replace Gmail. They should have nationalized Google fifteen years ago.
* Now we see the violence, &c: Wisconsin cops deploy armored vehicle to collect fines from 75-year-old man for messy land.
The Wire extends and elaborates melodrama in remarkable ways. But, as Williams says, melodrama remains a broadly liberal medium — and as Williams doesn’t say, liberalism and neoliberalism are not especially distant cousins. Liberalism can critique neoliberalism for its inequities, its cruelties, and its callousness. But to neoliberalism’s call for data and surveillance, liberalism can only respond with a call for better data and more nuanced surveillance; to neoliberalism’s doctrine of individuality as sameness, liberalism can only offer a deeper individuality subsumed within a deeper sameness. The Wire is undoubtedly one of the greatest melodramas extant, and an object lesson in how powerful the form can be. Its limitations aren’t a failure on the part of its creators so much as an indication that melodrama, having gotten us to this particular liberal democratic impasse, is unlikely, on its own, to get us out.
* And I learned today that Star Trek secondary canon features a running subplot where an unfrozen Wall Street guy slowly takes over the Federation. This is going in the Khan essay for sure…