Prussian Blue, Five Years Later
The twins’ mother, April Gaede, who has been a prominent member of racist fringe groups like the National Alliance and the National Vanguard, brought up her daughters with the ethos of white nationalism — a mix of racial pride, anti-immigrant hostility, Holocaust denial and resistance to the encroachment of “muds,” i.e., Jews and nonwhites.
But after enrolling in public school and moving to Montana — a predominantly white state, albeit one with a decidedly hippie-ish vibe — Lamb and Lynx decided they simply no longer believed what they’d been taught.
Their transformation first became evident to Prussian Blue’s fans during the band’s 2006 European tour, a double bill with the Swedish white-power warbler Saga. Along with their familiar repertoire of Skrewdriver covers, racist folktunes glorifying Rudolf Hess and other Aryan “heroes,” and perky bubble-gum ballads about boys and middle school, the girls threw the audience a curve ball — a rendition of Bob Dylan’s “Knockin’ on Heaven’s Door.”
“Mama, put my guns in the ground,” they sang to a smattering of boos from the crowd of Scandinavian skinheads and other far-right music aficionados. “I can’t use them anymore.”
They knew it was an unorthodox choice. “Oh, our mom warned us,” Lamb recalled. “She said, ‘You know, some people aren’t going to like this — Bob Dylan was a Jew.’”