Posts Tagged ‘The Avengers’
Wednesday Morning
* It’s not the project I’d have chosen for him, but I’ll take it: Joss Whedon will produce S.H.I.E.L.D., including writing and directing the pilot.
* Why did the FBI spy on Ray Bradbury?
* Another China Miéville interview: 1, 2.
* Biden 2016? Let’s not be hasty. Surely there’s some even less appealing candidate out there somewhere.
* What’s the per-diem for a trip to the Moon? About $8 bucks, minus lodging.
* Police enlist young offenders as confidential informants. But the work is high-risk, largely unregulated, and sometimes fatal.
* Of course you had me at Soviet-era board games.
* And the Los Angeles Review of Books crawls deep inside Werner Herzog.
“You are on a foreign island, the first who has set foot on the island in centuries. It is overgrown now with jungles, butterflies, strange birds singing, and you are walking through the jungle and you come across a gigantic cliff. And upon closer inspection, this entire escarpment is made completely of emeralds, [where] a holy monk hundreds of years ago spent his whole life with a chisel and a hammer scratching a poem into the walls. It’s hard like diamond; it took all his life to engrave only three lines in a poem. Please open your eyes and you will see it; you will be the first one to see it, and you will read it to me.” When the man protested he didn’t have his glasses, Herzog encouraged him to move closer and he would be able to read it. His poem began: “Why can’t we drink the moon? Why is there no vessel to hold it?”
Five-Sentence Review: ‘The Avengers’ as Lesser Whedona
Of course I deeply enjoyed The Avengers, but my sense is it’ll be up to The Avengers 2: Avengers Reveng’d! to salvage the series from the scrapheap of Lesser Whedona. Could there be any better confirmation of the kneejerk elitist sensibilities of Internet nerddom than to have this film be Joss’s first genuine mainstream success? Though certainly funny and engaging, and on occasion very clever, The Avengers is more or less superheroes completely by-the-numbers, almost entirely lacking in the deconstructive self-awareness that characterizes more artistically ambitious Whedon creations like Buffy, Firefly, and especially Cabin in the Woods and the too-neglected Dollhouse. The film has zero critical purchase on its genre, and precious little Whedonesque irony about itself.
In short, The Avengers is what Buffy would have been, if it were only fight scenes and quips.
Monday!
* The e-Rater’s biggest problem, he says, is that it can’t identify truth. He tells students not to waste time worrying about whether their facts are accurate, since pretty much any fact will do as long as it is incorporated into a well-structured sentence. “E-Rater doesn’t care if you say the War of 1812 started in 1945,” he said. As Kevin Drum notes, this may less a bug than a feature in these benighted times.
* The White House Correspondents’ Dinner may be fascism with a human face, but at least there’s Stephen Colbert.
Of course, all of us should be honored to be listed on the TIME 100 alongside the two men who will be slugging it out in the fall: President Obama, and the man who would defeat him, David Koch.
Give it up everybody. David Koch.
Little known fact — David, nice to see you again, sir.
Little known fact, David’s brother Charles Koch is actually even more influential. Charles pledged $40 million to defeat President Obama, David only $20 million. That’s kind of cheap, Dave.
Sure, he’s all for buying the elections, but when the bill for democracy comes up, Dave’s always in the men’s room. I’m sorry, I must have left Wisconsin in my other coat.
I was particularly excited to meet David Koch earlier tonight because I have a Super PAC, Colbert Super PAC, and I am — thank you, thank you — and I am happy to announce Mr. Koch has pledged $5 million to my Super PAC. And the great thing is, thanks to federal election law, there’s no way for you to ever know whether that’s a joke.
By the way, if David Koch likes his waiter tonight, he will be your next congressman.
* Podcast of the day: “Bombing Savages in Law, in Fact, in Fiction” from Sven Lindqvist.
Last quick point on student loans: If I am driving around while texting, and I negligently run over and kill a child, or if I am in a gambling institution and I have an 11 and the dealer has an ace, and I mistakenly double down and get a huge gambling debt—those kind of debts—hurting someone, killing someone, gambling debts, or all kinds of other debts—are treated less harshly under our bankruptcy code than the debts associated with trying to educate yourself. Student loans are the most repressive kind of debts under the legal structures that we have. These are democratic bills. People voted for them. Hillary Clinton voted for the 2005 bankruptcy bill. Biden voted for it; Biden pushed it. These are things we have chosen, and they are incredibly repressive for student debts.
* Academic advice: How to apply for things.
* zunguzungu explains the albatross on Johnny Depp’s brain.
* Life inside the Earth Liberation Front.
* Stephen King: Tax Me, for F@%&’s Sake!
* “ ‘Moby-Dick’ is about the oil industry,” they said. “And the Ship of American State. The owners of the Pequod are rapacious and stingy religious hypocrites. The ship’s business is to butcher whales and turn them into an industrial energy product. The mates are the middle management. The harpooners, who are from races colonized by America one way or another, are supplying the expert tech labor. Elijah the prophet — from the American artist caste — foretells the Pequod’s doom, which comes about because the chief executive, Ahab, is a megalomaniac who wants to annihilate nature.
“Nature is symbolized by a big white whale, which has interfered with Ahab’s personal freedom by biting off his leg and refusing to be slaughtered and boiled. The narrator, Ishmael, represents journalists; his job is to warn America that it’s controlled by psychotics who will destroy it, because they hate the natural world and don’t grasp the fact that without it they will die. That’s enough literature for now. Can we have popcorn?”
* How Apple Sidesteps Billions in Taxes.
* The Avengers Has Earned $178.4 Million, And It Hasn’t Even Opened in the U.S. Yet.
The Age of Fan Fiction
What’s been truly bizarre, though, is the way the mainstream has slowly headed in the same direction, and without anyone noticing it, we seem to have handed over our entire industry to the creation of fanfiction on a corporate level, and at this point, I’m not sure how we’re expecting the pendulum to ever swing back. I know people love to blame Spielberg and Lucas for creating the modern blockbuster age, but at least when they decided to pay tribute to their inspirations, they did so in interesting ways. Spielberg has talked about how his frustrations at hearing that only English filmmakers could direct James Bond movies led to the creation of Indiana Jones, and Lucas was working out his love of Flash Gordon when he created “Star Wars.” Those are healthy ways to work through your love of something, and absolutely make sense as important pieces in the creative process. What’s scary is how these days, filmmakers wouldn’t bother with that last step, the part where you take your inspirations and run them through your own filter. Now, instead, we live in an age where we are simply doing the source material again and again and again, and where original creation seems to be almost frowned upon as a “risk.”
Riffing on Alan Sepinwall’s recent claim that The Muppets is the greatest work of fan fiction ever made, Drew McWeeny declares we are living in the age of fanfiction. It’s not as bad as the quoted bit above makes it sound.









