Posts Tagged ‘Nabokov’
Thursday Night Links
* This may shock you, but Thomas Friedman loves MOOCs. An Ad Hominem Attack Against Thomas Friedman. MOOCs R Us. MOOCs or BOOKs?
* Mother who stole son’s education gets 12 years in prison.
* Two bad tastes that taste good together: Rand Paul filibusters drones.
* Apocalypse now: The amount of heat-trapping carbon dioxide in the air jumped dramatically in 2012, making it very unlikely that global warming can be limited to another 2 degrees as many global leaders have hoped, new federal figures show.
* Planning for the Post-Income Economy. Fracking is starting to devour the US economy.
* Elephant Poaching Pushes Species To Brink Of Extinction.
* The entrapment defense rarely succeeds, both in terrorism cases and more quotidian (usually drug-related) prosecutions, largely because “entrapment” means something very different in a courtroom than it does in ordinary usage. For nearly a century, the federal courts have allowed a criminal defendant to dodge criminal liability by showing that the governmentinduced her to commit an unlawful act. Once the accused makes such a showing, however, the government still has the opportunity to prove that she was predisposed to commit the crime, even before government agents entered the picture. If a jury accepts the government’s characterization, other factors—the nature or size of the “bait,” the complexity of the government artifice, or the independent wherewithal of the defendant to commit the crime—basically don’t matter: the defendant is still guilty. This means that when entrapment is at issue, the personality, reputation, criminal history, and political or religious beliefs of the accused become the centerpiece of the trial. Post-9/11 juries have had little trouble concluding that the disaffected Muslims (and occasional anarchists) ensnared by the FBI have been sufficiently “predisposed” to engage in terrorism.
* Recovering Lolita. My students have been pouring over this collection of Lolita book covers thanks to @sselisker.
* #slatepitches: What SimCity Teaches Us About Real Cities of the Future.
* Ephemeral third ring of radiation makes appearance around Earth. If we lived in a comic book, I bet this story would be fifteen times as awesome.
* Detailed Floor Plan Drawings of Popular TV and Film Homes.
* See Stephen Colbert school James Franco on Tolkien mythology.
* A first look at The Grand Budapest Hotel.
* FBI Investigating Drone Near Miss with Jet at JFK.
* TPM’s papal contenders cheatsheet.
* Smile Time: Community is doing an all-puppet episode, with actual puppets.
* First Trailer for Joss Whedon’s Much Ado About Nothing.
* Consequences of Repeated Blood-Brain Barrier Disruption in Football Players.
* And the latest issue of The New Inquiry posits time is the fire in which we burn.
Next Semester’s Courses Today
2520 Intro to American Literature 2
Thematic Title: “Thrill and Dread in the American Century”
Description: “To be modern,” Marshall Berman wrote, “is to find ourselves in an environment that promises us adventure, power, joy, growth, transformation of ourselves and the world—and, at the same time, that threatens to destroy everything we have, everything we know, everything we are.” This course traces the development of this tension between hope and disaster, between “thrill” and “dread,” in American literature since the Civil War. In this course we will examine and interrogate this explosive sense of what it means to be “modern” with respect to themes of history and futurity, identity and difference, politics, community, war, empire, and the environment. From the private lives of individuals and families to the very public relationships that exist in and between diverse communities to the nation’s assent to global superpower status in the context of a nuclear-powered Cold War, we will find America in the post-Civil-War period understands itself as a place where anything can happen—in good ways, and in bad.
Readings: Norton Anthology C,D,E; Nabokov’s Lolita (1958); Butler’s Parable of the Sower (1993)
More Spring 2013 offerings from the English department here.
Saturday Night Tab Closin’
* If it’s possible to miss the point of Pale Fire any worse than this, I don’t want to know about it. Via PCEgan.
* I second both Steven Chu’s call to paint our roofs white and Atrios’s call for “Green Recovery” government stimulus to pay people to do this work.
* Learned helplessness watch: Congressional Democrats, obviously feeling the heat from my persistent calls to use reconciliation to get around Republican filibusters, have now taken reconciliation off the table altogether. Idiots.
* At least Elaine Marshall is ahead in Carolina.
* Speaking my language: Dreamlands, one of the temporary exhibits currently at the Pompidou Center in Paris, highlights Kandor-Con from artist Mike Kelley, with these observations:
The comics present a different image of the Kryptonian city on each occasion, and Kelley sees in this a complex allegory, the diversity of representations signifying the instability of memory. The installation Kandor-Con includes architecture students who continuously design new Kandors, feeding them to a Superman fan site. For the artist, the inability of the original draughtsmen, the new designers or the hero’s internet fans to fix the form of Kandor once and for all illustrates “the stupidity and ridiculousness of technological utopianism.” The capital of the planet Krypton, says Kelley, is “the utopian city of the future that never came to be.”
You had me at “Bonjour.”
* I was kidnapped by lesbian pirates from outer space! A comic, via MetaFilter.
* Added to my Netflix queue: Brick City, a documentary about Newark said to be “a real-life version of The Wire.” Also via MeFi.
* And added to my torrent queue: The Yes Men Fix the World (legal!). Via Boing Boing.
A Few More
* Scenes from the Great Pacific Garbage Patch.
* Nations must invest $37 trillion in energy technologies by 2030 to stabilize greenhouse gas emissions at sustainable levels and meet energy needs, the International Energy Agency warned today.
* A woman is six times more likely to be separated or divorced soon after a diagnosis of cancer or multiple sclerosis than if a man in the relationship is the patient, according to a study that examined the role gender played in so-called “partner abandonment.”
* Picasso and his love of Japanese erotic prints.
* Always start your viral marketing campaign after your show is already doomed.
* The New Yorker takes down Superfreakonomics. I like this coda from Crooked Timber a lot:
Kolbert’s closing words are, however, a little unfair.
To be skeptical of climate models and credulous about things like carbon-eating trees and cloudmaking machinery and hoses that shoot sulfur into the sky is to replace a faith in science with a belief in science fiction. This is the turn that “SuperFreakonomics” takes, even as its authors repeatedly extoll their hard-headedness. All of which goes to show that, while some forms of horseshit are no longer a problem, others will always be with us.Not unfair to Levitt and Dubner, mind you, but to science fiction. After all, two science fiction authors, Frederick Pohl and Cyril Kornbluth, had their number down way back in 1953 with The Space Merchants (Pohl, amazingly, is still active and alive).
The Conservationists were fair game, those wild eyed zealots who pretended modern civilization was in some way “plundering” our planet. Preposterous stuff. Science is always a step ahead of the failure of natural resources. After all, when real meat got scarce, we had soyaburgers ready. When oil ran low, technology developed the pedicab.
The Space Merchants is truly great, incidentally. Read it if you haven’t.
* Twenty years after the Berlin Wall. The “click to fade” images are stunning.

Only for the Articles
Playboy has acquired publication rights for unfinished Nabokov novel The Original of Laura. Via Bookninja.
The Original of Laura
Details are emerging about the publication of The Original of Laura, the partially completed book Nabokov asked be destroyed after his death and which is now being published by Random House. Apparently the book will contain facsimiles of the index cards on which it was drafted.
"Synecdoche, New York"
Lately I’ve shied away from reviewblogging, partly because I don’t think I’m especially good at it but mostly because I haven’t been moved to write about anything I’ve seen. Synecdoche, New York moves me, but only to say “Go see it.”
Almost certainly the best film of 2008—only Dark Knight really comes close—and Kaufman’s best film since Being John Malkovich, Synecdoche can’t really be described without being reduced to a series of gimmicks. I wouldn’t even read reviews of it. Just go.
For those who have seen it, or who plan to flaunt my sage advice, the best writing I’ve seen about Synecdoche has been from Adam Kotsko, who writes, insightfully:
While watching Synecdoche, New York this week, a thought occurred to me: the reviews that presented the movie as an elaborate puzzle requiring multiple viewings to unravel are wrong….[T]here is, within the frame of the movie, no “underlying reality” that can be uncovered through the work of decoding, not even that of Caden Cotard’s dream. All the action is taking place directly at the surface. That’s what the proposed title “Simulacrum” is telling us (a name he suggests to Claire, not Hazel, pace Dargis).
“What really happened” is only what you can see: Kaufman is being brutally direct. No amount of plot summary can get at what it feels like to be watching this movie, and to get to caught up in trying to decipher “what’s going” on is to run the risk of failing to feel what it feels like to be watching this movie.
I’d even go so far as to suggest that Synecdoche should really only be viewed once. The novels to which one might be tempted to compare it—Ulysses? Pale Fire? If on a Winter’s Night a Traveler?—are surely not “elaborate puzzles” to be solved but do possess rich textual subtleties that reward an nth reading. Synecdoche, I fear, may not only lack these subtleties, but may in fact be significantly worse when re-viewed in the context of a known whole.
In particular I’m afraid any rewatch would just direct us more and more towards the notion that [SPOILER—HIGHLIGHT TO READ] Cotard is in the process of dying, likely from suicide committed either very early in the movie or perhaps slightly before it began, and Synecdoche is his dream. To the extent that the suggestion of any “underlying reality” can be deciphered in Synecdoche, it seems to me it can only be this one—and just the slightest taste of that is more than enough.
But wherever they point us, I feel fairly certain the uncovering of any “clues” upon rewatching would only throw the movie’s vital ambiguity off-balance. It’d ruin it. Synecdoche‘s a truly great film, that is to say, but probably just the once.
UPDATE: Copied from Facebook wall scribblings:
my fave reader review from the nyt:This movie was really boring! Just like life! This movie thought it was original and cutting edge but wasn’t! Just like life! This movie has been made before about seven trillion billion times! Just like life! This movie was way too long! Just like life! The first half was okay but the second half made up for it! Just like life! I almost walked out of this movie! Just like life! Some people don’t realize how awful this movie is and actually think it is good! Just like life!
Vacation Links
I have a long Thanksgiving break this year (something I must admit I’m very thankful for). Here’s a few links to celebrate my good fortune.
* Google is now hosting thousands of images from Life magazine dating back to the 1800s. At right: my guy Albert Einstein. More good off-the-top-of-your-head searches at the Valve.
* Boston College will stop offering incoming students email addresses; instead, they will redirect email to a private service of the students’ choice. In other words, the moronic email addresses they made up as a joke in eighth grade will now follow BC students forever.
* The new MacBook Pros (like mine!) come saddled with major DRM problems. The good news is that your machine is only crippled for media you purchase legally; pirated media still works just fine.
* Pushing Daisies has been canceled. It’s a shame.
* Two pop-criticism reviews of Quantum of Solace I liked: “Guilt-Flavored Ice Cream” and “Quantum of Anti-Imperialism.”
Nobody Can Argue With That
Dinosaur Comics announces the hip new literary classic of 2009, Lolita III: This Time, She’s Thirty.








