Posts Tagged ‘CFPs’
* C21 2015 call for papers: “After Extinction.”
* More 2014 postmortems: The Democrats Have Two Choices Now: Gridlock or Annihilation. And in Michigan: Democrats Get More Votes, Lose Anyway. Davis Campaign Marked by Failed Tactics, Muddled Messages. Stop denying the truth: The Democrats got walloped. What happened to that Democratic turnout machine? Game Change ’14. What Does It Mean for Hillary? Stop Whining About Young Voters, You Jerks. Shockingly, my call to abolish the Constitution altogether has received little traction.
* Thankfully, it’s not all bad news: I was about to hype up a Scott Walker 2016 run. Then I watched his victory speech.
* Elsewhere in the richest, most prosperous society ever to exist in human history: Ninety-year-old man faces jail for giving food to homeless people.
* What I’m not concerned with here is achieving some final and total harmony between the interests of each and the interests of all, or with cleansing humanity of conflict or egotism. I seek the shortest possible step from the society we have now to a society where most productive property is owned in common – not in order to rule out more radical change, but precisely in order to rule it in.
* Are We Forgiving Too Much Student-Loan Debt? CHE is ON IT.
* What could possibly go wrong? Obama Vows to Work With Republicans on College Costs.
* Seems like a great bunch of guys: For-Profit Groups Sue to Block Gainful Employment Rules. The estimate is that 65% of for-profit students are enrolled in programs that wouldn’t pass.
* Six years after the crisis that cratered the global economy, it’s not exactly news that the country’s biggest banks stole on a grand scale. That’s why the more important part of Fleischmann’s story is in the pains Chase and the Justice Department took to silence her.
* R0y Lichtenstein’s “Whaam!” painting is based on one of my panels from an old DC war comic. Roy got four million dollars for it. I got zero.
* How GamerGate Is Influencing MIT Video Game Teachers. I’m wrestling with how much this needs to take over the syllabus of my “Video Game Culture” seminar next semester.
* “For those of us born in a post-Reagan America, having operated within this system our whole lives, there can be no doubt that Michel Foucault’s thinking describes our present.”
* In search of oil realism. I’ve just submitted an abstract for a chapter title “Peak Oil after Hydrofracking,” so this is definitely on my mind.
* NYC pastor: Starbucks is flavoured with the semen of sodomites. It’s called pumpkin spice, sir.
I actually don’t think this sounds terrible. I like the hint of menace I hear in “The Force Awakens,” as if the Force itself could be the enemy in the new trilogy. Who put this unelected energy field in charge of everything, anyway? Abolish the Force.
* If you want a vision of the future: Disney announces Toy Story 4. More below the hilarity.
* I regret to inform you the ideology at its purest contest has closed. Thank you for your submission, but we have a winner.
* In a era without heroes, his website was our last hope: Meet the Mysterious Creator of Rumor-Debunking Site Snopes.com.
* The original version of Being John Malkovich, which I have fond memories of, would have been almost completely unwatchable.
* The Innocence Project was the last thing I believed in. Now I’m finally purged of hope.
* And they say this society can no longer achieve great things: Reality TV’s New Extreme: Being ‘Eaten Alive’ by a Giant Anaconda Snake.
* Truly, this is the best of all possible worlds: X-Wing, Tie Fighter Are FINALLY Getting Digital Re-Releases. I don’t meant to brag but I was the very very best in the world at this game, back when.
* CFP at the Midwest Interdisciplinary Graduate Conference at UWM. This year’s theme is “the unbearable.” Keynotes by Lauren Berlant and Lee Edelman!
We live in the age of a new brutalism marked not simply by an indifference to multiple social problems, but also defined by a kind of mad delight in the spectacle and exercise of violence and cruelty. The United States is sullied by a brutalism that is perfectly consistent with a new kind of barbaric power, one that puts millions of people in prison, subjects an entire generation to a form of indentured citizenship, and strips people of the material and symbolic resources they need to exercise their capacity to live with dignity and justice. Academics who speak out against corruption and injustice are publicly demeaned and often lose their jobs. At the same time, the Obama administration criminalizes public servants who expose unethical behavior, the violation of civil liberties and corruption.
* Elsewhere in the richest society in the history of the world: How many homeless S.F. schoolkids? Enough to fill 70 classrooms.
* Any grad student could have told you: drunk people are better at philosophy.
* Free education is not a crazy dream; some countries already have it. We should too, or we face a future where the study of literature or art becomes a luxury available to the rich alone.
* Some things mankind was never meant to see. More links below!
* ‘Wasting Time on the Internet’ Is Now an Actual College Class. I’d take that. I know I could teach it.fe
* Someone finally said it: I Don’t Support Feminism If It Means Murdering All Men.
* US currency reimagined to celebrate ideas, not the dead. Still more links below!
* But it’s not all terrible ideas: I’m cautiously optimistic about Marvel Phase III. Black Panther! Captain Marvel!
* The end result is always the same. You do all this work just to get money. So fuck it: Why not skip everything and just start making currency?“
* The Dartmouth (America’s Oldest College Newspaper) issues a rare correction.
* Damning every damnable river on Earth: what could possibly go wrong?
* Martin Jarvis, professor of music at Charles Darwin University in Australia, claims some of Johann Sebastian Bach’s best-loved works were actually written by his wife.
* And there’s nothing sweet in life: Soda May Age You as Much as Smoking, Study Says.
* Rob Nixon reviews Diane Ackerman’s The Human Age and the “good Anthropocene.”
If students know what they’re getting and know why it’s supposed to be beneficial, then education and satisfaction should go together. In a total vacuum of explicit pedagogical reflection, students will default to non-academic standards for satisfaction, because we’re giving them nothing else. If students don’t know how to evaluate whether we’re helping them to learn, it’s not because students are stupid and ignorant and we shouldn’t ask them anything — it’s because we’ve failed to teach them that. And the only way to lay the groundwork for actually teaching them that is to make focused discussion of pedagogical commitments, with both fellow faculty members and with students, a pervasive feature of the culture of a given school.
* Also from Adam Kotsko: Plagiarism and self-plagiarism: A defense of Žižek.
* Time to move on to the next boondoggle: Universities Rethinking Their Use of Massive Online Courses.
* And speaking of boondoggles: Just say no to Wisconsin transportation boondoggles.
* Another triumph for the left! Obama Could Reaffirm a Bush-Era Reading of a Treaty on Torture.
* Membership has its privileges: A former Kentucky correctional officer who admitted to sexually assaulting inmates where he worked will not be going to prison.
* Patriarchy may be down but it still has its sense of humor: The First Person Charged Under Virginia’s New ‘Revenge Porn’ Law Is A Woman.
* Could it be? Is The Stock Market Driven Mainly by Bullshit?
* The idea that the inventors of an actually working hoverboard would need Kickstarter to launch the project just seems totally self-refuting, but I guess 2015 is just around the corner and we’ve all decided we’re going to go with it.
* Don’t like cigarettes but this seems like it’s got to be illegal.
* If you want a vision of the future, imagine Max Landis’s 436-page script for a Super Mario movie, forever.
* And because it’s not all bleakness and horror: Photos of children playing around the world.
Science Fiction Film and Television would like to invite reviews of current DVDs in SF/F, with possible selections including but not limited to such titles as:
Rick & Morty
Under the Skin
Edge of Tomorrow
We are reasonably successful at obtaining review copies from smaller arthouse and independent distributors. Although we are keen to expand our review coverage of mainstream sf film and television, obtaining review copies from major distributors is a lot harder – so if you have your own copy, and would like to review it, we would love to hear from you.
Our film and TV reviews (1000-2000 words) are intended to fill the gap that exists between popular/journalistic reviews and the fuller critical treatment only some films and tv shows will receive, often much later, in academic venues. Ideally, a review will situate the film/show within a broader critical and/or historical framework and sketch out a critical analysis which will prove useful to students and researchers. We are interested in reviews of films/shows (of whatever vintage) that are new to DVD/Blu-ray. If you would like to claim one of these options or propose a different film/show to review, please contact the editors (firstname.lastname@example.org, email@example.com or firstname.lastname@example.org). If you have not written for us before, please send your cv when you get in touch.
* In case you missed it from the weekend: a CFP for a Science Fiction Film and Television special issue on “Star Trek at 50.”
* Call for submissions: Accessing the Future.
* Today’s twenty-first-century political weirdness is the Scotland referendum on independence. The Guardian. MetaFilter. The economic case. Schroedinger’s Kingdom. John Oliver. Why Scotland thinks it can survive as an independent country. I’m Guardian editor Matt Wells. Got questions on Scottish independence? Ask away!
* Postdoc of the year: “The Center for Presidential History at Southern Methodist University invites applications for its 2015-2016 Postdoctoral Fellowship program. The successful candidates will couple their own research and publishing agenda with their contributions to the Center’s Collective Memory Project, a wide ranging oral history of the George W. Bush Presidency.” Friend, do I have a story for you.
* Chris Ware is serializing a novella in the Guardian: “The Last Saturday.”
* Unpopular opinions watch: Carceral progressivism.
Roddenberry believed there was no chest hair in the future.
The dream never dies.
* Cruel optimism watch: Are More MLA Faculty Jobs on the Way?
* The madness of crowds: Wealthy L.A. Schools’ Vaccination Rates Are as Low as South Sudan’s.
* Calvinball in Wisconsin: the rules on voting just changed again.
* What Are the Real Odds That Your Birth Control Will Fail? Pretty frightening.
* A King Kong prequel, because we haven’t even come close to hitting bottom yet.
* In decades of public debate about global warming, one assumption has been accepted by virtually all factions: that tackling it would necessarily be costly. But a new report casts doubt on that idea, declaring that the necessary fixes could wind up being effectively free. The price is too high!
* BREAKING: Immigrants aren’t stealing your jobs.
* Because you demanded it: “Play It Again, Dick,” the weird quasi-Veronica-Mars nega-sequel, is finally here.
* Why we can’t have nice things: Thievery marring Little Free Libraries.
* And no one could have predicted: Apple releases U2 album removal tool.
Science Fiction Film and Television seeks submissions for a special issue on “Star Trek at 50.”
Since its premiere on September 8, 1966, Gene Roddenberry’s Star Trek has become shorthand for liberal optimism about the future, even as the franchise’s later entries have moved towards increasingly dark depictions of aging (ST II-VII), war (DS9), lifeboat ethics (VOY), and post-9/11 securitization (ENT). This internal tension has now culminated in the rebooted “Abramsverse” depiction that — while nominally directed towards reinvigorating the franchise by returning it to its youthful origins— has seen the Spock’s home planet of Vulcan destroyed by terrorists (ST) and the Federation itself corrupted by a coup from its black-ops intelligence wing (STID).
SFFTV invites fresh approaches to Star Trek media in the context of its amazing longevity and continued popularity, with possible emphases on:
* revivals, retcons, and reboots
* canon and canonicity
* Star Trek and/as “franchise”
* fan cultures, fan productions, and fan sequels
* Star Trek ephemera and paratexts
* lost episodes and unproduced scripts
* parody and pastiche (Galaxy Quest, Star Trek XXX, “The Wrath of Farrakhan,” etc.)
* spinoff media like video games and comics
* Star Trek and politics
* Star Trek and science/technology/invention
* Star Trek and race
* Star Trek, sex, gender, and orientation
* Star Trek and disability
* Star Trek and aesthetics
* Star Trek and aging
* Star Trek’s influence on other works or on the culture at large
* Star Trek and other Roddenberry productions (The Questor Tapes, Earth: Final Conflict, Andromeda)
Articles of 6,000-9,000 words should be formatted using MLA style and according to the submission guidelines available on our website. Submissions should be made via our online system at http://mc.manuscriptcentral.com:80/lup-sfftv. Articles not selected for the special issue will be considered for future issues of SFFTV.
The deadline for submissions is September 1, 2015, with anticipated publication in Star Trek’s 50th anniversary year.
Science Fiction Film and Television is a biannual, peer-reviewed journal published by Liverpool University Press. Edited by Mark Bould (UWE), Sherryl Vint (Brock University), and Gerry Canavan (Marquette University), with an international board of advisory editors, it encourages dialogue among the scholarly and intellectual communities of film studies, sf studies and television studies. We invite submissions on all areas of sf film and television, from Hollywood productions to Korean or Turkish sf film, from Sci-Fi Channel productions to the origins of SF TV in Rod Brown of the Rocket Rangers or The Quatermass Experiment. We encourage papers which consider neglected texts, propose innovative ways of looking at canonical texts, or explore the tensions and synergies that emerge from the interaction of genre and medium. We publish articles (6000-8000 words), book and DVD reviews (1000-2000 words) and review essays (up to 5000 words), as well as archive entries (up to 5000 words) on theorists (which introduce the work of key and emergent figures in sf studies, television studies or film studies) and texts (which describe and analyse little-known or unduly neglected films or television series). Science Fiction Film and Television is hosted online by Metapress and is accessible at http://liverpool.metapress.com/content/121631/. Online access is free to existing subscribers.