* Today at Marquette: Today (Tuesday the 8th) from 5-6 PM in Lalumiere 208 we’ll be having our last Pop Culture Lunch Dinner of the semester, on music’s British Invasions. There will be pizza! Come out!
* Tomorrow at Marquette: Tomorrow (Wednesday the 9th) is Marquette English’s annual celebration of Shakespeare’s birthday, which this year takes the form of a “Sonnet Slam.”
* This Weekend in Milwaukee: All weekend the Center for 21st Century Studies at the University of Wisconsin–Milwaukee is hosting a very exciting conference on “Anthropocene Feminism.”
* 4/22 in Cleveland: On April 22 I’ll be giving a talk at my beloved alma mater, Case Western, titled “Science Fiction and/as Philosophy.” More details to come!
* 4/26 at Marquette: The weekend of April 26th Marquette graduate students are hosting a conference on “Representing the Natural,” which also promises to be excellent.
* 5/2 in Chicago: I’ll also be giving a brief talk and participating in a roundtable at the Joss Whedon celebration at DePaul, reprising my role as snake-in-the-garden perfected at last year’s Doctor Who celebration.
* And, finally, 5/23 in Madison: I’ll be giving a paper at SFRA/WisCon on the great stuff I found in the Octavia Butler archives, especially the various unfinished drafts of Parable of the Trickster.
See you at all of these!
* Great research opportunity for people working in SF studies: 2014-15 Le Guin Feminist Science Fiction Fellowship.
* Great moments in Big Data: Math proves Hollywood shouldn’t be sexist.
* Anadarko Agrees To Record $5 Billion Fine For ’85 Years Of Poisoning The Earth.’ Anadarko’s revenues are 14 billion annually, with assets of 52 billion, so it seems clear the fine doesn’t go nearly far enough.
* If the first wave provided a machine for fighting misery, and the second wave a machine for fighting boredom, what we now need is a machine for fighting anxiety – and this is something we do not yet have.
* Never say die: Goonies Director Teases Sequel Featuring Original Cast.
* The world is now largely a population of scared confused people ruled by atavistic sociopaths with no sense of history, ethics, science, beauty, or truth. But then you already knew that.
* If you want a vision of the future, imagine being vaguely disappointed by one Marvel Cinematic Universe film a year, forever.
* And Marquette will send a team to the only sporting event that really matters, the Robot World Cup.
The essays in Green Planets are predicated on the proposition that two hundred years of SF can help us collectively “think” this leap into futurity in the context of the epochal mass-extinction event called the Anthropocene (which the literary theorists more simply call “modernity”). SF is our culture’s vast, shared, polyvocal archive of the possible; from techno-utopias to apocalypses to ecotopian fortunate falls, it is thetransmedia genre of SF that has first attempted to articulate the sorts of systemic global changes that are imminent, or already happening, and begins to imagine what our transformed planet might eventually be like for those who will come to live on it. Especially taken in the context of escalating ecological catastrophe, in which each new season seems to bring with it some new and heretofore-unseen spectacular disaster, my coeditor’s well-known declaration that in the contemporary moment “the world has become a science fiction novel” has never seemed more true or more frightening. Indeed, such a notion suggests both politics and “realism” are now always “inside” science fiction, insofar as the world, as we experience its vertiginous technological and ecological flux, now more closely resembles SF than it does any historical realism…